Wrap Magazine (Awards)
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								Why the Success of ‘The Boy and the Heron’ May Lead to Another Miyazaki MovieTheWrap magazine: “If this film becomes a major hit, then he may make another film,” says producer Toshio Suzuki 
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								‘The Color Purple’: How Nova Wav’s New Song Kept the Broadway BeatTheWrap magazine: The Grammy-winning duo talks about “Keep on Movin,’” one of the new songs in the long-awaited musical Christmas release 
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								How Some Film Schools Are Getting More ‘Woke’ – and Why Professors Find It ‘Kind of Wonderful’TheWrap magazine: Administrators from top film schools weigh in on how to teach films with problematic legacies like “Gone With the Wind” 
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								TheWrap’s Top 50 Film Schools for 2023TheWrap magazine: Whether you thrive on NYC energy, SoCal sunshine or pretty much anything in between, there is a film school for you 
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								How Iconic Indie Producer Christine Vachon ‘Brought the Industry Into the Classroom’TheWrap magazine: A conversation with the producer of “Carol” and “Past Lives” on film schools, first-time directors and the state of cinema and education 
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								Dominique Fishback Says ‘Swarm’ Had Her Doing Things ‘That I’ve Never Done Before’TheWrap Magazine: The first-time Emmy nominee didn’t know what to expect playing a Black, female serial killer on the Prime Video limited series 
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								Riley Keough Reveals What Made Her Stay on ‘Daisy Jones,’ Even When She Wanted to QuitTheWrap magazine: “I think something in me knew that it would be a healing experience,” the Emmy-nominated actress says 
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								Why ‘Ms. Marvel’ Composer Laura Karpman Spearheaded South Asian Music’s Entrée Into the MCUTheWrap magazine: “It’s good to make [South Asian music] a part of the Avengers, a part of the world of Captain Marvel or the Guardians of the Galaxy,” the Emmy-winning musician says 
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								Kumail Nanjiani and Annaleigh Ashford Find Levity in the Darkness of ‘Welcome to Chippendales’TheWrap magazine: The costars snagged two of the five surprise nominations for Hulu’s limited series about the founder of the famous male strip club 
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								‘Dahmer – Monster: The Jeffrey Dahmer Story’ Cements Niecy Nash-Betts as a Drama StarTheWrap magazine: Following her nomination, the actress talks about spotlighting the “overlooked and underserved” Glenda Cleveland with Ryan Murphy’s Netflix series 
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								For ‘Andor’ Star Diego Luna, Being a Producer Was a Dealbreaker: ‘I Want to Be There When My Opinion Matters’TheWrap magazine: “There’s no project I’ve been part of where I feel the team cares so much about what we’re doing,” the actor/producer said 
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								How ‘Queen Charlotte’ Costumes Pulled Inspiration From the Met GalaTheWrap magazine: Lyn Paolo and Laura Frecon drew from fashion’s annual gala of extravagance to create the looks for Netflix’s “Bridgerton” spinoff 
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								Why Kathryn Hahn’s ‘Tiny Beautiful Things’ Role ‘Really Did Feel Like an Act of Service’TheWrap magazine: The actress describes how the messiness of her Emmy-nominated role drew her to the Hulu adaptation 
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								Why ‘Daisy Jones & the Six’ Included Songs by Industry Legends Like Barry Manilow and Patti SmithTheWrap magazine: “We wanted to show that there were so many different genres of music in the ’70s,” music supervisor Frankie Pine says 
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								‘Bad Sisters’ Director Shares the Key to Finding Its Tone: ‘It’s a Drama With Jokes’TheWrap magazine: “Five Irish sisters who plot to murder their brother-in-law… What’s not to love?” Dearbhla Walsh tells TheWrap 














