If you’ve been wondering where all the young TV viewers have gone when they don’t have cable but are up to date on “The Walking Dead,” a new study from creative agency Anatomy Media might have the answer. And the potential cost to TV networks and studios could run into the hundreds of millions.
According to Anatomy’s survey of 2,500 Americans age 18-24, 69 percent use some form of video piracy on a regular basis.
It gets worse: 61 percent of those young millennials share a password to a video subscription service with family or friends.
But worst of all, perhaps, is that because they visit piracy sites with invasive and possibly malicious ads, much more of this demographic is using ad blockers than the U.S. population at large — 63 percent of the respondents said they use an ad blocker on at least one device. (Online advertising researcher eMarketer estimates about 26.3 percent of all Americans are ad blockers.)
Anatomy’s study found a strong correlation between streaming piracy and ad blocking, and hypothesizes that the two behaviors are reinforcing.
Generally, ad blocking has been a concern for publications like The New York Times or Forbes. But ad blockers work on video players, too — and the Anatomy study found that 64 percent of young millennials actually install an ad blocker specifically to avoid ads on videos.
Anatomy co-founder and CEO Gabriella Mirabelli told The Wrap this points to ad-supported networks, digital and traditional, possibly losing out on millions in revenue because most of them aren’t using an ad block wall, technology that denies access to those using an ad blocker.
“Think about the Olympics on NBC,” Mirabelli told The Wrap. “We kept testing it to see if they had an ad blocking wall, and, nope. You could watch all their stuff and never see an ad. That’s where two-thirds of their missing millennials went.”
Indeed, Anatomy conducted tests on the major broadcasters’ streaming sites and found that Fox, ABC and NBC allow you to watch their videos with an ad blocker activated — CBS was the exception among the broadcasters, asking users to turn off their ad blockers in order to view content. Most cable sites that Anatomy tested, including Viacom’s Spike and A&E’s Lifetime, also allowed ad blockers full streaming capabilities.
“You know who has ad block walls? Some of these streaming piracy sites,” Mirabelli said. “So they’re profiting doubly at the expense of the network, in some cases.”
The impetus for the study came when Mirabelli caught her two teenage sons illegally streaming shows and ad blocking, and in her admonishments discovered they didn’t know they were doing anything wrong.
Most of those in the 18-24 demo don’t even think it counts as piracy if they’re merely streaming a TV show or movie instead of downloading it onto their computer or phone. And just 18 percent of them believe that streaming video without paying for it is wrong.
“They view the streaming site as the party doing the wrong thing, and they’re just witnesses,” Mirabelli explained. She likes to call these scofflaws “striminals,” a portmanteau of “streaming” and “criminals.”
While it’s easier to convince people to stop doing something if they believe they’re wrong, it’s much, much more difficult to convince them to stop doing something they don’t perceive as wrong. That’s the row that networks and studios have to hoe with these younger viewers.
So how does the entertainment world set these youngsters on the right path?
First, by putting up those walls that don’t let them watch content while using an ad blocker.
The next step is a little harder: making sure the ads the viewers experience are relevant, varied and not awful. “If you’re going to force people to turn off their ad blocker, you damn well better make sure their ad experience is just as premium as the video,” Mirabelli said.
15 Oscar Winners You Can Stream on Netflix (Photos)
If you want to take a stroll down Oscar memory lane before the Academy Awards on Sunday, Netflix has a wide range of Oscar-winning films for you to check out. We've included some of the greatest here. We've also included some of the not-so-great ones, because the Academy has a long history of making a fool of itself.
In 1929, "Wings" became the first Best Picture winner, and unlike all the others, it is a silent film. This World War I tale spared no expense to re-enact the biplane dogfights that took place in the skies over France, even requiring the pilots to film their close-up shots while flying the planes.
Paramount
"The Greatest Show On Earth" is a kitschy Cecil B. DeMille blockbuster about the drama behind the scenes at a circus. It's also one of the earliest examples of the Academy screwing up, as it won Best Picture in 1952 over classics like "High Noon" and "The Quiet Man." When "Crash" controversially won Best Picture in 2006, this was the film it was compared to.
