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‘Sharper’ Review: Lots of Glitter, Little Gold in Sebastian Stan, Julianne Moore Drama
By Katie Walsh | February 7, 2023 @ 1:30 PMA shiny, reflective bauble that’s fun to play with but is ultimately forgettable
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‘Full Time’ Review: Laure Calamy Anchors Strong Story of Parental Struggle
By Katie Walsh | February 2, 2023 @ 10:13 AMCalamy delivers a performance that is utterly present, physically and emotionally
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‘One Fine Morning’ Review: Mia Hansen-Løve Captures Love, Death, and Renewal in a Young Mother’s Life
By Katie Walsh | January 26, 2023 @ 2:45 PMLéa Seydoux gives a striking performance, her face registering a panoply of emotions with honesty and subtlety
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‘Cat Person’ Review: Provocative Adaptation of Viral Short Story Makes Bold Choices
By Katie Walsh | January 21, 2023 @ 10:25 PMSundance 2023: Writer Michelle Ashford and director Susanna Fogel build out the #MeToo world of the New Yorker short story
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‘The Starling Girl’ Review: Repressed Young Woman Seeks Freedom in Assured Indie Debut
By Katie Walsh | January 21, 2023 @ 12:45 PMSundance 2023: Writer-director Laurel Parmet captures both the beauty and bondage of an isolated Christian community
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‘Fairyland’ Review: Moving Memoir of Daughter and Queer Father Hits the Screen With Emotional Heft
By Katie Walsh | January 20, 2023 @ 5:33 PMSundance 2023: Scoot McNairy stuns in the lead role of an unconventional dad raising his child in 1970s San Francisco — and facing AIDS in the 80s
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‘Only in Theaters’ Review: Documentary Celebrates the Family Behind LA’s Laemmle Arthouse Chain
By Katie Walsh | January 19, 2023 @ 2:05 PMRaphael Sbarge’s film plays more effectively as a portrait of exhibitor Greg Laemmle than as a valentine to the moviegoing experience
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‘Matilda the Musical’ Film Review: The Kids Are Revolting, in the Best Way
By Katie Walsh | December 23, 2022 @ 12:00 PMThe team behind the Olivier- and Tony-winning stage musical bring this tuneful tale of rebellious youth to rousing cinematic life
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‘Retrograde’ Review: Visceral Doc Puts Viewers Squarely Inside the U.S. Withdrawal From Afghanistan
By Katie Walsh | December 7, 2022 @ 5:00 PMThe director of ”Cartel Land“ and ”The First Wave“ offers no easy answers about the end of the war, just the haunting faces of those involved
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‘The Territory’ Review: Amazonian Eco-Warriors Fight Back With Arrows – and Cameras
By Katie Walsh | November 30, 2022 @ 1:38 PMAlex Pritz’s urgent look at environmental destruction tempers its bleakness with the stirring hope of indigenous activists defending the rain forest
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‘Sam & Kate’ Review: Dustin Hoffman and Sissy Spacek Family Project Disappoints
By Katie Walsh | November 11, 2022 @ 9:23 AMIt’s fun to watch these legends play parents to their real-life offspring, but this rom-com offers little beyond that central gimmick
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‘My Policeman’ Review: Harry Styles’ LGBTQ Love-Triangle Tale Can’t Balance Time Periods
By Katie Walsh | November 4, 2022 @ 9:57 AMThe film jumps back and forth between the 1950s and 1990s, but the two versions of the three characters never cohere
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‘Utama’ Review: Bolivia’s Oscar Entry Examines the End of a Way of Life
By Katie Walsh | November 3, 2022 @ 3:33 PMDisappearing water supply may force an elderly couple to abandon their home and move to the city in this Sundance award-winner
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‘Selena Gomez: My Mind & Me’ Review: Behind-the-Fame Doc Offers a Certain Level of Insight
By Katie Walsh | November 2, 2022 @ 9:00 PMAFI Fest 2022: Working with the director of ”Truth or Dare,“ Gomez purports to let it all hang out, although she’s still clearly in charge of what we do and don’t see
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‘Descendant’ Review: Powerful Doc Examines Generations of Oppression and Survival
By Katie Walsh | October 21, 2022 @ 5:24 AMMargaret Brown connects Africans kidnapped for the slave trade to their descendants, battling environmental racism, in a moving history