TheWrap Magazine
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This Is Not a Real Tube Station: Inside the Harrowing ‘Blitz’ Flooding Scene
TheWrap magazine: Oscar-winning production designer Adam Stockhausen gives a tour of a train station built to get wet
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How ‘Only Murders in the Building’ Season 4 Found Its Hollywood Doppelganger Trio
TheWrap magazine: Casting directors Tiffany Little Canfield and Destiny Lilly explain how Eugene Levy, Zach Galifianakis, Eva Longoria and others joined the star-studded cast
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‘Heretic’ Opening Scene: How Hugh Grant’s Wallpaper Is One Big Rorschach Test
TheWrap magazine: Production designer Philip Messina walks us through the living room set that kicks off A24’s acclaimed horror film
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Clothing Steeped in History and Meaning: Inside the ‘Shōgun’ Costumes
TheWrap magazine: Emmy-winning costume designer Carlos Rosario explains key pieces from the epic series’ stunning wardrobe
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‘A Complete Unknown’: How Its Designers Brought Back Greenwich Village – and Bob Dylan’s Skinny Jeans
TheWrap magazine: “We’re not making a documentary, but we’re trying to excavate the essence of Dylan,” costume designer Arianne Phillips says
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‘Dune: Prophecy’ Costume Designer Enjoyed the ‘Tricky’ Task of Creating New Looks in an Existing Universe
TheWrap magazine: Bojana Nikitović breaks down the trial and error process it took to make Ynez’s striking engagement dress
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How the 30-Minute Home Invasion Scene Transformed ‘Anora’
TheWrap magazine: Director Sean Baker and cinematographer Drew Daniels break down the film’s centerpiece sequence
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Hairy Styles: How ‘Planet of the Apes,’ ‘Better Man’ and ‘Sasquatch Sunset’ Got All Hirsute on Us
TheWrap magazine: The visual effects and makeup artists talk about how they dealt with all those bad hair days
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Looks That Could Kill: Inside the Costumes, Hair and Makeup of 5 Oscar Hopefuls
How “Beetlejuice Beetlejuice,” “Wicked,” “Nosferatu,” “The Substance” and “Joker: Folie à Deux” created their to-die-for visuals
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Creating Emilia Pérez: How the Makeup and Costume Teams Transformed Karla Sofía Gascón
TheWrap magazine: “They allowed me to go deeper into the character and make it feel real,” the actress says, speaking alongside Julia Floch-Carbonel and Virginie Montel. “It did not feel like a disguise”
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Inside the Filming of Norway’s Oscar Entry ‘Armand’: ‘Going More and More Crazy Together’
TheWrap magazine: “It made sense to turn it into a nightmare,” director Halfdan Ullmann Tøndel says
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Mati Diop Gives Stolen African Artifacts a Voice in Her ‘Fantasy Documentary’ ‘Dahomey’
TheWrap magazine: “I wanted to give them back their power. It was important to de-folklorize them, decolonize them,” the director says
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‘I’m Still Here’ Director Walter Salles Says Quiet Inner Strength Can Knock Down Dictatorships
TheWrap magazine: The Brazilian director explains the power and persistence of Eunice Paiva, who fought against a murderous regime in the 1970s
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Kathy Bates Says She Had One Request for ‘Matlock’ Creator Jennie Snyder Urman Before Signing On: ‘Don’t Abandon Me’
TheWrap magazine: Co-star Skye P. Marshall joins the Oscar winner to discuss the expectation-defying series and how “the fight’s not over”
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Iranian Director of ‘The Seed of the Sacred Fig’ Explains How He Landed His First Oscar Submission – By Fleeing to Germany
TheWrap magazine: The Cannes prize-winning thriller by the exiled Mohammad Rasoulof is a family drama about public protests for women’s rights in Iran
