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William Bibbiani

Experience:

William Bibbiani is a professional film critic and member of the Los Angeles Film Critics Association (LAFCA), the Critics Choice Association (CCA) and GALECA: The Society of LGBTQ Entertainment Critics. He has written film criticism for over 20 years and written for The Wrap since 2019. He is a frequent guest on KCRW’s Press Play with Madeline Brand. He also co-hosts The Critically Acclaimed Network, a series of podcasts dedicated to new, classic and cult film and TV reviews and retrospectives. His commentary tracks and essays can be found on Blu-ray special editions for films released by Arrow Video, Shout! Factory and Umbrella Entertainment. You can follow him on BlueSky (and various other social medias).

  • ‘Garfield: The Movie’ Review: An Animated Adventure With More Heart (and Lasagna) Than Laughs

    Chris Pratt and Samuel L. Jackson star in the first halfway decent movie based on the classic comic strip

    By

    William Bibbiani
    May 19, 2024 @ 6:21 PM
    Movies
    6:21 PM
    ‘Garfield: The Movie’ Review: An Animated Adventure With More Heart (and Lasagna) Than Laughs
  • ‘The Strangers: Chapter 1’ Review: Tamara Isn’t Here, and Neither Are the Scares

    Renny Harlin’s reboot of the classic horror thriller asks the question, “What if it was really bad?”

    By

    William Bibbiani
    May 16, 2024 @ 9:00 AM
    Movies
    9:00 AM
    ‘The Strangers: Chapter 1’ Review: Tamara Isn’t Here, and Neither Are the Scares
  • ‘IF’ Review: John Krasinski’s Kid-Friendly Fantasy Rings Mostly Hollow

    Ryan Reynolds and Cailey Fleming star in a confused and derivative family fantasy

    By

    William Bibbiani
    May 15, 2024 @ 6:18 AM
    Movies
    6:18 AM
    ‘IF’ Review: John Krasinski’s Kid-Friendly Fantasy Rings Mostly Hollow
  • Roger Corman Was More Than a Great Producer – He Was an Important Director | Commentary

    The B-movie magnate made cinema for the masses with meaningful messages, challenging the very concept of “good” films.

    By

    William Bibbiani
    May 12, 2024 @ 8:01 AM
    Movies
    8:01 AM
    Roger Corman Was More Than a Great Producer – He Was an Important Director | Commentary
  • ‘Evil Does Not Exist’ Review: Ryusuke Hamaguchi’s ‘Drive My Car’ Follow-Up Is Morally Sprawling

    The Oscar-winning director returns with a captivating drama about humanity’s inseverable tie to nature

    By

    William Bibbiani
    May 3, 2024 @ 11:08 AM
    Movies
    11:08 AM
    ‘Evil Does Not Exist’ Review: Ryusuke Hamaguchi’s ‘Drive My Car’ Follow-Up Is Morally Sprawling
  • ‘I Saw the TV Glow’ Review: Jane Schoenbrun’s 1990s Teen Phantasmagoria Is a Modern Masterpiece

    Justice Smith and Brigette Lundy-Paine star in a surreal and tragic horror-fantasy

    By

    William Bibbiani
    May 3, 2024 @ 8:00 AM
    Movies
    8:00 AM
    ‘I Saw the TV Glow’ Review: Jane Schoenbrun’s 1990s Teen Phantasmagoria Is a Modern Masterpiece
  • ‘Tarot’ Review: Jacob Batalon Almost Saves Evil Doodad Movie

    The “Spider-Man” co-star can’t make this formulaic curse movie good, but he does make it better

    By

    William Bibbiani
    May 2, 2024 @ 11:17 PM
    Movies
    11:17 PM
    ‘Tarot’ Review: Jacob Batalon Almost Saves Evil Doodad Movie
  • ‘Unfrosted’ Review: Jerry Seinfeld’s Netflix Comedy Takes the Art Out of Pop-Tarts

    Melissa McCarthy and Amy Schumer co-star in a flavorless product placement spoof

    By

    William Bibbiani
    May 2, 2024 @ 7:00 PM
    Reviews
    7:00 PM
    ‘Unfrosted’ Review: Jerry Seinfeld’s Netflix Comedy Takes the Art Out of Pop-Tarts
  • ‘Boy Kills World’ Review: Frenetic Sci-Fi Fight Film Falls Frustratingly Flat

    Bill Skarsgård plays a martial artist out for a revenge in a flashy but insubstantial pop culture potpourri

    By

    William Bibbiani
    April 24, 2024 @ 9:44 AM
    Movies
    9:44 AM
    ‘Boy Kills World’ Review: Frenetic Sci-Fi Fight Film Falls Frustratingly Flat
  • ‘Rebel Moon – Part 2: The Scargiver’ Review: Zack Snyder’s Space Opera Concludes With a Bland Bang

    All the action — and there sure is a lot of it — can’t make up for the senseless story and forgettable characters in the Netflix sequel

    By

    William Bibbiani
    April 18, 2024 @ 11:59 PM
    Movies
    11:59 PM
    ‘Rebel Moon – Part 2: The Scargiver’ Review: Zack Snyder’s Space Opera Concludes With a Bland Bang
  • ‘Abigail’ Review: A Rare Horror Comedy That’s Equally Frightening and Funny

    Melissa Barrera and Dan Stevens star in an energetic kidnapping thriller with a clever, but ruined twist

    By

    William Bibbiani
    April 18, 2024 @ 10:25 AM
    Movies
    10:25 AM
    ‘Abigail’ Review: A Rare Horror Comedy That’s Equally Frightening and Funny
  • ‘The Ministry of Ungentlemanly Warfare’ Review: Guy Ritchie’s Hunky Bros Make Fighting Fascism Look Fun

    Henry Cavill plays the real-life inspiration for James Bond in a slick, satisfying World War II adventure

    By

    William Bibbiani
    April 16, 2024 @ 8:00 AM
    Movies
    8:00 AM
    ‘The Ministry of Ungentlemanly Warfare’ Review: Guy Ritchie’s Hunky Bros Make Fighting Fascism Look Fun
  • ‘Back to Black’ Review: They Tried to Make a Good Amy Winehouse Biopic (No, No, No)

    Marisa Abela plays the iconic chanteuse in a bland, formulaic musical

    By

    William Bibbiani
    April 9, 2024 @ 8:38 AM
    Movies
    8:38 AM
    ‘Back to Black’ Review: They Tried to Make a Good Amy Winehouse Biopic (No, No, No)
  • ‘The People’s Joker’ Review: Vera Drew’s Comic Parody Is Highly Unique, If Shabby Overall

    Her film takes elements from other Batman movies and makes them intimate

    By

    William Bibbiani
    April 5, 2024 @ 2:53 PM
    Movies
    2:53 PM
    ‘The People’s Joker’ Review: Vera Drew’s Comic Parody Is Highly Unique, If Shabby Overall
  • ‘The First Omen’ Review: This Horror Prequel Suffers From an Extreme and Tedious Story

    Nell Tiger Free stars in a grotesque yet uninteresting film about the birth of Damien Thorn

    By

    William Bibbiani
    April 4, 2024 @ 9:00 AM
    Movies
    9:00 AM
    ‘The First Omen’ Review: This Horror Prequel Suffers From an Extreme and Tedious Story
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