Emmys
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Emmy Predictions, Comedy: So Many Shows, So Little Room to Honor Them
Between returning nominees (“Ted Lasso,” “Hacks”), shows back in the race after absences (“Mrs. Maisel,” “Barry”) and new series (“Abbott Elementary,” “Only Murders in the Building”), the competition will be brutal
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Melissa Fumero, J.B. Smoove to Announce 2022 Emmy Nominations
The actors will join Television Academy head Frank Scherma for the virtual ceremony July 12
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Why Is Summer Such a Bad Time for Shows Competing for Emmys?
Awards Wrap Up: Summer shows are at a distinct disadvantage with voters, and spring is threatening to become the new fall for awards contenders
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TV’s Most Welcome Trend: The Rise of Actress-Producers Like Julia Roberts and Reese Witherspoon
Emmy Wrap Up: Powerful actresses are recognizing their own value, making waves with TV sensations like “Gaslit” and “The Morning Show”
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Sorry, Emmys – Here’s a Category That Really Shouldn’t Exist
Does the Television Academy really need to keep the variety-sketch category alive so that “Saturday Night Live” can get an extra award every year?
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Why Amy Poehler’s ‘Lucy & Desi’ Proved to be the Ultimate Love Story Doc
Emmy-nominated editor Robert A. Martinez on the “Parks and Recreation” star being the perfect person to direct
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Exactly How ‘Euphoria’ Pulled Off Maude Apatow and Austin Abrams’ Homoerotic Dance Number
According to “Euphoria” choreographer Ryan Heffington, creator Sam Levinson wanted to “make David Bowie look straight”
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Here’s the Common Denominator in This Year’s Emmy Contenders: Fear
Awards Wrap Up: Shows from “Ozark” to “Better Call Saul” to “Abbott Elementary” have gripped audiences by depicting individuals crushed by a system run amok
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‘The Flight Attendant’ Season 2’s Multiple Cassies Were a Major Acting Challenge for Kaley Cuoco
TheWrap Emmys Magazine: VFX coordinator Elizabeth Rojas on what makes Kaley Cuoco the ultimate pro
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Getting ‘Physical’: How Creating Rose Byrne’s Retro Threads Went Beyond the ’80s Norm
TheWrap Emmys Magazine: Costume designer Kameron Lennox talks Jane Fonda’s influence and the shifting styles of the Reagan Era
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Eric Dane on How His ‘Euphoria’ Role as a Toxic Dad ‘Terrified’ Him – in a Good Way
TheWrap Emmys Magazine: Dane’s restrained version of Cal Jacobs was completely thrown out the window as the calculated villain unravels in Season 2
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‘Succession’ and ‘Ted Lasso’ Prove the Emmys Should Rethink the Comedy/Drama Split
Awards Wrap Up: The reigning HBO and Apple TV+ hits blur genre lines enough to question all these outdated classifications, critic Jennifer Keishin Armstrong writes
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How ‘The Masked Singer’ Thrives on the Freedom to Be Zany: ‘We Can Do Anything We Want’
TheWrap Emmys Magazine: Executive producer Craig Plestis says there’s no such thing as too weird when it comes to the hit Fox show
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‘Outer Range’: The Secret to Cutting Together a Hybrid Science-Fiction Drama
The Wrap Emmys Magazine: Editor Trevor Baker on how he met the challenge head-on
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Bill Hader Explains Why ‘Barry’ Season 3 Was ‘Almost Like Writing a Different Show’
TheWrap Emmys Magazine: “The scary thing about writing is you can go, ‘We got it!’ and high five each other, and then two weeks later you go, ‘What the hell is this? This is awful,’” he said
