Greta Gerwig Talks Learning on the Job in Directorial Debut ‘Lady Bird’
“The only way to get the knowledge is to jump and say ‘I don’t know, can you help me?'” the Gerwig says
Ashley Boucher | November 2, 2017 @ 4:48 PM
Last Updated: January 25, 2018 @ 5:44 PM
Greta Gerwig discussed the importance of learning on the job when it comes to filmmaking in conversation with CEO of CSpence Group Courtney Spence at the “Director’s Chair” panel at the third annual Women in Entertainment Summit Thursday at the Skirball Center in Los Angeles.
She said she’s noticed among her peers the tendency “to over-prepare,” a sense that “you need to be so qualified to do something, particularly for women because there’s a fear that someone’s going to call you out.”
But after she wrote “Lady Bird,” she felt she was ready to make her directorial debut even though she wasn’t yet an expert.
“The only way to get the knowledge is to jump and say ‘I don’t know, can you help me?'” she said. “Particularly in filmmaking, people can make women feel they don’t understand the technical part of it.”
Instead of letting the jargon get in the way, Gerwig found people she trusted to teach her those aspects of filmmaking she hadn’t already picked up during her work as an actress, co-writer and producer on other projects.
“Why would you know what it is until someone explains it to you?” she asked. “Finding people you can admit you don’t know things to is a big part of [learning and success].”
Gerwig also touched on being a millennial in the film industry. She thinks a sea change is coming because the younger generations “expect” to be see themselves onscreen; they want diversity and fresh voices. “It’s not that they don’t want to see things that aren’t about them,” Gerwig said of the demographic. “But they want the option of being represented.”
“[I’m] excited about the changing of the guard,” she said.
“Lady Bird” will debut in US theaters Nov. 3.
12 Hottest TIFF Movies for Sale, From 'Hostiles' to Tonya Harding Drama (Photos)
Though it's not as robust as the annual Sundance Film Festival market or populous as Cannes' Marche du Film, TIFF is a pedigreed springboard for solid indies. Here are this year's hottest films for sale.
"I, Tonya" [UTA / CAA / Miramax] Arguably the hottest title for sale at TIFF 2017, producer-star dynamo Margot Robbie offers up a drama about U.S. Olympic figure skater Tonya Harding and her notorious involvement in the beating of teammate Nancy Kerrigan before the 1994 Olympics. Buyers are dying to see this one.
TIFF
"The Children Act" [CAA / FilmNation] Richard Eyre’s drama has an attractive cast in the firebrand Emma Thompson (who wouldn’t buy this movie simply for the joy of watching her promote it?) and Stanley Tucci, reunited after the recent box office smash “Beauty and the Beast.” The film is an adaptation of Ian McEwan’s same-named novel, about a British judge asked to intervene when a minor refuses a blood transfusion over his religious beliefs.
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"The Cured" [WME] High-brow horror is hard to do, but a category critics and select audiences adore for delivering chills without the tackier conventions of the genre. “The Cured” would certainly check that box, thanks to a clever and unsettling premise: A portion of the population became zombies but were cured. They suffer extreme judgment in a recovering society for, well, eating other people.
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"Hostiles" [CAA / WME] Christian Bale reunites with his "Out of the Furnace" director Scott Cooper for this gritty Western -- already putting Bale in the Oscar conversation after an earlier festival debut. Rosamund Pike, Ben Foster and Jesse Plemmons co-star.
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"Submergence" [UTA] Perhaps the dreamiest trio at TIFF, auteur Wim Wenders will offer up a romance between Alicia Vikander and James McAvoy. The former plays a deep-sea researcher, the latter a water engineer, attempting to connect across continents and oceans while a civil war rages.
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"Mom and Dad" [CAA / XYZ] Giving a fabulous middle finger to helicopter parents, Nicolas Cage and Selma Blair star in writer-director Brian Taylor's super-dark comedy about a 24-hour hysteria that sees parents attempt violence against their own children.
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"Papillon" [CAA] Charlie Hunnam and Rami Malek star in a remake of the 1973 thriller that starred Steve McQueen and Dustin Hoffman -- where two men plot an escape from a prison island.
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"Three Christs" [CAA / Highland Film Group] Jon Avnet sets about the ambitious task of creating both a black comedy and a film that gets mental illness right. Richard Gere stars as a doctor treating three paranoid schizophrenics (Peter Dinklage, Walton Goggins, Bradley Whitford) who all believe they are Jesus Christ.
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"My Days of Mercy" [UTA / WME] This politically charged gay love story pits Kate Mara and Ellen Page against each other on two sides of a capital punishment debate. It also brings them together romantically. Trivia: The official TIFF festival guide labels Page a "powerhouse Canadian," which just makes us smile.
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"Eating Animals" [CAA] Natalie Portman produces this well-received doc about the horrors of meat consumption based on a memoir by Jonathan Safran Foer.
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"Marrowbone" [CAA / Lionsgate] Screenwriter Sergio G. Sánchez makes his directorial debut in a buzzy, supernatural thriller about four children orphaned by the loss of their mother. The lost brood take refuge in an abandoned house only to find sinister forces lurking there.
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"Woman Walks Ahead" [CAA] Jessica Chastain and Michael Greyeyes lead this substantive drama about New York artist Catherine Weldon, who became the trusted confidante of legendary Sioux chief Sitting Bull.
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Toronto film market has awards bait, high-brow horror and sweaty Charlie Hunnam
Though it's not as robust as the annual Sundance Film Festival market or populous as Cannes' Marche du Film, TIFF is a pedigreed springboard for solid indies. Here are this year's hottest films for sale.
TIFF
