Here’s What the Fine Print Says at the End of ‘Deadpool 2’ ‘Logan’ Short

The ‘Deadpool 2’ short shown ahead of ‘Logan’ ends with a big block of text that jokingly summarizes Ernest Hemingway’s novel ‘The Old Man and the Sea’

Deadpool 2 IMAX

Audiences seeing “Logan” this weekend were treated to another little bit of superhero goodness ahead the movie: a short teasing “Deadpool 2.”

The short features Deadpool (Ryan Reynolds) attempting to stop a mugging. He rushes into a phone booth, Superman-style, to change into his costume. Unfortunately, the amount of time it takes to squeeze into Deadpool’s tight ninja-inspired costume means he misses the action, and the mugging victim is shot and killed.

The short ends with Deadpool mocking “Logan” star Hugh Jackman for his Australian accent while a block of fine print runs over a black screen.

But what does all that fast-moving fine print actually say? As it turns out, it’s a Deadpool-style summary of the Ernest Hemingway novel “The Old Man and the Sea.” That probably won’t be in “Deadpool 2,” but it does completely fit the voice of the Merc with the Mouth.

Here’s the text for your reading pleasure. Note that it contains not-safe-for-work language.

“The Old Man and the Sea” is the story of a fight between an elderly accomplished fisherman, Santiago, and a really big fish. Like… HUGE. The story opens with Santiago suffering eighty four days without catching a fish because he’s the unluckiest son of a bitch on planet earth. Honestly if you were in a boat for eighty four days, it’d be hard NOT to catch a fish… even by accident. Santiago was so unlucky that his apprentice, Manolin, was forbidden by his Ma and Pa to fish with him. But as The Fresh Prince used to say, “Parents Just Don’t Understand.”

So the boy visits Santiago’s shack anyway, ignoring the inherent risks of unsupervised playtime with an elderly man who talks to himself. Manolin helps out, moving Santiago’s fishing gear, making food and talking about baseball. Especially Joe DiMaggio, who used to bump fuzzies with Marilyn Monroe. The next day, Santiago tells Manolin that he’s going out into the Gulf Stream, WAY OUT north of Cuba. Lady lucky is returning!

On the eighty fifth day of his crappy luck, Santiago drops his lines, and by noon, gets a bite from what feels like a big ass fish. He’s sure it’s a winner. He fights and fights and fights but can’t pull the monster in. Santiago’s leaky old boat is pulled by the fish for two days and nights as he holds on for dear life. Even though he’s bloody and beat, Santiago begins to appreciate this mighty adversary. He starts calling him “brother” or maybe even, “bro.” It’s sort of a love story if you really think about it. And like most romantic comedies, the reader pictures a delightful outfit changing montage, followed by the inevitable interspecies wedding.

But on the third day, Santiago is freakin’ EXHAUSTED, and decides he just wants the fish to do what he says and not always swim wherever it wants. So he stabs it. With a f—ing harpoon. It’s a mess. Super gross. Blood everywhere. Because, like many men his age, Santiago has difficulty expressing his emotions and fears with words — instead giving into base desires — and imposing his gigantically terrible positions on any given subect through unblinking violence. Typical. Anyway, he straps the marlin to the side of his skiff and hit the road home, ready to act like a total show off to everyone and probably gouge people on the price.

But guess what? Pretty soon sharks begin to attack the bleeding marlin’s carcass, because as we all know, life is a tragic opera and just when you think you’ve finally found something good and true, sharks come along and rip it all to f—ing shreds while dry humping your dignity with their crazy weird shark dicks. Sure, Santiago tries killing a few of them, but drops his harpoon because his hands are just as old as he is. By nighttime, the sharks have pretty much eaten the entire marlin. Only a bleach white skeleton remains, silently mocking him in the murky darkness.

Santiago realizes he’s still unlucky. Really unlucky. (Duh!) He calls the sharks “dream killers.” Which isn’t really all that fair, I mean, the sharks were just doing their job and the marlin… Jesus, don’t even get me started on the marlin! It was just hanging out one day, minding its own business, maybe thinking about ways it could be a better provider for its family and WHAM! Harpoon in the brain. Who’s the “dream killer” now, f—face? The hypocrisy is pretty much boundless at this point. Eventually Santiago makes it ashore. Leaving the bones of the marlin and the boat, he hobbles to his shack. He makes it home and crashes, like I said — he’s super tired.

The next morning, a group of fishermen gather around Santiago’s boat. One measures the skeleton, and, holy shit shingles! It’s over 18 feet! The head of the fish is given to Pedrico (strange that this is the first mention of him) and the other fishermen ask Manolin to send their glad tidings to the old man. Manolin brings Santiago newspapers and coffee when he wakes and they decide to fish together again.

Many years later, there’s a Red Lobster Restaurant in nearly every city in America, offering a casual dining experience and convenient parking.