“Star Wars” creator George Lucas issued a statement on Thursday in the wake of controversial remarks he made in an interview with PBS host Charlie Rose comparing new Lucasfilm owner Disney to “white slavers.”
“I want to clarify my interview on the Charlie Rose Show. It was for the Kennedy Center Honors and conducted prior to the premiere of the film. I misspoke and used a very inappropriate analogy and for that I apologize.
I have been working with Disney for 40 years and chose them as the custodians of Star Wars because of my great respect for the company and Bob Iger’s leadership. Disney is doing an incredible job of taking care of and expanding the franchise. I rarely go out with statements to clarify my feelings but I feel it is important to make it clear that I am thrilled that Disney has the franchise and is moving it in such exciting directions in film, television and the parks. Most of all I’m blown away with the record breaking blockbuster success of the new movie and am very proud of JJ and Kathy.”
Lucas has expressed conflicting feelings about selling the “Star Wars” franchise to Disney for $4 billion in 2012.
He and Disney had different visions for the future of the franchise, which helped him make the decision to move on, though he still refers to the “Star Wars” movies as his “kids.”
“I loved them, I created them, I am very intimately involved in them,” Lucas told Rose about the franchise.
Lucas then quipped: “I sold them to the white slavers that takes these things, and…” Lucas trailed off with a laugh and didn’t finish his sentence.
Watch the interview below. The ‘White Slavers’ comment is at the 2:01 mark.
15 Biggest Movie Letdowns in 2015: From 'Jem' to 'Jupiter Ascending'
Tomorrowland
Not even George Clooney could save Brad Bird's vision of the future -- which didn't even earn half of its reported $190 million budget.
Disney
Pan Hugh Jackman rarely misses, but this new take on Peter Pan didn't soar with critics or moviegoers.
Sony
Blackhat
By the hammer of Thor! Chris Hemsworth out of spandex did not deliver. The hacker flick made $8 million (you read correctly) of a reported $70 million budget.
Universal
Terminator: Genisys
"Game of Thrones" hero Emilia Clarke and a resurrected franchise could not notch a stateside win for Paramount, though the cyborg played well abroad.
Paramount
Fantastic Four
Sony's reboot attempt got stomped by critics and rather shockingly abandoned by Marvel fans, eeking out $55 million in the U.S. after spending $120 million on production.
Sony
Chappie
The huge success of Neill Blomkamp's "District 9" brought a nice sense memory to the marketing of "Chappie," but couldn't get butts in seats.
Sony
Jem and the Holograms Giving live-action life to the beloved '80s cartoon seemed foolproof -- and then 'Jem' went on to break records for the lowest box office opening of all time at $1.37 million.
Universal
Ted 2 Mark Wahlberg and his foul-mouthed bear sidekick (Seth MacFarlane) couldn't recreate the magic of their first outing.
Universal
Rock the Kasbah Bill Murray is so universally beloved it's hard to imagine an aging rocker tale wouldn't resonate across generations. But that's how history will tell it, even with gorgeous Kate Hudson in tow.
Open Road
Magic Mike XXL Channing Tatum's original stripper opus was a phenomenon, but the sequel seemed to prefer bare stomachs over decent script pages. The "XXL" sequel is a loose, often awkward journey that failed to deliver the laughs and excess of the original.
Warner Bros
Aloha
Aloha means hello and goodbye on the shores of Hawaii -- and American audiences chose the latter sentiment for the Cameron Crowe bomb.
Sony
Crimson Peak Guillermo del Toro is a visionary, but no one could turn a blind eye to the numbers for this spooky epic -- $31 million return on a $60 million budget.
Another ding in Chris Hemsworth's armor, and a miss for director Ron Howard, as the killer whale action drama only fetched an $11 million opening weekend.
Warner Bros
Ricki and the Flash
In a rare misstep for Meryl Streep, Diablo Cody's rocking bad-mom-com was way out of tune for critics. It's $40 million worldwide haul might be respectable, but perhaps not with Oscar-winning talent.
Columbia
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TheWrap Rewind 2015: Record box office year isn’t without some serious disappointments for fans and financiers alike