Even those of us who know of the French writer Colette probably don’t know that she ghost-wrote a series of popular novels under her husband’s name, slept with women at her pleasure and otherwise asserted herself in a very unladylike manner.
Keira Knightley, in the title role of “Colette,” brings the early 20th century writer to life with vivid emotion, paired with a strong performance by Dominic West who plays her domineering but somehow unhateable husband, Willy. The film debuted at the Sundance Film Festival on Saturday in the premieres section.
The film joins a rush of women-themed movies to debut at the Sundance Film Festival this year and is the second one to screen in 24 hours that takes place in the 1890s, a time of tumultuous cultural, economic and political change. (The other film was “Lizzie,” about hatchet-wielding Lizzie Borden, also set in 1892.) Like the other film, it manages to set the stage for modern womanhood and the complicated world of contemporary feminism.
From a script by Richard Glatzer and Rebecca Lenkiewicz, director Wash Westmoreland weaves a beautiful tapestry of life in rural France, where Colette is raised, and follows her her gradual embrace of the racy intellectual atmosphere of fin-de-siecle Paris with dreamlike sets and costumes.
For years, Colette wrote a series of wildly popular novels with a main character, Claudine, based on herself. The novels became a Harry Potter-like sensation at the time, inspiring “Claudine” schoolgirl outfits and fangirl devotion – to Colette’s husband.
Colette is no demure woman of the fading Victorian era. Instead, she wants to test boundaries, but even so, she finds herself a near-prisoner of her charismatic, older husband, Willy, who publishes her work under his name.
Meanwhile, though, Colette pursued her own path, seducing women before falling in love with a boldly cross-dressing aristocrat, also a woman. As she grows into her rising confidence, she seeks to reclaim her author’s title, as well as a firmly 20th century identity.
In a crescendo of claiming her identity, Colette finally breaks with Willy and – in a scene that could easily substitute for a modern-day #MeToo moment – accuses the culture. Men are allowed to hurt women with abandon, she says, and get away with it by saying, “That’s what men do.”
In the role, Knightley owns both the insecurities and self-assurance of the talented Colette. West creates a monster in Willy, but somehow manages to keep us laughing as he leads wild dancing on the tables at the Moulin Rouge.
“She made sense to me very quickly,” explained Knightley at the premiere at the Eccles on Saturday night. “Their relationshiop was so clear, I understood it and her.”
Westmoreland dedicated the film to his husband, Glatzer, who died before the film was finished. It is being sold by CAA and Endeavor Content.
13 Hottest Sundance Movies for Sale: From Ax Murderers to Notorious 'RBG' (Photos)
Park City, Utah, is about to be flush with cash -- and we're not talking about buying apres-ski gear. Here are the most promising sales titles of the 2018 Sundance Film Festival.
"Tyrel"
After his stunning performance in "Mudbound," Jason Mitchell is back in this drama alongside Caleb Landry Jones, Michael Cera and Ann Dowd. Buyers should go crazy for the film about a guy who goes on a weekend birthday trip to a cabin -- but he's the only black guy on the retreat.
Sundance
"Lizzie"
There's much interest in "Lizzie," which chronicles the life of Lizzie Borden, who was tried and acquitted for the 1892 ax murders of her father and stepmother. Chloe Sevigny, Kristen Stewart and Denis O'Hare star.
Sundance
"Burden"
Garrett Hedlund also gave a stellar performance in "Mudbound," playing the son of a man associated with the Ku Klux Klan. In "Burden," Hedlund is a repo man rising through the ranks of the KKK, but everything changes when he falls for a woman (Andrea Riseborough). The additional cast of Forest Whitaker and Usher should entice buyers.
Sundance
"The Miseducation of Cameron Post"
Chloe Grace Moretz stars as a high school teenager who gets caught in the backseat of her car with another girl. She's quickly shipped off for conversion therapy, where she for the first time feels like she can find her place among fellow outcasts. The strong themes of pain and loss while finding yourself and your identity should make it a hot title -- after all, it's based on Emily Danforth's acclaimed novel as well.
Sundance
"Juliet, Naked"
Perhaps one of the most anticipated films on the Sundance schedule, "Juliet, Naked" is an adaptation of Nick Hornby's best-selling novel. Rose Byrne, Ethan Hawke and Chris O'Dowd star in this comedic drama about a woman who is in a transatlantic romance with a once-revered musician.
Sundance
"RBG"
What better time to release a documentary about Supreme Court Justice Ruth Bader Ginsburg?
Sundance
"Piercing"
Based on Ryu Murakami's critically acclaimed novel, this steamy yet bloody thriller will get Midnight audiences' --- and buyers' -- heart rate up.
Sundance
"A Kid Like Jake"
Director Silas Howard is debuting his film "A Kid Like Jake," featuring an ensemble that includes Claire Danes, Jim Parsons, Octavia Spencer, Priyanka Chopra, Ann Dowd and Amy Landecker. Howard, who's directed boundary-pushing TV series like "This Is Us" and "Transparent," here focuses on parents whose young son prefers princesses to action figures.
Sundance
"The Happy Prince"
Rupert Everett's directorial debut details the final three years of Oscar Wilde's life. Colin Firth and Emily Watson round out the cast of this period film.
Sundance
"American Animals"
There will never be enough heist films in the world, and the cast of "American Animals," which includes Evan Peters, Barry Keoghan and Blake Jenner, promises to pull off one of the biggest art thefts in recent history. Plus, it's a true story.
Sundance
"Ophelia"
"Ophelia" retells Shakespeare's "Hamlet" from the point of view of the melancholy Danish prince's presumed future wife -- played by Daisy Ridley, hot off "Star Wars: The Last Jedi" and "Murder on the Orient Express." Naomi Watts and Clive Owen round out the cast.
Sundance
"Sorry to Bother You"
This film boasts one of the most impressive casts of any film heading to the festival, and that won't be lost on buyers: Lakeith Stanfield, Tessa Thompson, Steven Yeun and Armie Hammer star in the original comedy.
Sundance
"Wildlife"
Jake Gyllenhaal and Carey Mulligan star in Paul Dano's directorial debut, about a couple in a foundering marriage in small-town Montana in the 1960s.
Sundance
1 of 14
Sundance 2018: Streaming companies and indie distributors will battle it out for these movies
Park City, Utah, is about to be flush with cash -- and we're not talking about buying apres-ski gear. Here are the most promising sales titles of the 2018 Sundance Film Festival.