Actress Léa Seydoux, known for her role in “Blue Is the Warmest Color,” is now among a growing list of women who have detailed sexual harassment at the hands of Harvey Weinstein.
“We were talking on the sofa when he suddenly jumped on me and tried to kiss me,” she wrote in an op-ed for The Guardian. “I had to defend myself. He’s big and fat, so I had to be forceful to resist him. I left his room, thoroughly disgusted. I wasn’t afraid of him, though. Because I knew what kind of man he was all along.”
Seydoux went on to write about how she had seen Weinstein attempt to make advances at other women several instances when she saw him at events following the incident.
“I’ve seen how he operates: the way he looks for an opening,” Seydoux wrote. “The way he tests women to see what he can get away with….He also doesn’t take no for an answer. I once went with him to a restaurant and when he couldn’t get a table he got angry and said: ‘Do you know who I am? I am Harvey Weinstein.’ That’s the kind of man he is.”
But Seydoux didn’t restrict her criticism to Weinstein. She also described other instances of sexual harassment she suffered from other men in the entertainment industry. Though she did not mention him by name, she alluded to the extended sex scenes she had to film on the set of “Blue Is the Warmest Color” at the demands of director Abdellatif Kechiche. In an interview with The Independent in 2013, Seydoux said she felt “like a prostitute” while filming the sex scenes, which lasted for days.
“He kept watching us, replaying the scenes over and over again in a kind of stupor. It was very gross,” she wrote. “Yet another director tried to kiss me. Like Weinstein, I had to physically push him away, too. He acted like a crazy man, deranged by the fact that I didn’t want to have sex with him.”
“If you’re a woman working in the film industry, you have to fight because it is a very misogynistic world.”
A Short History of Harvey Weinstein's Oscar Campaigns (Photos)
Indie mogul Harvey Weinstein, who was fired last October from his position of co-CEO of The Weinstein Company, revolutionized the Oscar race both at TWC and his previous company, Miramax.
Harvey Weinstein first got into the Oscar race in a big way in 1990 with a "guerilla" campaign for the art-house drama "My Left Foot" by setting up meet-and-greets between Academy members and film talent. The result? Oscar wins for stars Daniel Day Lewis and Brenda Fricker.
Miramax snagged its first Best Picture victory for 1996's "The English Patient" -- which earned a total of nine awards, including for director Anthony Minghella and lead actress Juliette Binoche.
Weinstein built an awareness campaign for the then-unknown Billy Bob Thornton for 1996's "Sling Blade" -- which yielded an Oscar for his adapted screenplay and a nomination for Best Actor.
Miramax pulled off a double coup with 1997's "Good Will Hunting," delivering Robin Williams his long-awaited first Oscar and a rare screenplay prize for two twentysomething newbies, Ben Affleck and Matt Damon.
One year later, Miramax pulled out all the stops after landing two Best Picture nominations, including for the Italian-language drama "Life Is Beautiful." According to Peter Biskind's book "Down and Dirty Pictures," star-auteur Roberto Begnini "moved into L.A. for a month during the peak of the voting period." The film came away with three Oscars, including Best Actor.
That year, Miramax pulled off a bigger upset when "Shakespeare in Love" seized Best Picture over Steven Spielberg's heavily favored "Saving Private Ryan." "Shakespeare" won a total of seven Academy Awards, including for actresses Gwyneth Paltrow and Judi Dench.
Miramax surprised many by landing yet another Best Picture nomination for the 2000 Juliette Binoche-Johnny Depp bonbon "Chocolat."
In 2003, the Weinsteins had a hand in four of the five Best Picture nominees: "Chicago," "The Hours," "Gangs of New York" and "The Lord of the Rings: The Two Towers" (on which they had producer credits). "Chicago" won the top prize -- as well as five others.
In 2004, Miramax took advantage of a careful reading of Academy rules and scored four nominations for the Brazilian inner-city drama "City of God" -- even though the film had failed to land a Best Foreign Language film nomination the previous year.
The Weinsteins exited Disney-owned Miramax and founded their own company in 2005 -- and got right back in the Oscar race with two nominations for one of their first releases, the Felicity Huffman vehicle "Transamerica."
By 2009, The Weinstein Company landed its first Best Picture contender with "The Reader" -- and also snagged Kate Winslet her first Oscar as Best Actress in a role that many thought was more of a supporting part.
Two years later, TWC scored its first Best Picture win for "The King's Speech" -- as well as three other awards, including Best Actor for Colin Firth.
The following year, Weinstein pulled off another coup: landing five Oscars, including Best Picture for the mostly silent, black-and-white ode to Old Hollywood, "The Artist."
In 2013, TWC again had two horses in the Best Picture race: Quentin Tarantino's "Django Unchained" and "Silver Linings Playbook" -- which landed Jennifer Lawrence the prize for Best Actress.
Last year, Weinstein successfully landed six nominations -- including Best Picture -- for Garth Davis' tear-jerker "Lion." But just as Open Road won the top prize in 2016 for "Spotlight," another upstart, A24, used a lot of Harvey touches to score the indie "Moonlight" a Best Picture win.
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This is the first Oscar season in decades without the disgraced mogul who challenged the major studios and changed the game at the Academy
Indie mogul Harvey Weinstein, who was fired last October from his position of co-CEO of The Weinstein Company, revolutionized the Oscar race both at TWC and his previous company, Miramax.