Paramount
Audrey Hepburn's legendary debut film, "Roman Holiday," has a link to this year's Oscars. The film was written in secret by the blacklisted Dalton Trumbo, whom Bryan Cranston got a Best Actor nod this year for playing.
Paramount
Before the Academy became known for handing out all its awards to serious films, it was giving out Best Picture to films like "Around The World In 80 Days" in 1957. It's a fun and brilliantly made comedy, but it beat out DeMille's final (and arguably best) film, "The Ten Commandments." In hindsight, the Academy picked the wrong film to honor DeMille with its top prize.
United Artists
If you've never seen the 1962 film adaptation of the late Harper Lee's classic "To Kill a Mockingbird," you owe it to yourself to see it. It finally got Gregory Peck an Oscar after being nominated five times, and Horton Foote's Oscar-winning screenplay is one of the defining examples of adapting a book to the screen.
Universal
In the same year as "Mockingbird," there was also the legendary World War II epic "The Longest Day." The mission of this film was simple: try to depict the D-Day invasion as faithfully as possible. Judging by its Oscar wins in cinematography and visual effects and its Best Picture nom, it succeeded.
Twentieth Century Fox
"Butch Cassidy and the Sundance Kid" got William Goldman a screenplay Oscar for a script that includes the famous line, "You crazy? The fall will probably kill ya!" If you're a Marvel fan, you might remember the use of the song "Raindrops Keep Fallin' on My Head" in "Spider-Man 2." That song came from this movie, and it won an Oscar for that, too.
Twentieth Century Fox
Fast forward to 1988, and there's another film connected to this year's Oscars in "Who Framed Roger Rabbit?" In addition to three competitive Oscars, "Roger Rabbit" won a Special Achievement Award for Richard Williams, who directed the animation for the film. Williams is in contention for Best Animated Short this year for his highly detailed pet project, "Prologue."
Touchstone/Amblin
"Cinema Paradiso" is one of the defining films of Italian cinema. It's a bittersweet tale about a famous director who reminisces about his childhood friendship with the projectionist at the only cinema in his village. It's a love letter to both movies and the experience of watching them, with an ending that is absolutely beautiful.
Miramax
Daniel Day Lewis' rise to the title of Oscar King began with "My Left Foot" He has been nominated for Best Actor five times and has three wins. Day-Lewis is one of only two persons to win three or more Oscars for leading roles. The other? Four-time winner Katherine Hepburn.
Miramax
Odds are you've probably seen "Forrest Gump" multiple times. Can't blame you if you did. It won six Oscars in 1995, including Best Picture, Actor, Director and Adapted Screenplay. Still, go see it again, and when you do, see it back-to-back with...
Paramount
"Pulp Fiction," a film that won Best Original Screenplay in '95 but lost to "Gump" in every category it was nominated against. To this day, "Gump" vs. "Pulp" remains one of the biggest Oscar debates. Watch them together and pick a side.
Miramax
It's a good thing Matt Damon won a screenplay Oscar for the script he co-wrote with Ben Affleck for "Good Will Hunting," because if he loses Best Actor to Leo on Sunday, it will be the third time he's failed to win in that category. Don't worry, Matt. It's not your fault.
Miramax
It still baffles many how "Shakespeare in Love" managed to beat Steven Spielberg's "Saving Private Ryan" for Best Picture. Look no further than its producer, Harvey Weinstein, whose success campaigning for this film made him an awards circuit mainstay.
Miramax
"American Beauty" is one of the best films of the past 20 years to take Best Picture. Hitting different themes while being simultaneously moving and creepy, it features Kevin Spacey at the top of his game and was a breakthrough film for director Sam Mendes, who went on to direct the two most recent Bond films, "Skyfall" and "Spectre."
Dreamworks
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Netflix is full of Best Picture Oscar winners, here’s some you can view now kn the runup to Sunday’s Oscars
If you want to take a stroll down Oscar memory lane before the Academy Awards on Sunday, Netflix has a wide range of Oscar-winning films for you to check out. We've included some of the greatest here. We've also included some of the not-so-great ones, because the Academy has a long history of making a fool of itself.