Robert Hofler is the Theater Critic at TheWrap, writing reviews about Broadway and Off Broadway shows. He is an author of several books on the entertainment industry, including “The Man Who Invented Rock Hudson” and “Money, Murder, and Dominick Dunne.” Hofler was previously an editor at Variety and Life magazine, among other publications.
Experience:
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‘Well, I’ll Let You Go’ Off Broadway Review: A Flawed Gem About a Widow’s Grief Ultimately Glistens
Bubba Weiler’s new drama is an unusual examination of the stages of grief with a completely satisfying performance from Quincy Tyler Bernstine
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‘The Receptionist’ Off Broadway Review: She Answers the Phone, Makes Coffee. Does That Make Her a Fascist?
Adam Bock’s dark comedy teases without delivering a much-needed second act
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‘Hamlet’ Off Broadway Review: What if Truman Capote Had Ever Played the Bard’s Moody Dane?
Hiran Abeysekera, last seen Stateside in “The Life of Pi” on Broadway, is more ironic than he is tragic
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Tony Awards 2026: Predicting Who Will Be Nominated – and Who Should
Ahead of Tuesday’s nominations, TheWrap critic Robert Hofler spotlights “Rocky Horror,” “Becky Shaw” and more
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‘Kenrex’ Off Broadway Review: Jack Holden Delivers Twangs ‘n Chills to Play a Real All-American Monster
The English actor brings his Olivier Award-winning performance to the States, where all the crimes took place
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‘The Lost Boys’ Broadway Review: Or, Why Frank-N-Furter Gets the Last Laugh
It’s big and loud, but this new musical is no “Rocky Horror Show”
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‘Joe Turner’s Come and Gone’ Broadway Review: Debbie Allen’s Direction Injects Real Fire Into August Wilson’s Masterpiece
Taraji P. Henson and Cedric the Entertainer lead an absolutely terrific ensemble
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‘Beaches’ Broadway Review: Even the Legendary Mike Stoller Can’t Prevent This Flotsam From Washing Ashore
The Bette Midler tearjerker makes a very rocky transition to the musical stage
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‘The Balusters’ Broadway Review: A New Play Covers Almost All the Diversity Bases
David Lindsay-Abaire’s entertaining comedy about a power-hungry HOA looks at diversity in all its orientations and colors, only to discover that something’s missing
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‘Schmigadoon!’ Broadway Review: Lorne Michaels and Cinco Paul Recycle Their Apple TV Show
Minimal effort has been extended to reinvent the musical for the stage
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‘Fallen Angels’ Broadway Review: Rose Byrne and Kelli O’Hara Do Their Lucy & Ethel Best to Dust Off an Antique
Noel Coward would not recognize his 1925 flop about two married women who consider revisiting past affairs with the same lover
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‘The Adding Machine’ Off Broadway Review: Jennifer Tilly and Daphne Rubin-Vega Turn Zeroes Into a Major Comic Plus
Sarita Choudhury (“And Just Like That”) and Michael Cyril Creighton (“Only Murders in the Building”) round out an excellent cast that brings an American rarity to the stage
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‘Titanique’ Broadway Review: Jim Parsons Jumps Aboard the Sinking-Ship Musical
The “Big Bang Theory” star helps keep a far glitzier version of this “Titanic” parody from capsizing
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‘Death of a Salesman’ Broadway Review: Nathan Lane and Laurie Metcalf Beg Us to Pay Attention
Joe Mantello directs a surreal and overwrought revival of the Arthur Miller classic
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‘Dog Day Afternoon’ Broadway Review: Jon Bernthal and Ebon Moss-Bachrach Bring a Classic Movie to the Stage
“The Bear” actors do a great job replacing (but not replicating) Al Pacino and John Cazale
