TheWrap Magazine
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‘Dune: Prophecy’ Costume Designer Enjoyed the ‘Tricky’ Task of Creating New Looks in an Existing Universe
TheWrap magazine: Bojana Nikitović breaks down the trial and error process it took to make Ynez’s striking engagement dress
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How the 30-Minute Home Invasion Scene Transformed ‘Anora’
TheWrap magazine: Director Sean Baker and cinematographer Drew Daniels break down the film’s centerpiece sequence
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Hairy Styles: How ‘Planet of the Apes,’ ‘Better Man’ and ‘Sasquatch Sunset’ Got All Hirsute on Us
TheWrap magazine: The visual effects and makeup artists talk about how they dealt with all those bad hair days
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Looks That Could Kill: Inside the Costumes, Hair and Makeup of 5 Oscar Hopefuls
How “Beetlejuice Beetlejuice,” “Wicked,” “Nosferatu,” “The Substance” and “Joker: Folie à Deux” created their to-die-for visuals
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Creating Emilia Pérez: How the Makeup and Costume Teams Transformed Karla Sofía Gascón
TheWrap magazine: “They allowed me to go deeper into the character and make it feel real,” the actress says, speaking alongside Julia Floch-Carbonel and Virginie Montel. “It did not feel like a disguise”
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Inside the Filming of Norway’s Oscar Entry ‘Armand’: ‘Going More and More Crazy Together’
TheWrap magazine: “It made sense to turn it into a nightmare,” director Halfdan Ullmann Tøndel says
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Mati Diop Gives Stolen African Artifacts a Voice in Her ‘Fantasy Documentary’ ‘Dahomey’
TheWrap magazine: “I wanted to give them back their power. It was important to de-folklorize them, decolonize them,” the director says
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‘I’m Still Here’ Director Walter Salles Says Quiet Inner Strength Can Knock Down Dictatorships
TheWrap magazine: The Brazilian director explains the power and persistence of Eunice Paiva, who fought against a murderous regime in the 1970s
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Kathy Bates Says She Had One Request for ‘Matlock’ Creator Jennie Snyder Urman Before Signing On: ‘Don’t Abandon Me’
TheWrap magazine: Co-star Skye P. Marshall joins the Oscar winner to discuss the expectation-defying series and how “the fight’s not over”
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Iranian Director of ‘The Seed of the Sacred Fig’ Explains How He Landed His First Oscar Submission – By Fleeing to Germany
TheWrap magazine: The Cannes prize-winning thriller by the exiled Mohammad Rasoulof is a family drama about public protests for women’s rights in Iran
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June Squibb Gets Her First Lead Role at 95 — and She’s Ready for More
TheWrap magazine: After starring in “Thelma” and shooting “Eleanor the Great,” she has a new rule for her agent: “Only leads, and only if the film has my name in it”
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R.J. Cutler’s Wild 2024: From Elton John to Martha Stewart to Dodgers v. Yankees
TheWrap magazine: “These are real movies — these are narratives with characters and themes and cinema,” the director says
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Talking With Oscars Song Contenders: Pharrell Williams, Kristen Wiig, Robbie Williams … and Yep, Diane Warren Too
TheWrap magazine: We also get the scoop from the songwriters for “Emilia Pérez,” “The Wild Robot” and “Blitz”
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‘Sugarcane’ Directors on Finding the ‘Journalistic and Emotional Truth’ for NatGeo’s Indigenous Crime Documentary
TheWrap magazine: The acclaimed film by Emily Kassie and Julian Brave NoiseCat investigates child abuse and murder at Catholic boarding schools in Canada
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How ‘Vermiglio’ Explores Its Director’s Family History as an Immersive Wartime Saga
TheWrap magazine: Maura Delpero’s snowy mountain drama is the official Italian submission for the Oscars’ International Feature category
