Wrap Magazine (Awards)
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How Lily Gladstone and Riley Keough’s Instagram Friendship Led to ‘Under the Bridge’
TheWrap magazine: “We’ve had a professional admiration for a long time, to the point where it was funny that we hadn’t actually met,” says Gladstone
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‘Baby Reindeer’ Creator Richard Gadd Has ‘Conflicting Feelings’ About His Trauma Becoming a Pop Culture Sensation
TheWrap magazine: “‘Baby Reindeer’ comes with its challenges, but I think I’ll look back on this moment as a proud one,” says the Scottish comedian
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Why Morgan Neville’s Steve Martin Documentary Is Two Films in One
TheWrap magazine: “It was six months before I recognized, everything is going in two different directions, so let’s keep it going that way,” the Oscar-winning documentarian says
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‘I’m a Virgo’ Is More Than Just a TV Show for Creator Boots Riley
TheWrap magazine: “I want to see a large movement that transforms society,” the Prime Video showrunner says
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‘Godzilla Minus One’ Director ‘Flattered and Honored’ by Historic Oscar Nomination: ‘It Means So Much’
TheWrap magazine: Takashi Yamazaki is the first director nominated for Best Visual Effects since Stanley Kubrick in 1969
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Jeffrey Wright Says He’s ‘Grateful’ the Director of ‘American Fiction’ Didn’t Want Anyone Else in the Lead Role: ‘No Plan B’
TheWrap magazine: Despite being sent a list of Hollywood actors for his feature directorial debut, Cord Jefferson said he “just knew” Wright was the only one for the role
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Annette Bening Relished the Physical Hurdles of ‘Nyad’: ‘That’s What We Love to Do as Actors’
TheWrap magazine: The actress talks about the challenges of the role and the surrounding controversy
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Why the Success of ‘The Boy and the Heron’ May Lead to Another Miyazaki Movie
TheWrap magazine: “If this film becomes a major hit, then he may make another film,” says producer Toshio Suzuki
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‘The Color Purple’: How Nova Wav’s New Song Kept the Broadway Beat
TheWrap magazine: The Grammy-winning duo talks about “Keep on Movin,’” one of the new songs in the long-awaited musical Christmas release
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How Some Film Schools Are Getting More ‘Woke’ – and Why Professors Find It ‘Kind of Wonderful’
TheWrap magazine: Administrators from top film schools weigh in on how to teach films with problematic legacies like “Gone With the Wind”
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TheWrap’s Top 50 Film Schools for 2023
TheWrap magazine: Whether you thrive on NYC energy, SoCal sunshine or pretty much anything in between, there is a film school for you
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How Iconic Indie Producer Christine Vachon ‘Brought the Industry Into the Classroom’
TheWrap magazine: A conversation with the producer of “Carol” and “Past Lives” on film schools, first-time directors and the state of cinema and education
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Dominique Fishback Says ‘Swarm’ Had Her Doing Things ‘That I’ve Never Done Before’
TheWrap Magazine: The first-time Emmy nominee didn’t know what to expect playing a Black, female serial killer on the Prime Video limited series
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Riley Keough Reveals What Made Her Stay on ‘Daisy Jones,’ Even When She Wanted to Quit
TheWrap magazine: “I think something in me knew that it would be a healing experience,” the Emmy-nominated actress says
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Why ‘Ms. Marvel’ Composer Laura Karpman Spearheaded South Asian Music’s Entrée Into the MCU
TheWrap magazine: “It’s good to make [South Asian music] a part of the Avengers, a part of the world of Captain Marvel or the Guardians of the Galaxy,” the Emmy-winning musician says
