Emmys
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Meet the Married Prosthetic Whiz Team Behind HBO’s ‘House of the Dragon’ and ‘The Last of Us’
TheWrap magazine: “We see each other every single minute of the day… it’s testament to a really good partnership that we haven’t killed each other yet,” says prosthetic makeup artist Barrie Gower
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Why Jessica Chastain Prefers ‘Sadness and Pain’ to Feminine Perfection
TheWrap magazine: “I love playing women who make mistakes, who do complicated things,” she says of playing Tammy Wynette in “George & Tammy”
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How HBO’s ‘A Black Lady Sketch Show’ Created 40-Plus Backdrops for Its Final Season
Production designers Cindy Chao and Michele Yu are vocal about wanting that challenge back: “I know we still have a lot more in us,” Chao says
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Norman Lear: Emmy Voters Are Still Paying Attention to the 101-Year-Old Master
TheWrap magazine: “Norman Lear: 100 Years of Music & Laughter” was designed as “the celebration of a life well lived,” executive producer Brent Miller says
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How Jessica Chastain Convinced ‘George & Tammy’ Costar Michael Shannon to Take His First Emmy-Nominated Role
TheWrap magazine: “Jessica fought to get me in there after there was a vacancy,” Shannon said, “because I think some of the powers that be were like, ‘Can we get somebody a little more…whatever?’”
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‘Beef’ Breakout Young Mazino Says Emmy Nomination a Good Sign for Hollywood’s AAPI Efforts
TheWrap magazine: “Hopefully this empowers [this community] to realize that everyone has just as much of a right to be present in these kinds of awards,” the first-time nominee says
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‘The Last of Us’ Co-Creator Craig Mazin Received a ‘Mind-Blowing’ Congratulatory Letter From Steven Spielberg
TheWrap magazine: The co-showrunner says no one involved in the HBO series expected a whopping 24 Emmy nominations
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How ‘Jury Duty’ Concocted Its Pitch-Perfect Bromance With the Help of James Marsden
Casting director Susie Farris knows she struck gold by getting the Emmy-nominated actor to improv off of the comedy’s unsuspecting star, Ronald Gladden
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How ‘Succession’ Stuck the Landing: 3 Emmy-Nominated Directors Tell All
TheWrap magazine: Mark Mylod, Lorene Scafaria and Andrij Parekh reflect on dramatizing the ultra-wealthy elite in the midst of a Hollywood reckoning
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Seth Meyers Is Embracing the Confidence of ‘Late Night’: ‘If a Joke Bombs, Just Talk About How It Bombed’
The talk show host tells TheWrap about finding comfort in the looseness of “Late Night with Seth Meyers”
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‘Ted Lasso’: How Its Emmy-Nominated VFX Team Fills Those Stadiums
TheWrap magazine: “We had 258 shots of football to turn over and a lot of other visual effects shots as well,” supervisor James MacLachlan says
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‘The Problem with Jon Stewart’ Technical Director Dave Saretsky Explains His Unique Job
The multi-Emmy winner, nominated again this year, also shares the feeling he gets while overseeing a viral segment
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‘Life Below Zero,’ ‘Secrets of the Elephants’ and ‘The Territory’ DPs Keep National Geographic Dominating the Emmys
TheWrap magazine: The trio of nonfiction projects represent powerful, vastly different examples of the network’s advocacy-forward programming
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How ‘Top Chef’ Pulled Out All the Stops for Its Milestone 20th Season
TheWrap magazine: The Bravo culinary competition went international for its anniversary season, and that complicated things
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How ‘Still: A Michael J. Fox Movie’ Kept Things Short and Bittersweet
“Michael had one rule for us. No violins,” Emmy-nominated editor Michael Harte tells TheWrap
