‘Crazy Rich Asians’ Stars Dueled Over Epic Mahjong Showdown: ‘No One Was Giving in’
“We knew that everything we did so far built up to this moment,” director Jon M. Chu tells TheWrap about power play between Constance Wu and Michelle Yeoh’s characters
Beatrice Verhoeven | August 16, 2018 @ 1:22 PM
Last Updated: August 16, 2018 @ 1:36 PM
Warner Bros
(Spoiler alert: Do not read on if you haven’t seen “Crazy Rich Asians”)
“Crazy Rich Asians” is full of eccentric, over-the-top scenes and beautiful scenery, but ironically the hardest scene for director Jon M. Chu to shoot was one that might seem simple to moviegoers — the Mahjong showdown.
“It was the hardest because we knew it was the most important scene in the movie — we knew that these two trucks heading towards each other were going to make impact in this scene,” Chu told TheWrap. “Rachel (Constance Wu) and Eleanor (Michelle Yeoh) weren’t going to be moving, they were just going to be staring at each other, so the words were everything. We knew that everything we did so far built up to this moment, that we had to represent culturally both sides in the most fair and convincing manner.”
Chu didn’t just have to express this message to the audience, “we had to convince these very strong actors too. We had like six versions of this script.”
Ultimately, the actors brought their own experience into the scene, culminating in somewhat an improv show between Wu and Yeoh.
“Michelle was like, ‘I would never let this little American girl say these things to me, I would literally slap her,'” Chu recalled. “She then said, ‘I would say these things back,’ so I told her, ‘Say what you’d want to say.’ Then Constance was like, ‘I would NEVER let this b–ch say that to me!’ I don’t even think they talked to each other that day … they came in and it was a master class of acting, watching them stare each other down all day. They had their lines, but no one knew what exactly they were going to say. No one was giving in, so for me, it was easy shooting because at that point, I just set up camera and watched them play.”
The Mahjong scene, of course, is when Rachel ultimately stands up for herself and stands up to her boyfriend Nick’s (Henry Golding) mother. It’s an incredibly emotional and powerful scene, with the Mahjong pieces moving around while Eleanor and Rachel give each other multiple verbal slaps.
Wu was always meant to be Chu’s Rachel, the filmmaker said. In a recent interview with the Associated Press, Wu said she thought she wouldn’t be able to do the movie given her contractual obligation to “Fresh Off the Boat,” but she sent one last email to Chu, telling him she would give “110 percent” if he would just wait for her.
“I knew from the very beginning she was our Rachel,” Chu said. “When the dates weren’t a match, we started reading other people but nobody had the power that Constance had. In my mind, I was asking, ‘are we going to have to settle?’ But that’s when she emailed me and she expressed how much she cared about this movie.”
Jimmy O. Yang, Ken Jeong, Awkwafina, Gemma Chan, Sonoya Mizuno, Chris Pang and Harry Shum Jr also star. The film, holding a “fresh” score of 93 percent on Rotten Tomatoes, is in theaters now.
From 'The Cheat' to 'Crazy Rich Asians,' a Brief History of Asian-Americans in Film (Photos)
The widely-lauded romantic comedy "Crazy Rich Asians" is creating buzz for being both great and also the first major studio film since 1993's "Joy Luck Club" to feature a mostly Asian-American cast. The history of Asian-Americans in movies has spanned more than a century, before the inception of color film. Here is a chronological look at films starring Asian-Americans from the past -- and the future.
“The Cheat” (1915) Asian men are rarely painted as sex symbols even in contemporary media, but Japanese-American actor Sessue Hayakawa became a veritable heartthrob, especially after starring in Cecil B. DeMille’s silent thriller, “The Cheat.” Though monumental, his role was that of a predatory antagonist, a typecast that stuck with him during the anti-Japanese sentiments of World War II.
Paramount
“The Toll of The Sea” (1922) Anna May Wong, who was born in Los Angeles to a Chinese-American family, became essentially the first Chinese-American movie star. At the age of 17, she had a leading role as the character of Lotus Flower in one of the first color films made, “The Toll of The Sea,” which was inspired by the play “Madame Butterfly.”
Metro Pictures Corporation
“Daughter of Shanghai” (1937) Anna May Wong starred alongside Korean-American actor Philip Ahn, who played a government agent trying to bust an alien smuggling ring in San Francisco. Ahn later became the first Asian-American to receive a star on the Hollywood Walk of Fame.
