Oprah Winfrey will no longer executive produce an upcoming documentary about a woman who accused music mogul Russell Simmons of sexual misconduct, and the film will no longer appear on Apple TV+, Winfrey told TheWrap in a statement.
The untitled film from Kirby Dick and Amy Ziering follows music executive Drew Dixon and how her life changed after she accused Simmons of rape and entered the #MeToo movement. The Def Jam Records co-founder has denied the accusations.
Dick and Ziering said in a statement:
“Revealing hard truths is never easy, and the women in our documentary are all showing extraordinary strength and courage by raising their voices to address sexual abuse in the music industry. While we are disappointed that Oprah Winfrey is no longer an Executive Producer on the project, we are gratified that Winfrey has unequivocally said she believes and supports the survivors in the film.
The #MeToo experiences of Black women deserve to be heard, especially against powerful men, so we will continue with our plans to bring the film to The Sundance Film Festival. This film, more than two years in the making, will be our eighth film to premiere at Sundance.
The film is a beacon of hope for voices that have long been suppressed, and an inspiration for anyone wanting to regain their personal power.”
The film is meant to premiere at the Sundance Film Festival later this month, but Winfrey felt the film was not ready to be screened at the festival and left the project.
“I have decided that I will no longer be executive producer on ‘The Untitled Kirby Dick and Amy Ziering Documentary’ and it will not air on Apple TV+,” Winfrey said in a statement. “First and foremost, I want it to be known that I unequivocally believe and support the women. Their stories deserve to be told and heard. In my opinion, there is more work to be done on the film to illuminate the full scope of what the victims endured and it has become clear that the filmmakers and I are not aligned in that creative vision.
“Kirby Dick and Amy Ziering are talented filmmakers. I have great respect for their mission but given the filmmakers’ desire to premiere the film at the Sundance Film Festival before I believe it is complete, I feel it’s best to step aside. I will be working with Time’s Up to support the victims and those impacted by abuse and sexual harassment,” Winfrey continued.
Dick and Ziering are the filmmakers behind “The Invisible War” and “The Hunting Ground,” which deal with the epidemic of rape of soldiers within the U.S. military and the institutional cover-up of rape on college campuses, respectively. Their latest documentary involving Dixon and Simmons was meant to be produced by Winfrey and Impact Partners and would have premiered on Apple TV+ in 2020. The project was announced in December, but the official logline from Apple did not identify the film’s subject, only that it involved a “brilliant former music executive.”
However, when the film was announced as part of the Sundance lineup, the full logline revealed that it followed Dixon and her accusations against Simmons.
Simmons was Dixon’s boss at Def Jam Recordings while she was an executive at the music label. Dixon says she was raped by Simmons in his apartment in 1995 and quit the company shortly after.
THR first reported the news of Winfrey’s departure.
10 Movie Hits Launched at Sundance in 2018, From 'Won't You Be My Neighbor' to 'Eighth Grade' (Photos)
Even though last year's Sundance didn't see studios break the bank to acquire a movie, the Park City festival was still the launch pad for several future indie hits that competed or premiered there. Here are the biggest ones from the last 12 months.
“Colette” ($5.1 million domestic) — Our list opens with Keira Knightley's portrayal of the author of the "Claudine" novels, who strikes out on her own after her manipulative husband takes the novels to Paris and claims that he wrote them. Bleecker Street bought the film for $4 million and saw a minor return on the film.
“Leave No Trace” ($6 million) -- "Winter's Bone" director Debra Granik won praise from indie circles for her gentle direction of a single father and his teenage daughter's wayward journey from one home to another after being caught living off the grid.
"Tully" ($9.4 million) -- The buzz for Charlize Theron's performance as a weary single mother began with a surprise screening at Sundance, going on to gross just under $10 million domestically.
“Three Identical Strangers” ($12.3 million) — Director Tim Wardle received a Special Jury Prize at Sundance for his competition-screened telling of triplets who were separated at birth thanks to an unethical behavioral science experiment. “Strangers” was one of four documentaries in 2018 to gross over $12 million at the box office, the first time that has ever happened in a calendar year.
“Eighth Grade” ($13.5 million) — It was snubbed by the Sundance jury AND the Academy, but “Eighth Grade” was still a striking debut for both its director, Bo Burnham, and its lead star, Elsie Fisher. The coming-of-age tale earned one of the highest opening per screen averages of the year, as A24 also held free screenings for teens to get around the film’s R rating.
“RBG” ($14 million) — Last year saw Ginsburg Mania hit a fever pitch, highlighted by the success of Magnolia Pictures’ documentary on the Supreme Court Justice released in the middle of a blockbuster-loaded May. And now it has earned Magnolia its second straight Oscar nomination, joining last year's doc "I Am Not Your Negro"
“Sorry to Bother You” ($17.5 million) — Boots Riley’s directorial debut became an instant cult classic with its bizarre imagery and cutting social commentary. It was purchased by Annapurna in an effort to built its distribution wing and became its first legit indie box office hit.
“Won’t You Be My Neighbor?” ($22.8 million) — Morgan Neville’s ode to Mister Rogers might have been shockingly snubbed from the Oscars, but it was still the most talked about film at Sundance and one of the most popular docs of the past decade. Released in the summer, it now ranks as one of the top 10 highest grossing nonfiction films of all-time.
“Searching” ($26 million) — The feature debut of Indian-American filmmaker Aneesh Chaganty made a huge splash in Sundance’s Next section and made a mint after being released by Sony in the late summer. Made on a paltry $1 million budget and bought for $5 million, “Searching” stars John Cho and tells the story of a father searching for his disappeared daughter, with almost the whole film being told on smartphone and computer screens.
“Hereditary” ($44.1 million) — The biggest box office hit of Sundance 2018 was a midnight section film produced by A24. “Hereditary” earned critical and audience acclaim for its disturbing portrayal of grief and its destructive power, and was declared by many to be the finest performance of Toni Collette’s career.
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Several films that premiere or compete in Park City go on to become the indie darlings of tomorrow
Even though last year's Sundance didn't see studios break the bank to acquire a movie, the Park City festival was still the launch pad for several future indie hits that competed or premiered there. Here are the biggest ones from the last 12 months.
