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Chase Hutchinson

Experience:

Chase Hutchinson is a film and TV critic for TheWrap and has written for the publication since 2024. He is a member of the Seattle Film Critics Society (SFCS).

  • ‘The Fence’ Review: Claire Denis’ Latest Film Is a Consuming Drama About Death

    TIFF 2025: Isaach De Bankolé gives a typically excellent performance even when the film is not Denis’ best

    By

    Chase Hutchinson
    September 10, 2025 @ 4:19 PM
    Movies
    4:19 PM
    ‘The Fence’ Review: Claire Denis’ Latest Film Is a Consuming Drama About Death
  • ‘A Simple Soldier’ Review: A Fascinating, Fraught Documentary About the Ukraine War

    TIFF 2025: Filmmaker Artem Ryzhykov becomes an active participant in this grim portrait of the ongoing war

    By

    Chase Hutchinson
    September 10, 2025 @ 7:56 AM
    Movies
    7:56 AM
    ‘A Simple Soldier’ Review: A Fascinating, Fraught Documentary About the Ukraine War
  • ‘Swiped’ Review: Lily James Can’t Make This Shallow Dating App Saga Into ‘The Social Network’

    TIFF 2025: Though it’s plenty sincere, there’s no greater depth to this film about the creation of Tinder and Bumble

    By

    Chase Hutchinson
    September 9, 2025 @ 10:09 PM
    Movies
    10:09 PM
    ‘Swiped’ Review: Lily James Can’t Make This Shallow Dating App Saga Into ‘The Social Network’
  • ‘Powwow People’ Review: Sky Hopinka’s Stunning New Doc Is a Vital Vision of Modern Indigenous Life

    TIFF 2025: The experimental filmmaker’s latest work is already one of the most essential documentaries of the year

    By

    Chase Hutchinson
    September 9, 2025 @ 9:50 AM
    Movies
    9:50 AM
    ‘Powwow People’ Review: Sky Hopinka’s Stunning New Doc Is a Vital Vision of Modern Indigenous Life
  • ‘Blue Heron’ Review: Sophy Romvari’s Astonishing Feature Debut Is a Riveting Reflection on Memory and Regret

    TIFF 2025: The film is both rigorously detailed and enduringly compassionate

    By

    Chase Hutchinson
    September 8, 2025 @ 10:23 PM
    Reviews
    10:23 PM
    ‘Blue Heron’ Review: Sophy Romvari’s Astonishing Feature Debut Is a Riveting Reflection on Memory and Regret
  • ‘Normal’ Review: Bob Odenkirk Has a Bloody Blast in ‘Die Hard’ Meets ‘Fargo’ Action Romp

    TIFF 2025: Ben Wheatley’s latest has a whole lot of fun smashing everything together and keeping us on our toes

    By

    Chase Hutchinson
    September 8, 2025 @ 6:45 AM
    Reviews
    6:45 AM
    ‘Normal’ Review: Bob Odenkirk Has a Bloody Blast in ‘Die Hard’ Meets ‘Fargo’ Action Romp
  • ‘Bad Apples’ Review: Saoirse Ronan Schools Us in Daring, Darkly Funny Satirical Thriller 

    Toronto Film Festival: Ronan gives one of her best, funniest performances to date in Jonatan Etzler’s stellar second feature

    By

    Chase Hutchinson
    September 7, 2025 @ 8:25 PM
    Movies
    8:25 PM
    ‘Bad Apples’ Review: Saoirse Ronan Schools Us in Daring, Darkly Funny Satirical Thriller 
  • ‘The Christophers’ Review: Steven Soderbergh’s Chamber Drama Is a Riveting Meditation on Art

    TIFF 2025: Ian McKellen and Michaela Coel are a compelling duo in this story of forgery, art and legacy

    By

    Chase Hutchinson
    September 7, 2025 @ 7:36 PM
    Movies
    7:36 PM
    ‘The Christophers’ Review: Steven Soderbergh’s Chamber Drama Is a Riveting Meditation on Art
  • ‘& Sons’ Review: Bill Nighy’s Bad Dad Leads a Strong, Surprising Family Drama

    TIFF 2025: Director Pablo Trapero and co-writer Sarah Polley craft a film that steadily grows on you

    By

    Chase Hutchinson
    September 7, 2025 @ 1:43 PM
    Movies
    1:43 PM
    ‘& Sons’ Review: Bill Nighy’s Bad Dad Leads a Strong, Surprising Family Drama
  • ‘Wake Up Dead Man’ Review: Rian Johnson’s Glorious, Goofy Gothic Horror Is the Best ‘Knives Out’ Movie Yet

    TIFF 2025: Daniel Craig and Josh O’Connor are a match made in heaven in the director’s latest murder mystery

    By

    Chase Hutchinson
    September 6, 2025 @ 6:55 PM
    Movies
    6:55 PM
    ‘Wake Up Dead Man’ Review: Rian Johnson’s Glorious, Goofy Gothic Horror Is the Best ‘Knives Out’ Movie Yet
  • ‘The Man in My Basement’ Review: Willem Dafoe and Corey Hawkins Play Mind Games in a Scattered Horror Film

    TIFF 2025: This genre exercise introduces whole ideas but ultimately does little with them

    By

    Chase Hutchinson
    September 5, 2025 @ 10:18 PM
    TV
    10:18 PM
    ‘The Man in My Basement’ Review: Willem Dafoe and Corey Hawkins Play Mind Games in a Scattered Horror Film
  • ‘The Choral’ Review: Ralph Fiennes Can’t Save Overly Sincere, Stuffy WWI Drama

    TIFF 2025: The latest film from Nicholas Hytner and Alan Bennett leaves the ‘Conclave’ star stranded with little to work with

    By

    Chase Hutchinson
    September 5, 2025 @ 4:23 PM
    Movies
    4:23 PM
    ‘The Choral’ Review: Ralph Fiennes Can’t Save Overly Sincere, Stuffy WWI Drama
  • ‘Christy’ Review: A Spectacular Sydney Sweeney Will Break Your Jaw — and Your Heart

    TIFF 2025: David Michôd’s boxing biopic has great performances, but the film doesn’t do them or its subject justice

    By

    Chase Hutchinson
    September 5, 2025 @ 2:49 PM
    Movies
    2:49 PM
    ‘Christy’ Review: A Spectacular Sydney Sweeney Will Break Your Jaw — and Your Heart
  • ‘Maddie’s Secret’ Review: John Early’s Excellent Directorial Debut Is a Comedy for Our Moment

    TIFF 2025: Early writes, directs and stars in this sincere skewering of TV movies of old

    By

    Chase Hutchinson
    September 5, 2025 @ 9:40 AM
    Movies
    9:40 AM
    ‘Maddie’s Secret’ Review: John Early’s Excellent Directorial Debut Is a Comedy for Our Moment
  • ‘Mile End Kicks’ Review: Barbie Ferreira and Chandler Levack Make Movie Magic Together

    TIFF: Levack’s fantastic second feature cements her status as an essential voice

    By

    Chase Hutchinson
    September 4, 2025 @ 7:38 PM
    Movies
    7:38 PM
    ‘Mile End Kicks’ Review: Barbie Ferreira and Chandler Levack Make Movie Magic Together
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