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‘The Friend’s House Is Here’ Review: Iran’s Underground Artists Speak Out, But at What Cost?
Sundance 2026: Maryam Ataei and Hossein Keshavarz’s film offers a portrait of a country and a generation on the brink of incredible change
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‘Ha-Chan, Shake Your Booty!’ Review: Rinko Kinkuchi and a Singular Tone Keep Quirky Dramedy on Beat
Sundance: Kubota Wladyka’s third feature follows a woman getting her groove back after her husband’s sudden death
