I sadly never had the opportunity to meet my uncle, Alan Turing. We share some very basic similarities — we both attended Sherborne and King’s College, both have an affinity for mathematics, both have ties to Bletchley Park — but that’s about where we’d have to drawn the line. I couldn’t possibly claim to have achieved anything in the realm of what he did, but nevertheless I’ve always considered my relation to him a tremendous source of pride.
If we were to ignore his presence in our family background, we’d be turning our backs on a link to one of history’s truly great men. This was a man who was confident, and some might say eccentric, enough to put his name to a letter to Winston Churchill requesting his help in getting additional resources to his codebreaking team (Churchill answered swiftly and forcefully in Alan’s favor.) It’s also been said that Churchill believed Alan Turing and the codebreakers of Bletchley should be credited with the single biggest contribution to Allied victory in the war against Nazi Germany.
Do a quick Google search into the public tributes that he’s received and you’ll find a wealth of reasons to think that my uncle has been remembered to the utmost extent; there are foundations, streets, awards, museum exhibitions, theater productions, TV movies and countless books out there bearing his name.
“The Imitation Game” brings Alan to life in a rather different way — Benedict Cumberbatch and the team behind it managed not just to remind us about all his innovations and their magnitude: they also succeeded in making Alan a living, breathing, feeling human being who was complicated, strange, brilliant, caring and staunch in his belief that he would live life as he chose to. He was not afraid to challenge conventions nor did he shy away from his identity as a homosexual.
The film paints a new picture of my uncle and, at times, it is a bit heart wrenching. This is not, of course, to diminish the importance of talking about his genius or the fact that he spared countless lives with his work during WWII — and the film is sure to thank him for all of that.
There was time, not all that many years ago, when I’m fairly certain that no one who hadn’t been specifically schooled in computer science had ever heard of Alan. That began to change back in 2009, when Prime Minister Gordon Brown issued him a formal apology on behalf of the U.K. government for the treatment he endured before his death.
It happened again four years later, when the U.K. government secured a royal pardon for the same reasons. These were opportunities not just to acknowledge the absurdity of Alan’s treatment for being a gay man, but also means of reviving the discussion around his vast accomplishments.
“The Imitation Game”is a moving tribute and brings out a side of Alan Turing which doesn’t readily come across in a history book or an encyclopedia page.
Oscars 2015: The Nominees (Photos)
Best Motion Picture of the Year: “American Sniper," “Birdman or (The Unexpected Virtue of Ignorance),” “Boyhood" (pictured), "The Grand Budapest Hotel," “The Imitation Game" (pictured), “Selma" (pictured), “The Theory of Everything," “Whiplash”
Paramount/IFC/The Weinstein Company
Best Director: “Birdman or (The Unexpected Virtue of Ignorance),” Alejandro G. Iñárritu; “Boyhood,” Richard Linklater (pictured); “Foxcatcher” Bennett Miller; “The Grand Budapest Hotel,” Wes Anderson; “The Imitation Game,” Morten Tyldum
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Best Animated Feature Film: “Big Hero 6,” Don Hall, Chris Williams and Roy Conli; “The Boxtrolls” (pictured), Anthony Stacchi, Graham Annable and Travis Knight; “How to Train Your Dragon 2,” Dean DeBlois and Bonnie Arnold; “Song of the Sea” Tomm Moore and Paul Young “The Tale of the Princess Kaguya” Isao Takahata and Yoshiaki Nishimura
Focus Features
Best Original Screenplay: “Birdman or (The Unexpected Virtue of Ignorance)” by Alejandro G. Iñárritu, Nicolás Giacobone, Alexander Dinelaris, Jr. & Armando Bo; “Boyhood" by Richard Linklater; “Foxcatcher” by E. Max Frye and Dan Futterman; “The Grand Budapest Hotel” by Wes Anderson, story by Wes Anderson & Hugo Guinness; “Nightcrawler” (pictured) by Dan Gilroy
Open Road Films
Best Adapted Screenplay: “American Sniper” by Jason Hall, “The Imitation Game” (pictured) by Graham Moore; “Inherent Vice” by Paul Thomas Anderson; “The Theory of Everything” by Anthony McCarten; “Whiplash” by Damien Chazelle
The Weinstein Company
Best Foreign Language Film: “Ida,” (pictured) Poland; “Leviathan,” Russia; “Tangerines,” Estonia; “Timbuktu,” Mauritania; “Wild Tales,” Argentina
Music Box Films
Best Documentary Feature: "Citizenfour," "Finding Vivian Maier," "Last Days in Vietnam," "Salt of the Earth," "Virunga" (pictured)
Netflix
Best Film Editing: "American Sniper" (pictured), "Boyhood," "Grand Budapest Hotel," Imitation Game," Whiplash"
Warner Bros.