Paramount
“Sayonara” (1957) Japanese-American actress Miyoshi Umeki starred in “Sayonara” as one-half of a scorned interracial marriage in the midst of the Korean War. Umeki won the Oscar for Best Supporting Actress for her role, becoming the first and only Asian-American actress to do so.
Warner Bros.
"Flower Drum Song" (1961) This turducken of a film is a movie adaptation of the musical that was based on the 1957 novel written by Chinese-American author C.Y. Lee. The film was set in San Francisco's Chinatown and the cast was flanked by Japanese-American actor James Shigeta and Chinese-American actress Nancy Kwan.
Universal Pictures
“Enter the Dragon” (1973) Bruce Lee’s most notable film was released six days after his death in 1973. In addition to critical acclaim, the martial arts movie was inducted into the United States National Film Registry by the Library of Congress for being "culturally significant." Though Lee died young, at the age of 32, he became a symbol of cool strength and surmounting the impossible.
Warner Bros.
“Star Trek: The Motion Picture” (1979) George Takei played Hikaru Sulu aboard the USS Enterprise in the first installment of the “Star Trek” film franchise. The role was reprised by John Cho in the more recent slate of “Star Trek” films.
Paramount
“The Karate Kid” (1984) Even while the titular “Kid” changed throughout the franchise, Mr. Miyagi was the constant. California-born Pat Morita got an Oscar nomination for Best Supporting Actor for his role as the humble and patient karate master.
Columbia Pictures
“The Joy Luck Club” (1993) The 1993 film based on Amy Tan’s novel is often named these days as an antecedent to “Crazy Rich Asians” -- a big studio film with Asian-American leads. It also featured breakout roles for actresses Ming-Na Wen and Lauren Tom.
Buena Vista
“Mulan” (1998) Mulan was the eighth Disney princess, the second Asian Disney princess, and the first to, well, not technically be a princess. Ming-Na Wen voiced the titular character in the Disney animated film that took place in Han China, while BD Wong voiced General Li Shang. Mulan's sung lines were supplied by Filipina actress, Lea Salonga, who previously lent her voice to the "Aladdin" soundtrack.
Disney
“Charlie’s Angels” (2000) Lucy Liu has had a robust film and television career, from “Ally McBeal” to “Kill Bill” to “Elementary.” One of her first big movie roles was as Alex Munday, an overachieving spy with a diverse skill set, in the 2000 “Charlie’s Angels” film.
Columbia
“Harold and Kumar Go to White Castle” (2004) A modern day stoner comedy starring two Asian-American leads (John Cho and Kal Penn) may seem absurd -- but that’s exactly what this film is. Subverting stereotypes and utilizing humor that didn’t solely rely on race, “Harold and Kumar Go to White Castle” told the epic journey of two guys just trying to satisfy their munchies.
Warner Bros.
“The Big Sick” (2017) Kumail Nanjiani both co-wrote and starred in this Oscar-nominated film. Though technically a romantic comedy, Nanjiani exercised more solemn themes in the movie, which explored his Pakistani upbringing and his real-life relationship with his wife Emily V. Gordon.
Lionsgate
“Crazy Rich Asians” (2018) This opulent film marks a watershed moment in Asian-American film history -- a marriage of an older and revered generation of actors such as Michelle Yeoh, as well as an ushering in of new talent which includes Constance Wu and Awkwafina. And like “The Joy Luck Club,” which came before it, both the film’s director and the novel it’s based on are Asian-American as well.
Warner Bros.
“To All the Boys I’ve Loved Before” (2018) Very rarely do we see a well-rounded love story involving an Asian-American character on screen, and even less so that depict teenagers. In Netflix's new film, "To All the Boys I’ve Loved Before," star Lana Condor (from "X-Men: Apocalypse”) plays Lara, an endearing adolescent who finds her world upended when the letters she’s written to her crushes are mysteriously released.
Netflix
"Mulan" (2020) This Disney animated film is getting the live-action treatment with a cast led by Chinese-American actress Liu Yifei as the titular character, as well as prominent non Asian-American performers Donnie Yen and Jet Li. The film will also feature Asian-American actors Jason Scott Lee and Rosalind Chao, the latter of whom starred in "The Joy Luck Club."
Disney
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Study up ahead of the raved-about rom-com
The widely-lauded romantic comedy "Crazy Rich Asians" is creating buzz for being both great and also the first major studio film since 1993's "Joy Luck Club" to feature a mostly Asian-American cast. The history of Asian-Americans in movies has spanned more than a century, before the inception of color film. Here is a chronological look at films starring Asian-Americans from the past -- and the future.
Paramount
