TheWrap Magazine
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‘Women Talking’ Director Sarah Polley Describes the ‘Power of Community’ in Her Ensemble Cast
TheWrap magazine: The Canadian actor-turned-director was joined by Judith Ivey and Sheila McCartney for a conversation about the acclaimed new film
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‘Andor’ Star Diego Luna on Why His ‘Star Wars’ Character’s Journey Is All About Patience
TheWrap magazine: “A revolutionary doesn’t get shaped by one event or by the words of a mentor,” Luna says. “Things have to happen.”
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‘The Woman King’ Cast on the Long ‘Fight’ to Make Their Blockbuster
TheWrap magazine: “To finally get it made, to finally have your feet on the soil of South Africa, was really close to a miracle,” Viola Davis says
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‘Saint Omer’ Director Alice Diop on How Her Film About Infanticide Explores the ‘Mystery That Is the Human Soul’
TheWrap magazine: Diop based her first fiction film, which is France’s submission to the Oscars, on a tragic real-life story
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‘Bardo’ Director Alejandro G. Iñárritu: Autobiographies Lie, but Fiction Tells the Truth
TheWrap magazine: “Autobiography pretends it’s making factual claims, but it’s not,” says the director of “Bardo, False Chronicle of a Handful of Truths”
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‘Corsage’ Star Vicky Krieps on Why Her Film About a 19th Century Monarch Is an Act of Rebellion
TheWrap magazine: Playing Empress Sisi was the actress’s way of making a statement about what it means to be a 21st-century woman — and a celebrity
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Joe Jonas on Writing the Song ‘Not Alone’ for ‘Devotion’: ‘It Was Exciting, but Also Overwhelming’
TheWrap Magazine: “I’d been trying to separate the two passions of mine, acting and music, but this project was so dear to my heart that I wanted to do it,” Jonas says
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How ‘RRR’ Composers Wrote the Euphoric, Show-Stopping Tune ‘Naatu Naatu’
TheWrap magazine: The insanely catchy song would be the first Indian-composed nominee in the Best Original Song category in 14 years
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How ‘RRR’ Director S.S. Rajamouli Pulled Off His Epic Song-and-Dance Tollywood Hit (That India Snubbed)
TheWrap magazine: The over-the-top adventure musical is a massive hit that took three years to finish. Yet somehow, it’s not India’s Oscar submission
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How ‘Elvis’ Director Baz Luhrmann Used His Lifelong Love of the King to Make His Big, Bold Semi-Biopic
TheWrap magazine: “It was only after I made the movie that I realized Elvis was with me all my life in so many moments,” says Luhrmann
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‘Everything Everywhere All at Once’ Directors the Daniels on the ‘Surreal,’ ‘Wild’ Ride of Success
TheWrap magazine: Daniel Kwan and Daniel Scheinert chat about the Oscars, Michelle Yeoh magic and preserving their unique approach to filmmaking
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‘Top Gun: Maverick’ Director Joseph Kosinski Says Sequel’s Success Was Far From a Sure Thing
TheWrapMagazine: “People come up to me, not just to tell me that they saw the movie, but to brag about how many times they saw the movie,” Kosinski said
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How Former Academy Executive Director Bruce Davis Solved the Mystery of Oscar’s Name
TheWrap magazine: The longtime AMPAS head spoke with TheWrap about his new book, a deep dive into Oscar history
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‘The Fabelmans’ Star Gabriel LaBelle on Playing Steven Spielberg and Being ‘Spoiled’
TheWrap Magazine: “I thought, ‘If I don’t get it, then he’s just looking for a different kind of character and there’s nothing I can do about that.’ And then the next day I got it,” LaBelle says
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How ‘The Inspection’ Director Elegance Bratton Started His Career Making Movies in the Marines
TheWrap Magazine: Long before he went to film school, the writer-director found his calling behind the camera as a member of the U.S. military