Best Performance by an Actor in a Leading Role: Steve Carell in “Foxcatcher," Bradley Cooper in “American Sniper," Benedict Cumberbatch in “The Imitation Game," Michael Keaton (pictured) in “Birdman or (The Unexpected Virtue of Ignorance)," Eddie Redmayne in “The Theory of Everything”
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Best Performance by an Actor in a Supporting Role: Robert Duvall in “The Judge,” Ethan Hawke in “Boyhood," Edward Norton in “Birdman or (The Unexpected Virtue of Ignorance)," Mark Ruffalo in “Foxcatcher," J.K. Simmons (pictured) in “Whiplash”
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Best Performance by an Actress in a Leading Role: Marion Cotillard in “Two Days, One Night,” Felicity Jones (pictured) in “The Theory of Everything," Julianne Moore in “Still Alice," Rosamund Pike in “Gone Girl," Reese Witherspoon in “Wild”
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Best Actress in a Supporting Role: Patricia Arquette in “Boyhood," Laura Dern in “Wild," Keira Knightley (pictured) in “The Imitation Game," Emma Stone in “Birdman or (The Unexpected Virtue of Ignorance)," Meryl Streep in “Into the Woods”
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Achievement in Cinematography: “Birdman or (The Unexpected Virtue of Ignorance),” Emmanuel Lubezki; “The Grand Budapest Hotel” (pictured), Robert Yeoman; “Ida,” Lukasz Zal and Ryszard Lenczewski; “Mr. Turner,” Dick Pope; “Unbroken,” Roger Deakins
Fox Searchlight Pictures
Best Costume Design: “The Grand Budapest Hotel,” Milena Canonero; “Inherent Vice” (pictured), Mark Bridges; “Into the Woods,” Colleen Atwood; "Maleficent,” Anna B. Sheppard and Jane Clive; “Mr. Turner,” Jacqueline Durran
Warner Bros.
