William Bibbiani is a professional film critic and member of the Los Angeles Film Critics Association (LAFCA), the Critics Choice Association (CCA) and GALECA: The Society of LGBTQ Entertainment Critics. He has written film criticism for over 20 years and written for The Wrap since 2019. He is a frequent guest on KCRW’s Press Play with Madeline Brand. He also co-hosts The Critically Acclaimed Network, a series of podcasts dedicated to new, classic and cult film and TV reviews and retrospectives. His commentary tracks and essays can be found on Blu-ray special editions for films released by Arrow Video, Shout! Factory and Umbrella Entertainment. You can follow him on BlueSky (and various other social medias).
Experience:
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‘Longing’ Review: Richard Gere Investigates His Dead Son in an Off-Putting, Uncomfortable Remake
Diane Kruger costars in a creepy film about creepy attachments that doesn’t seem to know how creepy it is
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‘Tuesday’ Review: Julia Louis-Dreyfus Kills It in Grim Modern Fable
Daina O. Pusíc’s debut feature is a magical, melancholic tale of Death personified.
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‘Summer Camp’ Review: Diane Keaton and Kathy Bates Revisit the Glory Days in Low-Stakes Comedy
Alfre Woodard, Eugene Levy and Dennis Haysbert costar in this breezy “reducing of age” film
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‘Young Woman and the Sea’ Review: Daisy Ridley Breaks Swimming Barriers in Biopic That Channels Greatness
This is an old-fashioned, first-rate Disney crowdpleaser from director Joachim Rønning
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‘Atlas’ Review: Jennifer Lopez Stars in Artificial, Unintelligent Sci-Fi Thriller
Brad Peyton’s middling mech suit-‘em-up for Netflix costars Sterling K. Brown and Simu Liu
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‘Garfield: The Movie’ Review: An Animated Adventure With More Heart (and Lasagna) Than Laughs
Chris Pratt and Samuel L. Jackson star in the first halfway decent movie based on the classic comic strip
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‘The Strangers: Chapter 1’ Review: Tamara Isn’t Here, and Neither Are the Scares
Renny Harlin’s reboot of the classic horror thriller asks the question, “What if it was really bad?”
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‘IF’ Review: John Krasinski’s Kid-Friendly Fantasy Rings Mostly Hollow
Ryan Reynolds and Cailey Fleming star in a confused and derivative family fantasy
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Roger Corman Was More Than a Great Producer – He Was an Important Director | Commentary
The B-movie magnate made cinema for the masses with meaningful messages, challenging the very concept of “good” films.
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‘Evil Does Not Exist’ Review: Ryusuke Hamaguchi’s ‘Drive My Car’ Follow-Up Is Morally Sprawling
The Oscar-winning director returns with a captivating drama about humanity’s inseverable tie to nature
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‘I Saw the TV Glow’ Review: Jane Schoenbrun’s 1990s Teen Phantasmagoria Is a Modern Masterpiece
Justice Smith and Brigette Lundy-Paine star in a surreal and tragic horror-fantasy
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‘Tarot’ Review: Jacob Batalon Almost Saves Evil Doodad Movie
The “Spider-Man” co-star can’t make this formulaic curse movie good, but he does make it better
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‘Unfrosted’ Review: Jerry Seinfeld’s Netflix Comedy Takes the Art Out of Pop-Tarts
Melissa McCarthy and Amy Schumer co-star in a flavorless product placement spoof
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‘Boy Kills World’ Review: Frenetic Sci-Fi Fight Film Falls Frustratingly Flat
Bill Skarsgård plays a martial artist out for a revenge in a flashy but insubstantial pop culture potpourri
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‘Rebel Moon – Part 2: The Scargiver’ Review: Zack Snyder’s Space Opera Concludes With a Bland Bang
All the action — and there sure is a lot of it — can’t make up for the senseless story and forgettable characters in the Netflix sequel
