-
‘Ferrari’ Review: Michael Mann’s Racing Movie Astounds but Sputters
Venice 2023: Mann’s first film in eight years is overwhelming at times, but it’s hard to ignore the creakiness of the script
-
‘Comandante’ Review: An Improbable If Pleasant War Drama That Calls for Tolerance
Venice 2023: The Edoardo De Angelis film is well-intentioned despite all its dopiness and national mythologizing
-
‘Elemental’ Review: A Rich and Vibrant Showcase of Studio Animation
Pixar’s latest takes the conventional antagonists duo of fire and water from foils to friends to frustrated soul mates
-
‘Cobweb’ Review: Song Kang-ho Is a Director at Play in Stylish Potboiler
Cannes 2023: South Korean actor marks his fourth consecutive trip to the festival with an exercise in flair but not much more
-
‘Club Zero’ Review: Jessica Hausner’s Eating Disorder Satire Is a Tough Nut to Crack
Cannes 2023: The hard look at modern anxieties has mixed effect
-
‘Last Summer’ Review: Catherine Breillat’s Scandal-Courting Drama Draws Yawns
Cannes 2023: Can a film without much spark really be said to fizzle?
-
‘A Brighter Tomorrow’ Review: Nanni Moretti Returns to Cannes With His Tics and Obsessions Laid Bare
Cannes 2023: Farce is a comeback of sorts that could also serve as the director’s closing statement
-
‘The Pot au Feu’ Review: Juliette Binoche and Benoit Magimel Shine in a Lush, Kitchen-Set Romance
Cannes 2023: Trần Anh Hùng’s period drama prefers steaks to stakes – and it’s an absolute delight
-
‘Kidnapped’ Review: A Bittersweet Tale of Childhood Resilience
Cannes 2023: The film doesn’t pit one faith against another, instead it sets individuals against larger institutions
-
Sam Levinson’s HBO Series ‘The Idol’ Singes Cannes With Luxury Sleaze
There was plenty of earned laughter and warm applause for Abel “The Weeknd” Tesfaye, Lily-Rose Depp and Sam Levinson
-
Jude Law Stunk Up the Set of ‘Firebrand’ – And He’s Proud of It
Cannes 2023: Playing Henry VIII, Law and his specially commissioned scent were “wonderfully terrifying,” said co-star Alicia Vikander at a Cannes press conference
-
‘The Zone of Interest’ Review: Jonathan Glazer’s Holocaust Drama Is Dark and Disturbing
Cannes 2023: A new take on an ungraspable madness we must never let ourselves forget
-
‘Homecoming’ Review: Catherine Corsini’s Feature Is a Hedonistic Coming-of-Age Tale
Cannes 2023: The film was mired in controversy after news of irresponsible on-set practices broke just before the selection was announced
-
Cannes Critic’s Take: From Martin Scorsese to Wes Anderson, This Year’s Lineup Is Faithful to Old Friends
TheWrap magazine: The 76th Cannes film festival will also showcase “Indiana Jones and the Dial of Destiny” and Pixar’s “Elemental”
-
‘Close’ Review: Gentle Coming-of-Age Drama Packs an Emotional Punch
Belgian filmmaker Lukas Dhont is a generous and patient director of his unknown and more established performers