Best Makeup and Hairstyling: “Foxcatcher” (pictured), Bill Corso and Dennis Liddiard; “The Grand Budapest Hotel,” Frances Hannon and Mark Coulier; “Guardians of the Galaxy” Elizabeth Yianni-Georgiou and David White
Sony Pictures Classics
Best Original Song: “Everything Is Awesome” from “The Lego Movie," music and lyric by Shawn Patterson; “Glory” from “Selma” (pictured), music and lyric by John Stephens and Lonnie Lynn; “Grateful” from “Beyond the Lights,” music and lyric by Diane Warren; “I’m Not Gonna Miss You” from “Glen Campbell…I’ll Be Me,” music and lyric by Glen Campbell and Julian Raymond; “Lost Stars” from “Begin Again,” music and lyric by Gregg Alexander and Danielle Brisebois
Paramount Pictures
Best Original Score: “The Grand Budapest Hotel,” Alexandre Desplat; “The Imitation Game,” Alexandre Desplat; “Interstellar,” Hans Zimmer (pictured); “Mr. Turner,” Gary Yershon; “The Theory of Everything,” Jóhann Jóhannsson
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Best Production Design: “The Grand Budapest Hotel,” “The Imitation Game," “Interstellar," “Into the Woods," “Mr. Turner” (pictured)
Sony Pictures Classics
Best Sound Editing: "American Sniper," "Birdman," "The Hobbit: The Battle of the Five Armies," "Interstellar" (pictured), "Unbroken"
Paramount Pictures
Best Sound Mixing: “American Sniper,” John Reitz, Gregg Rudloff and Walt Martin; “Birdman or (The Unexpected Virtue of Ignorance),” Jon Taylor, Frank A. Montaño and Thomas Varga; “Interstellar,” Gary A. Rizzo, Gregg Landaker and Mark Weingarten; “Unbroken” (pictured), Jon Taylor, Frank A. Montaño and David Lee; “Whiplash,” Craig Mann, Ben Wilkins and Thomas Curley
Universal Pictures
Best Visual Effects: “Captain America: The Winter Soldier,” Dan DeLeeuw, Russell Earl, Bryan Grill and Dan Sudick; “Dawn of the Planet of the Apes,” Joe Letteri, Dan Lemmon, Daniel Barrett and Erik Winquist; “Guardians of the Galaxy” (pictured), Stephane Ceretti, Nicolas Aithadi, Jonathan Fawkner and Paul Corbould; “Interstellar” Paul Franklin, Andrew Lockley, Ian Hunter and Scott Fisher; “X-Men: Days of Future Past,” Richard Stammers, Lou Pecora, Tim Crosbie and Cameron Waldbauer
Disney/Marvel
Best Live Action Short Film: “Aya,” Oded Binnun and Mihal Brezis; “Boogaloo and Graham” (pictured), Michael Lennox and Ronan Blaney; “Butter Lamp (La Lampe Au Beurre De Yak),” Hu Wei and Julien Féret; “Parvaneh,” Talkhon Hamzavi and Stefan Eichenberger; “The Phone Call,” Mat Kirkby and James Lucas
Best Animated Short Film: “The Bigger Picture” (pictured) Daisy Jacobs and Christopher Hees; “The Dam Keeper,” Robert Kondo and Dice Tsutsumi; “Feast,” Patrick Osborne and Kristina Reed; “Me and My Moulton,” Torill Kove; “A Single Life” Joris Oprins
Best Documentary Short: “Crisis Hotline: Veterans Press 1,” Ellen Goosenberg Kent and Dana Perry; “Joanna,” Aneta Kopacz; “Our Curse” Tomasz Sliwinski and Maciej Slesicki; “The Reaper (La Parka),” Gabriel Serra Arguello: “White Earth” (pictured), J. Christian Jensen
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See the nominees that have a shot at Oscar gold when the 87th annual Academy Awards airs Feb. 22 on ABC
Best Motion Picture of the Year: “American Sniper," “Birdman or (The Unexpected Virtue of Ignorance),” “Boyhood" (pictured), "The Grand Budapest Hotel," “The Imitation Game" (pictured), “Selma" (pictured), “The Theory of Everything," “Whiplash”
Sir John Dermot Turing was educated at Sherborne and King’s College, Cambridge. After completing his DPhil in Genetics at New College, Oxford, Dermot moved into the legal profession working first for HM Treasury Solicitor’s Department and then for Clifford Chance where he has remained (as a partner since 1999.) Dermot is currently based in London in Clifford Chance’s Financial Services and Markets Group and his professional focus is on regulation, insolvency and risk management for financial institutions.
Dermot is the nephew of Alan Turing (1912-1954), who is well known to have been one of Bletchley Park’s leading cryptanalysts as well as a founder of the science of artificial intelligence. Naturally enough, Dermot has followed closely the gradual revelation of the achievements of the Bletchley codebreakers from the first release of materials in 1975 and the re-opening of Bletchley Park to the public in the early 1990s. He feels it is a privilege and a pleasure to provide a more direct contribution as a Trustee.