‘iCarly,’ ‘Drake & Josh’ Producer Dan Schneider Out at Nickelodeon After Complaints About Behavior
Prolific producer has been at the network since 1996
Reid Nakamura | March 26, 2018 @ 3:51 PM
Last Updated: March 27, 2018 @ 8:36 AM
Kevin Winter/Getty Images
Nickelodeon has parted ways with Dan Schneider, the prolific producer behind many of the network’s live-action hits including “Kenan & Kel,” “iCarly,” “Drake & Josh” and “Victorious,” following complaints about his behavior.
“Following many conversations together about next directions and future opportunities, Nickelodeon and our long-time creative partner Dan Schneider/Schneider’s Bakery have agreed to not extend the current deal,” the network said in a statement. “Since several Schneider’s Bakery projects are wrapping up, both sides agreed that this is a natural time for Nickelodeon and Schneider’s Bakery to pursue other opportunities and projects.”
The network would not discuss any specific accusations of misconduct against Schneider.
Schneider has been at the Viacom network since serving as an executive producer on “Kenan & Kel” beginning in 1996. He has since gone one to produce nearly all of the network’s live-action hits since, including “The Amanda Show,” “iCarly,” “Drake & Josh,” “All That” and “Zoey 101.”
His most recent show, “Game Shakers,” has been canceled after three seasons, but the ongoing “Henry Danger” will continue with a fifth season as planned.
“Dan and his Schneider’s Bakery team have created a string of lasting, groundbreaking hits over the years including ‘iCarly,’ ‘Drake & Josh,’ ‘Victorious,’ Kenan & Kel’ and the current number-one hit show on Nickelodeon, ‘Henry Danger,'” the network’s statement continued.
“We thank Dan and his Schneider’s Bakery producers, executives and social media team for their immeasurable contributions to Nickelodeon, and we wish them the best in their future endeavors. And Dan and Schneider’s Bakery are proud of the work they did together with Nickelodeon and will always remain big fans of the network.”
Deadline, which first reported the news of the split, linked the exit to “multiple complaints of abusive behavior against Schneider filed by members of his staff.”
When “Game Shakers” was canceled last week, Schneider had a temper “flareup,” per Deadline. He was at least partially upset over the show’s cancellation because Season 3 ends on a cliffhanger.
“For years Schneider had been under a cloud of suspicion over the treatment of some younger stars of his shows,” the publication wrote. “Among the things that have raised eyebrows are his tweeted photos of the toes of his young female stars. Additionally, there have been issues with bloated budgets and long production days on Schneider’s shows.”
A Timeline of Stop-Motion Animation History, From 'A Trip to the Moon' to 'Missing Link' (Photos)
This week, the pioneering studio Laika returns with "Missing Link," the stop-motion animated family film starring Hugh Jackman and Zach Galifianakis. With "Missing Link" landing in theaters on Friday, TheWrap looks back at the history of stop-motion animation, going all the way back to the dawn of cinema.
LAIKA/Annapurna Pictures
"The Humpty Dumpty Circus" (1898)
Stop-motion at its most basic is an animation technique in which a filmmaker physically moves an object, taking photographs of each new position, creating the illusion of movement when the series of photographs is played in sequence. "The Humpty Dumpty Circus," created between 1897 and 1898, is believed to be the first film made using the technique. Directors J. Stuart Blackton and Albert E. Smith used their daughter's dolls to imagine acrobats and animals in motion.
Unfortunately, the film has been lost to history, and it's not even clear if anything from it survives. In fact, stills purported to be from the film may actually be photographs of a popular children's toy set sold in the early 20th century.
YouTube
"A Trip to the Moon" (1902)
Early shorts like "The Enchanted Drawing" (1900) or "Fun in a Bakery Shop" (1902) continued the development of stop-motion techniques, with actors on screen manipulating drawings or piles of dough as if by magic. Most famously, magician turned filmmaker Georges Méliès used the "stop trick" to dazzling effect for his sci-fi short "A Trip to the Moon."
"The Lost World" (1925)
Based on Arthur Conan Doyle's fantasy story of the same name, "The Lost World" is the first feature-length American film featuring stop-motion animation, and possibly the first such feature ever made. Animator Willis O'Brien developed several lasting innovations during production of "The Lost World." Among them were several dozen model dinosaurs, and a technique for getting stop-motion and live-action footage onscreen at the same time. These advances laid the groundwork for O'Brien's most famous stop-motion achievement -- 1933's "King Kong."
"The Tale of the Fox" (1930)
Polish photographer Wladislaw Starewicz took the stop motion style to new heights with this fully animated fable "The Tale of the Fox." The film's expressive puppet figurines of foxes, rats, cats and insects made with wax and wire served as a direct inspiration on filmmakers like Terry Gilliam and Wes Anderson for his "Fantastic Mr. Fox."
