Cannes Report
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Kevin Spacey Compares His Plight to Hollywood Blacklist in Fiery Defense in Cannes: History ‘Often Repeats Itself’
The “House of Cards” actor’s pointed remarks came as he accepted an award at the Better World Fund Gala
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‘A Private Life’ Review: Jodie Foster Goes French in Wry Murder Mystery Thriller
Cannes 2025: The actress plays a psychiatrist who tries to solve the death of her patient in Rebecca Zlotowski’s latest
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‘Fuori’ Review: A Goliarda Sapienza Biopic That Fails to Do Her Justice
Cannes 2025: The story of this iconic Italian actress and writer deserves to be told with more depth than this
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Denzel Washington Still Had ‘A Great Evening’ at Cannes Despite Viral Run-In With Handsy Photographer
A spokesperson for the Oscar winner sheds some light on the actor’s mindset during Spike Lee’s “Highest 2 Lowest” world premiere
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‘Eleanor the Great’ Review: June Squibb Shines in Scarlett Johansson’s Slight but Effective Directorial Debut
Cannes 2025: The 94-year-old plays a widow struggling with the loss of her best friend
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‘It Was Just an Accident’ Review: Jafar Panahi Returns to Cannes in Person, and in Fine Form
Cannes 2025: The Iranian director, who spent most of the last two decades imprisoned or muffled, marries humanism and anger
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Cannes Day 7: A Denzel Washington Surprise
Plus a medical emergency breaks out during a shocking new film
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How ‘The Plague’ Director Charlie Polinger Used the Horror Genre to Capture the ‘Chaos and Anxiety’ of Male Adolescence | Video
Cannes 2025: Polinger’s feature directorial debut finally came together after Joel Edgerton signed on to play a supporting role
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‘Alpha’ Review: Julia Ducournau’s Mournful Horror Drama Cuts Through Body and Soul
Cannes 2025: The director of “Raw” and “Titane” is back with a knockout that defies expectations
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‘Highest 2 Lowest’ Review: Denzel Washington and ASAP Rocky Are Foes to Remember in Spike Lee’s Slick Drama
Cannes 2025: Lee’s update on Akira Kurosawa’s film is an urban thriller that feels different than the work that has defined him
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‘Eagles of the Republic’ Review: Movies and Politics Don’t Mix, Says This Movie About Politics
Cannes 2025: Tarik Saleh’s drama is less interested in the process of filmmaking than in its use in propaganda
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How ‘Splitsville’ Filmmakers Navigated a Challenging Film Market to Get Their Comedy Made | Video
Cannes 2025: The filmmakers behind “The Climb” teamed with Neon after a concerted effort to write “something really makeable right now”
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Cannes Day 6: Wes Anderson’s Scheme
Plus: Richard Linklater dings Trump and the first big sale of the festival
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Cannes’ Message So Far: The World’s Going to Hell, but We Love Movies!
Cannes 2025: The overall tone of this year’s offerings is dark, just as it would be if festival-goers left the theaters, went back to their rooms and switched on the TV news
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Wes Anderson Calls Trump’s Proposed Tariffs ‘Fascinating’: ‘I Feel Like He’s Saying He’s Going to Take All the Money’
Cannes 2025: “Can you hold up the movie in customs?” Anderson asked. “I want to know the details first.”
