Chase Hutchinson is a film and TV critic for TheWrap and has written for the publication since 2024. He is a member of the Seattle Film Critics Society (SFCS).
Experience:
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‘Sketch’ Review: Tony Hale Is Terrific in Seth Worley’s Charming Spielbergian Monster Movie
TIFF 2024: The “Veep” star does emotional heavy lifting, but it’s the kids that steal the show
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‘40 Acres’ Review: Danielle Deadwyler and Michael Greyeyes Make a Post-Apocalyptic Power Couple
TIFF 2024: This flawed yet fascinating look at life after collapse has more on its mind
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‘The Life of Chuck’ Review: Mike Flanagan’s Stephen King Adaptation Is His Best Film Yet
TIFF 2024: Based on the author’s novella, the Tom Hiddleston-starring film is a triumph of beauty and melancholy
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‘Sharp Corner’ Review: Ben Foster Is Magnetic in Jason Buxton’s Isolated Thriller
TIFF 2024: The underrated actor is reliably excellent as a man unraveling while obsessing over car crashes outside his home
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‘Daniela Forever’ Review: Henry Golding Is Stranded in a Hollow Sci-Fi ‘Inception’ Riff
TIFF 2024: Despite glimpses of potential, Nacho Vigalondo’s latest needed to dream much bigger
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‘Space Cowboy’ Review: A Life-Affirming Skydiving Doc About Cheating Death
TIFF 2024: This portrait of skydiving cinematographer Joe Jennings is often breathtaking
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‘The Luckiest Man in America’ Review: Paul Walter Hauser Gives a Winning Game Show Performance
TIFF 2024: Spinning a yarn about a contestant on 1980s competition series “Press Your Luck,” Samir Oliveros’ film can’t quite win it all — and that’s OK
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‘Vice Is Broke’ Review: A Messy Documentary Portrait of a Media Empire’s Rise and Fall
TIFF 2024: Like the publication itself, Eddie Huang’s doc offers strong insights — alongside spectacle
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‘All That We Love’ Review: Margaret Cho Brings Delight to Dramedy as She Mourns the Loss of a Dog
Tribeca 2024: The latest film from Yen Tan confronts how we all move on
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‘Grand Tour’ Review: Miguel Gomes’ Sprawling Travelogue Traverses Space and Time
Cannes 2024: The Portuguese auteur fascinates and frustrates in this meandering and melancholic film
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‘The Most Precious of Cargoes’ Review: Michel Hazanavicius’ Animated Holocaust Drama Struggles With Restraint
Cannes 2024: This flawed yet fascinating film is best when it’s poetically delicate
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‘Beating Hearts’ Review: Gilles Lellouche’s Melodramatic Romance Epic Loses the Magic
Cannes 2024: Adèle Exarchopoulos stars in a film that starts strong before going off a cliff
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‘Santosh’ Review: Shahana Goswami Commands the Screen in Story About Indian Policing
Cannes 2024: Sandhya Suri’s feature debut subverts the standard police procedural
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‘Motel Destino’ Review: Karim Aïnouz’s Erotically Charged Thriller Has Plenty of Visual Spark But Fizzles Out
Cannes 2024: Though its colors often pop off the screen, its direction, writing and performances remain disappointingly flat
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‘Armand’ Review: Renate Reinsve Is Riveting in Fearsome Chamber Drama
Cannes 2024: Though she won Best Actress at the festival for her performance in 2021’s ‘The Worst Person in the World,’ Reinsve’s latest is her best work to date
