Wrap Magazine
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‘Titane’ Director Julia Ducournau Shares Nightmares That Inspired Film: ‘I Was Giving Birth to Engine Pieces’
TheWrap magazine: The Palme d’Or winner says that reality was the most important factor for her, “even though that’s not a word often linked to my film”
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Asghar Farhadi on How COVID Left a Mark on His Oscar Contender ‘A Hero’
TheWrap magazine: The Iranian director was able to erase physical signs of the pandemic, but the delays gave him months more in the rehearsal time he loves
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Why the Refugee Doc ‘Flee’ Could Only Be Made With Animation
TheWrap Magazine: “Having animation really gave him the space to open up,” Jonas Poher Rasmussen says of convincing an Afghan refugee to share his story
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Why Mexican Oscar Entry ‘Prayers for the Stolen’ Avoided Scenes of Graphic Drug Violence
TheWrap magazine: “In Mexico, we’re very much contaminated by (violent) images we see constantly,” director Tatiana Huezo says
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How Dan Stevens Simulated ‘the Strangeness of Humanity’ to Play a German Robot in ‘I’m Your Man’
TheWrap magazine: “He knows everything except the intricacies of human nature,” Stevens says of the android he plays in the German-language comedy
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Why Todd Haynes Never Wanted to Leave the Editing Room Making ‘The Velvet Underground’
TheWrap magazine: “I love cutting, and it was all I ever wanted to do for the rest of my life, basically,” the director says of his documentary about the groundbreaking band
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Paolo Sorrentino’s Big Challenge With ‘The Hand of God’: Stop Trying to Be Fellini
TheWrap magazine: “It was clear from the beginning that this movie needed a different style – very simple,” the Italian director says of his highly personal story
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What ‘Ascension’ Director Learned Filming Inside Chinese Factories Making Sex Dolls and Trump MAGA Merch
TheWrap magazine: “At one of the more disturbing locations, the workers appeared the most relaxed,” documentary filmmaker Jessica Kingdon says
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Inside Edgar Wright’s Journey From Sparks Rock Doc to Scary ’60s Pop in ‘Last Night in Soho’
TheWrap magazine: “As I got to know the Maels, I felt aggrieved on their behalf that nobody had made” a films about them, the director says of the brothers behind Sparks
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Oscar Isaac Biggest ‘Scenes From a Marriage’ Problem: He Couldn’t Hide From Jessica Chastain
TheWrap magazine: “You might want to get distance from the person, but you’re not able to, because she knows you so well,” he says of acting with his close friend
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How ‘Squid Game’ Stars Tapped Into Worldwide ‘Rage’ at Income Inequality – and Got Americans to Embrace Subtitles
TheWrap magazine: “Every other country is used to [subtitles], so we’re going to make you guys do it, too,” star Jung Ho-yeon says
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How ‘Midnight Mass’ Creator Mike Flanagan Used the Bible to ‘Completely Justify’ a Horror Story
TheWrap magazine: “Scripture can be so easily manipulated to fit an agenda, even one as ridiculous as the one we were using,” showrunner says
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Here’s Why Daveed Diggs Won’t Watch the ‘Hamilton’ Movie
TheWrap magazine: Also, the Emmy-nominated star still thinks that Lin-Manuel Miranda’s original idea for the landmark production was a bad one
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Mj Rodriguez on the ‘Insane’ Journey of ‘Pose,’ and Trans Representation on TV
TheWrap magazine: “Before they saw me as a trans woman, I wanted them to see my craft,” says the Emmy-nominated actress
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‘The Boys’ Showrunner ‘Can Absolutely Guarantee’ Season 2’s Weekly Rollout Led to Drama Emmy Nod
TheWrap magazine: “You can only look at it as the most successful experiment,” Eric Kripke says