Netflix has extended their production deal with Adam Sandler and his Happy Madison Productions to make four more films, the company announced Friday.
Sandler first signed a production deal with Netflix in 2014, which was then extended in 2017. “The Ridiculous 6” was the first film Sandler made for Netflix, followed by “The Do-Over,” “Sandy Wexler,” “The Week Of,” “Murder Mystery” and “100% Fresh,” for which he was nominated for an Emmy. Additionally, Happy Madison produced “Father of the Year” and the upcoming “The Wrong Missy.”
According to Netflix, audiences have spent two billion hours watching his films since 2015, when “The Ridiculous 6” premiered. Additionally, the streamer noted that “Murder Mystery” was the most popular film on Netflix last year.
“Whether you know him as Sandman, the Water Boy, Billy Madison, Happy Gilmore, Nick Spitz or simply Adam, one thing is clear: our members can’t get enough of him,” Ted Sarandos, Netflix Chief Content Officer, said. “They love his stories and his humor, as we saw with ‘Murder Mystery.’ So I could not be more excited to extend our partnership with Adam and the Happy Madison team and deliver more laughs around the world.”
Sandler is currently starring in the critically acclaimed “Uncut Gems,” for which he was named Best Actor by the National Board of Review. “Murder Mystery,” his Netflix film in which he starred opposite Jennifer Aniston, won The People’s Choice Award for Best Comedy last year.
Later this year, he will star in the Netflix family film “Hubie Halloween” alongside Kevin James, Julie Bowen, Ray Liotta, Maya Rudolph, Rob Schneider, Kenan Thompson, Steve Buscemi and Michael Chiklis. He also has an animated feature film in the works which he will write, produce and star in as a voice actor.
Sandler’s films have grossed over $3 billion and include titles such as “Grown Ups,” “Billy Madison,” “Big Daddy” and “The Waterboy.”
14 Terrible Adam Sandler Movies Ranked From Bad to Worst (Photos)
The critics have not been kind to Adam Sandler over the years -- but see just how unkind they've been to comedies in which he's taken a lead role.
Netflix
"Sandy Wexler" (2017) Rotten Tomatoes Rating: 33%
"There's no way to recommend it, yet I wouldn't ask for my two hours back (though I do wish that they could have been sped up somewhat)" New Yorker critic Richard Brody wrote.
Netflix
"The Week Of" (2018) Rotten Tomatoes Rating: 27%
"The best that can be said about 'The Week Of 'is that it at least tacks some heart onto an otherwise stale, mothball-scented set-up," EW critic Chris Nashawaty wrote in 2017.
“Little Nicky” (2000) Rotten Tomatoes Rating: 22%
“Like spending 84 minutes in Hell,” critic Christy Lemire wrote when it hit theaters in 2000.
New Line Cinema
“That’s My Boy” (2012) Rotten Tomatoes Rating: 20%
“Vulgar, trite, sexist, misogynist, hacky, tacky, gross, sentimental and stupid, with occasional flourishes of racism and veiled homophobia thrown in to boot,” TheWrap’s Alonso Duralde wrote in his 2012 review.
Columbia Pictures
“Just Go With It” (2011) Rotten Tomatoes Rating: 19%
“An early contender for worst movie of the year. If they were showing this on an airplane, I'd ask for a parachute,” Richard Roeper wrote in 2011.
Columbia Pictures
“Pixels” (2015) Rotten Tomatoes Rating: 17%
“A middle finger aimed right at the audience,” The Verge critic Bryan Bishop wrote in 2015.
Columbia Pictures
“Blended” (2014) Rotten Tomatoes Rating: 14%
“I felt like it was crushing the soul out of me. But it's still not as bad as Grown-Ups 2,” TheWrap’s Alonso Duralde wrote in his review of 2014 movie co-starring Drew Barrymore.
Warner Bros.
“I Now Pronounce You Chuck & Larry” (2007) Rotten Tomatoes Rating: 14%
“Even unrepentant homophobes deserve funnier,” Chicago Tribune Michael Phillips wrote in his 2007 review of movie about two firefighters who pretend to be gay to get benefits of a domestic partnership.
Universal Pictures
“Grown Ups” (2010) Rotten Tomatoes Rating: 10%
“I felt a deep sadness every time the audience laughed and the sounds of their chuckles turned into the ringing of the cash register, and all I thought was a grim, simple truth: This, America, is why we can't have nice things,” critic James Rocchi wrote of the 2010 reunion flick starring some of Sandler’s best buddies.
Columbia Pictures
“The Cobbler” (2015) Rotten Tomatoes Rating: 9%
“A movie like this, in which not a single scene comes together, in which almost nothing makes you laugh or cry or think, reminds you that it's truly a miracle when movies work at all,” Pulitzer Prize winner Wesley Morris wrote in 2015 about the surprisingly bad film from “Spotlight” director Tom McCarthy.
Image Entertainment
“Grown Ups 2” (2013) Rotten Tomatoes Rating: 7%
“Yes, it's time for another visit to the Adam Sandler Death-of-Cinema Fun Factory, the big-screen version of a terrible sitcom where laugh tracks are replaced by the co-stars chuckling at their own awful material,” TheWrap’s Alonso Duralde wrote about this unnecessary sequel in 2013.
Columbia Pictures
"The Do-Over" (2016) Rotten Tomatoes Rating: 6%
"It takes a certain blithe self-confidence to take this Scotch-taped-together plot and run it out well past the 90-minute mark," critic Jesse Hassenger wrote.
Netflix
"Jack & Jill" Rotten Tomatoes Rating: 3%
“Comedy moved on from the mid-1990s, and it's time Sandler did, too. ‘Jack and Jill’ even gives fart jokes a bad name,” critic Jake Coyle wrote in 2011.
Columbia Pictures
"The Ridiculous Six" Rotten Tomatoes Rating: 0%
"Thanks for nothing, Netflix," Chicago Sun-Times critic Richard Roeper wrote.
Netflix
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The critics have not been kind to the ”Happy Gilmore“ star over the years
The critics have not been kind to Adam Sandler over the years -- but see just how unkind they've been to comedies in which he's taken a lead role.