Skydance Media has named Stephanie Kyoko McKinnon General Counsel, while Jun Oh has been elevated to president of global business and legal affairs, Skydance announced Wednesday.
The announcement comes in the wake of Skydance’s acquisition of Ilion Studios in Madrid earlier this month. McKinnon and Oh will report to President and COO of Skydance Media Jesse Sisgold.
McKinnon will provide legal and strategic guidance on corporate transactions, including acquisitions and ventures, as well as employment matters. Oh is being promoted from head of theatrical and interactive business affairs, and will now have added television and animation responsibilities. In his new position, he will run business and legal affairs related to development, production and distribution of Skydance material.
“I could not be more pleased to welcome Stephanie and to congratulate Jun!” Sisgold said in a statement. “Stephanie’s legal acumen and strategic mind will play an important role as we continue to expand our global capacity while running our operations at the highest functional and ethical standards. And Jun has proven quickly that he is an extraordinary executive and dealmaker and is incredibly deserving of this expanded role.”
McKinnon joins Skydance from Vice Media, where she served as senior vice president, deputy general counsel, overseeing legal of Vice’s projects. Prior to that, she served as VP of legal and business affairs for Whistle Sports.
Oh joined Skydance in 2018 and has been a key component of deals for Skydance’s film slate, including the $275 million equity partnership between Skydance, RedBird Capital and CJ ENM. Prior to his tenure at Skydance, he served as president of business and legal affairs for Global Road Entertainment, and he also previously served as senior vice president of business affairs at Warner Bros. Entertainment. Before that, he was head of business and legal affairs for Warner Independent Pictures, and he began his career at The Walt Disney Company in the business and legal affairs group.
'Mission: Impossible' - 10 Stunts That Make Us Think Tom Cruise Has a Death Wish (Photos)
No matter what the situation, Tom Cruise is committed to making his movies feel as realistic as possible. But sometimes, it feels like he takes it a little bit too far, to the point that his "Mission: Impossible" co-star Simon Pegg says that the biggest difference between watching him do the stunts on set and watching them in the film is that the audience "knows that Tom lives in the end." Here are some of the ways Cruise has risked life and limb for his craft.
The Last Samurai (2003) After eight months of rigorous martial arts and katana training, Cruise climbed aboard a mechanical horse for a makeshift battlefield joust against co-star Hiroyuki Sanada. But an error in Sanada's mechanical horse caused it to stop farther than the crew intended, and Cruise's neck nearly collided with Sanada's sword. Decapitation? Who's to say. But would Cruise have broken his neck if that sword got any closer? Quite likely.
Mission: Impossible II (2000) In one armrest-clutching shot, Ethan Hunt stops a knife from being driven right into his eye. When it was filmed, Cruise shocked director John Woo when he said he wanted to be involved in the shot with no special effects. Like "The Last Samurai," the blade is dulled, but it's attached to a cable to make sure that Cruise didn't need that "Valkyrie" eyepatch eight years in advance.
"MI2" also had one of Cruise's most famous scenes: the opening of the film where Ethan climbs up a cliff with no gear. But while Cruise did have digitally removed gear he used during filming, he did tear a muscle in his shoulder while filming the scene, which included a shot of him clinging to the sheer rock face while facing outward over the huge drop below.
Mission: Impossible III (2003) Three years later, Cruise worked with J.J. Abrams on a scene in which Ethan falls off of the garden wall of the Vatican while suspended by a brake cable that will stop him an inch from the ground. In reality, the cable holding Cruise back from a bone-crushing meeting with the ground was held on the other end by a bevy of strong crew members
Mission: Impossible: Ghost Protocol (2011) An instantly iconic action scene for both Cruise and the genre as a whole was Ethan's infamous attempt to scale the Burj Khalifa. While Cruise was harnessed, he climbed, dropped, and swung around the side of the half-mile high skyscraper for eight days to get the shots seen in the film.
Jack Reacher (2012) Before working together on "Mission: Impossible," Cruise and director Christopher McQuarrie worked on this action film in which Cruise did all the car chase scenes on his own. Yes, even the parts where he's smashing into walls and other cars. Cruise went on to use his stunt driving training to power slide through narrow alleys in "Mission: Impossible -- Rogue Nation" while cameras attached to the windshield make it nearly impossible to see the road.
Mission: Impossible -- Rogue Nation (2015) That's not a green screen. While Cruise is attached by a safety harness that's digitally removed, he really is clinging to the side of a plane as it takes off. Cruise has said that between the g-forces of the takeoff and the wind blasting in his face, he nearly forgot to say his line while holding on to the plane.
In the underwater scene in "Rogue Nation" where Ethan has to hold his breath for over six minutes, Cruise didn't actually have to hold his breath as long to film the scene since they could use effects and takes. But to prove to the safety crew that he could be filmed for several minutes at a time without them having to worry about him, Cruise did learn how to hold his breath for six minutes
"Mission: Impossible -- Fallout" (2018) Now, in the latest "Mission: Impossible" film, Cruise goes from car chases to helicopter chases. In an interview with Graham Norton, Cruise says he spent two years getting his helicopter license and preparing for the scene, which involves a close range, low altitude chase through the mountains of New Zealand with co-star Henry Cavill. "There was a point where I genuinely thought... 'At least I get killed by Tom Cruise. That'll look good in the papers,'" Cavill said.
And that's not the only death-defying stunt he does in the film. At CinemaCon in Las Vegas, Cruise explained how he jumped 25,000 feet out of a plane over 100 times for another aerial stunt sequence while wearing military breathing equipment that allowed him to skydive at such high altitudes.
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Sometimes Tom Cruise is a little too committed to realism
No matter what the situation, Tom Cruise is committed to making his movies feel as realistic as possible. But sometimes, it feels like he takes it a little bit too far, to the point that his "Mission: Impossible" co-star Simon Pegg says that the biggest difference between watching him do the stunts on set and watching them in the film is that the audience "knows that Tom lives in the end." Here are some of the ways Cruise has risked life and limb for his craft.
