Why Iron Man Is the First 21st-Century Super Hero

Why Iron Man Is the First 21st-Century Super Hero

Published: May 11, 2010 @ 8:50 am
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By Jenka Gurfinkel

 (Editor's note: This post first appeared on Jenka's blog, social-creature.com, and was posted to Twitter by "Iron Man 2" director Jon Favreau early Tuesday.)

In 1938, on the eve of the Second World War, a relatively new medium called the comic book unleashed a new kind of character into the consciousness of American youth. Created by writer Jerry Siegel and illustrator Joe Shuster, this character possessed superhuman powers and a dedication to using those powers for the benefit of humanity. Often battling and defeating evil as hyperbolic as his own goodness, his iconic name would become the source of the term for this all-American archetype, the “superhero.” In the decades since Superman’s arrival, innumerable variations on this theme have emerged, but always these characters have struggled under the weight of a concept about who they must be that was invented before television. For the past 70 years we have been living with a 20th century version of the superhero.
Until now.
Though the Iron Man character was originally created in the early 60s, his most recent incarnation, as played by Robert Downey Jr., and directed by Jon Favreau in the just released Iron Man 2is really the first Millennial superhero.
The original Superman prototype possessed a key characteristic, one that his creators, first generation American sons of Eastern European Jewish immigrants, would have known something about, one that this “Man of Tomorrow” would pass on as part of his legacy to future generations of masked heroes: a secret identity. This trait would become an intractable part of the very definition of a superhero, as much a prerequisite for his mythology as extraordinary powers, or at least a flamboyant getup. And yet, in a press conference at the end of 2008’s first installment of the Iron Man franchise, Tony Stark announces to the world that he is Iron Man. This is where sequel starts off. The need for a secret identity is gone. The entire world knows — and not because some tabloid uncovered the mystery man behind the mask, but because he just straight up told everyone. In the comic books, it took Stark 40 years to make this move. For Superman or Spiderman or Batman or virtually any other superhero from the prior century (save some like the X-Men) their secret identities were their most sacred possessions, the keys to their undoings, and they fought as hard to protect them as to save humanity itself. But in the 21st century, Tony Stark’s approach to privacy reflects how Millennials now think of the concept.
These days, the kind of stuff kids choose to reveal about themselves online is almost beyond comprehension. The latest social platform eroding the boundary between what was once strictly private and is now exposed to the world is Formspring.me, which the New York Times calls, “the online version of the bathroom wall in school“:
"While Formspring is still under the radar of many parents and guidance counselors, over the last two months it has become an obsession for thousands of teenagers nationwide, a place to trade comments and questions like: Are you still friends with julia? Why wasn’t sam invited to lauren’s party? You’re not as hot as u think u are.
Tags: Iron Man, Iron Man 2, Movies
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(Editor's note: This post first appeared on Jenka Gurfinkel's blog, social-creature.com)

 

Jenka is a writer, former music festival producer, and retired circus manager -- now a digital and transmedia strategist who approaches her work through the lens of culture. Since 1998 she has produced art and music-driven lifestyle events in Boston, New York, and Los Angeles. By 2005 she was working on Red Bull’s culture marketing events, and conducting research at ADD Marketing in Los Angeles, and for U.K.-based athletic brand Umbro. From 2006 – 2007, she was the Southern California Online Marketing Coordinator for House of Blues, and later went on to direct the social media and web strategy for Live Nation on the Street Scene Music Festival campaign. In 2007 she became the Marketing Director for the event creations company The Do Lab, and in three years helped double their online community, and quadruple their festival attendance — without buying any advertising. Before joining Espresso, she was pushing the integration of experiential, social, and digital strategies for clients like VW and Kia as the Director of Social Media Strategy at EWI Worldwide. These days she is a Strategist in Espresso’s new Boston office. Jenka writes about marketing, culture, and identity at social-creature.com, but as the first-generation product of a culturally-mixed upbringing she’s been analyzing this stuff pretty much her whole life.

 

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