Mubi
"George Pal's Puppetoons" (1940)
Animator George Pal is credited with developing the technique "replacement animation." Instead of requiring puppets to have a malleable head, Pal created numerous wooden heads each with slightly different facial expressions that could be replaced and used to convey any emotion or anything the puppet needed to say. In 1940, he started making short films for Paramount, and in 1944, Pal won an honorary Oscar for his technique.
Alan Light/Wikipedia
Jiří Trnka (1947)
Known as the "Walt Disney of Eastern Europe," Czech animator Jiří Trnka once said, "A puppet is not a miniature human. He has his own world." Trnka's films starting in 1947 were made primarily for adults, and the studio's puppets had highly sophisticated designs and movements that made them more suitable for stop motion animation.
Antal Kotnyek, Fortepan
Gumby (1955) and "Davey and Goliath" (1961)
Art Clokey, a pioneer in clay animation ("claymation"), created Gumby for "The Howdy Doody Show" in 1955. He later developed the faith-based children's show "Davey and Goliath" (sponsored by the Lutheran Church).
NBC
"Jason and the Argonauts" (1963)
One of the most influential animators who ever lived, Ray Harryhausen was a protege of Willis O'Brien and worked with him until finally getting the chance to lead a project in 1953 with the film "The Beast from 20,000 Fathoms." Harryhausen developed the "Dynamation" technique that helped integrate the live-action with the stop-motion models. Harryhausen made his masterwork with 1963's "Jason and the Argonauts," with the scope of the film's skeleton battle and hydra creation being an ambitious leap above his previous films.
Columbia Pictures
"Rudolph the Red-Nosed Reindeer" (1964)
In 1964, Rankin/Bass Productions, Inc. released this instant-classic stop-motion animated short on NBC. The Christmas special has since become a holiday tradition, regularly airing on CBS to this day. Rankin/Bass would go on to produce many more holiday specials, and these shows, along with Gumby, were instrumental in raising the profile of stop-motion for two generations of kids.
CBS
"Sledgehammer" (1986)
In 1986, rocker Peter Gabriel would work with Nick Park and Aardman Animation, the studio that would eventually create "Wallace and Gromit" and "Chicken Run," to make a music video for his song "Sledgehammer." Gabriel sat under a sheet of glass for 16 hours as every frame was individually, painstakingly photographed. The "Sledgehammer" music video would go on to be the most awarded-ever video at the VMAs, and it remains hugely influential to this day.
"The Nightmare Before Christmas" (1993)
By far the most ambitious stop motion animated film to that point, Henry Selick and Tim Burton's "The Nightmare Before Christmas" has 109,440 frames crafted by a team of 120 workers across 20 sound stages. It was made for $18 million and grossed $76.2 million, spawning a small wave of other stop motion films like "James and the Giant Peach" and "Gumby: The Movie" just as digital animation from Pixar was about to take off.
Buena Vista Pictures
"The Wrong Trousers" (1993)
The "Sledgehammer" video was Aardman Animation's first big break, but it was their Wallace and Gromit shorts, about a handyman and his dog, that put them on the map. Their 1993 half-hour short "The Wrong Trousers" won the studio its first Oscar, a feat it repeated two years later with the sequel, "A Close Shave."
Aardman Animation
"Chicken Run" (2000)
Aardman Animation's first feature film was the first of a massive, $250 million, four film partnership between Aardman and DreamWorks. "Chicken Run" made $224 million worldwide off a $45 million budget. In 2005 however, Aardman suffered a serious fire in which all of their sets and memorabilia were lost.
DreamWorks
"Coraline" (2009)
You can likely count on one hand the number of films that made RealD 3-D look like the next big thing, and "Coraline" was one of them. Henry Selick's film, the first for animation company LAIKA, still looks great today because computers were used only to enhance the traditional animation process.
Universal Pictures
"Fantastic Mr. Fox" (2009)
Prior to 2009, Wes Anderson looked like a stop motion animator who always shot in live action. He was destined to make "Fantastic Mr. Fox," the adaptation of the Roald Dahl novel. "I've always loved stop motion animation and I particularly wanted to do stop motion with puppets that have fur, for whatever reason that is. I've always liked that," he once told Collider.
Twentieth Century Fox
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Georges Méliès, Ray Harryhausen, Nick Park, Henry Selick and Wes Anderson are all pioneers in the genre
This week, the pioneering studio Laika returns with "Missing Link," the stop-motion animated family film starring Hugh Jackman and Zach Galifianakis. With "Missing Link" landing in theaters on Friday, TheWrap looks back at the history of stop-motion animation, going all the way back to the dawn of cinema.