Nominations for the 84th Academy Awards painted a wild, confusing, contradictory picture of the Academy.
Oscar voters agreed with the critics, giving "The Tree of Life" (below) an unexpected berth in their surprisingly large group of nine Best Picture nominees.
They ignored the critics, putting "Extremely Loud & Incredibly Close" in the lineup as well.
Also read: Oscar Nominees: The Complete List
They loved actors playing real characters (Meryl Streep as Margaret Thatcher, Michelle Williams as Marilyn Monroe, Brad Pitt as Billy Beane) -- and they didn't like actors playing real characters (Leonardo DiCaprio as J. Edgar Hoover).
They went for "The Girl With the Dragon Tattoo" in a big way, giving it five nominations and making Rooney Mara the most surprising entrant in the Best Actress category, but left the film out of the Best Picture lineup.
They liked "The Help" enough to put it in that lineup, but they didn't like "The Help" enough to give it a single nomination outside the picture and acting fields.
They really loved Martin Scorsese's "Hugo," making it the most-nominated film of the year, with 11 – but not one of those 11 came in a category voted on by the Actors Branch, by far the Academy's biggest.
Also read: The Snubs (Slideshow)
They shunned Steven Spielberg (no nomination for his animated film "The Adventures of Tintin," which won the Producers Guild Award three days ago), they loved Steven Spielberg (six nominations for "War Horse," tied for third among all films), and they shunned Steven Spielberg again (no director nomination).
They gave actors' actor Gary Oldman the first nomination of his long and celebrated career, but couldn't find room for actors' actor Tilda Swinton.
To go from the occasionally ridiculous to the sublime, the Oscar nominations put me in mind of Walt Whitman's "Song of Myself," a title Hollywood can surely relate to:
"Do I contradict myself?
Very well then I contradict myself,
(I am large, I contain multitudes.)"
The Academy contained multitudes on Tuesday morning, as epitomized by a nine-film slate of Best Picture nominees that was at least one or two films bigger than most observers had expected.
But with those multitudes of conflicting messages – with a lineup that includes "The Artist" and "War Horse," "The Tree of Life" and "Extremely Loud," "The Help" and "Hugo" and "The Descendants" and "Midnight in Paris" and "Moneyball" – have they given us any signs that the first of those films won't have an easy march to the stage at the end of the show on Feb. 26?
I've said in the past that the key to challenging "The Artist" is to find a film that can firmly assume the number-two slot, that can be the go-to vote for Academy members who aren't enamored with the black-and-white silent film.
