French writer-director Martin Provost’s “The Midwife” is a story about two very different women: Claire (Catherine Frot), a tense and responsible person who delivers babies at a small hospital, and Béatrice (Catherine Deneuve), a free-spirited and highly irresponsible gambler who lives by her wits. Their exact relationship to each other is difficult to understand, and that’s only one of the problems with this movie.
“The Midwife” begins with some plodding and un-promising scenes at the hospital with Claire, but the film is briefly energized when Deneuve’s Béatrice comes crashing back into Claire’s life. (Béatrice had some kind of relationship with Claire’s father.) Wearing a slightly tacky orange-and-green robe, Béatrice keeps up a steady stream of very peppy talk and announces, “I have cancer!” as if she were relaying a juicy piece of gossip about herself.
While having lunch with Béatrice at a restaurant, Claire relates that her father committed suicide, and Béatrice receives this information as if she is being physically attacked. Deneuve plays this moment of breakdown in an extraordinarily exposed and immediate way. A great beauty and a great star, Deneuve can also be a great actress when a part calls upon all of her resources and taps into the whirlwind of emotion just below her fabled surface.
“I don’t care if I die; I lived the life I wanted!” Béatrice cries convincingly, but she also seems to be in a panic. When Claire tells her to stay away from red meat, Béatrice says, “I believe in the power of pleasure.” (This belief also includes a devotion to elegantly long cigarettes.)
Béatrice is the sort of larger-than-life role that a movie diva like Deneuve can have some fun with, and Provost (“Séraphine”) has provided her with some amusing lines of dialogue. But the conflict between Claire and Béatrice feels contrived. And Claire is a far less interesting character than Béatrice, yet we spend an inordinate amount of time with her alone.
The midsection of “The Midwife” is mainly devoted to confrontation scenes between Claire and Béatrice where they reveal things about their shared past, but this past is fatally unclear. Was Béatrice her stepmother? Her mother? At a certain point, Claire starts referring to Béatrice as her mother, but then late in the film she very briefly starts to talk about her actual mother. The press notes state that Béatrice was the mistress of Claire’s father, but that certainly doesn’t come across on screen.
The bothersome and irritating thing about the way “The Midwife” is written is that we keep hearing detail after detail and story after story about the shared history between Claire and Béatrice, but we never get a solid idea of what that history was. This narrative murkiness could have been taken care of with one or two lines of dialogue in their first scene together, and surely this isn’t too much to ask since almost all of their other dialogue is exposition of one sort of another.
They have not seen each other in 30 years, yet Béatrice comes running to Claire because she is ill and afraid, and we never know why she chooses Claire. How long was Béatrice the mistress of Claire’s father? Were she and Claire close at that time? At one point Béatrice says that she has no friends, and yet we see her flirting with every man she meets and holding court at a poker table like a card-game queen bee.
“The Midwife” might have worked if Provost had cut most of Claire’s scenes at the hospital and just focused on fleshing out her relationship to Beatrice. If he had done that, Provost might have wound up with a good weepie with comic undertones, or maybe an outright screwball comedy where Béatrice gets Claire to loosen up.
There’s one promising comic scene in the last third where Béatrice convinces Claire to sign over some money to an older woman who looks very attractively depraved. “You’re pretty when you’re naughty!” Béatrice cries. “But that raincoat has got to go.” The way they laugh together here establishes some chemistry between these women, but it does not lead anywhere.
In a long and very distinguished career, Deneuve has made her classics and her “definitely of interest” films, and she has also stuffed her résumé with films like “The Midwife” that are distinguished only by her star presence. She is ready and willing to be magnificent in many different emotional registers, but she has had trouble finding contemporary French directors who can make movies that are up to her high standard.
Deneuve has that one great scene in the restaurant in “The Midwife” and several others that display her skill, but this is not enough to save this particular picture from its shortcomings.
50 Actresses Over 50 Who Still Rule Hollywood (Photos)
The Australian Oscar winner has kept busy with blockbusters ("Aquaman"), award-winning indies ("Boy Erased") and TV hits like HBO's "Big Little Lies" and "The Undoing."
After starring in 2015's "Cinderella," this Oscar nominee reprised a different Disney role as the Red Queen in "Alice Through the Looking Glass." And then won acclaim on Netflix's "The Crown."
A Golden Globe-winning actress, Wright played Claire Underwood in Netflix’s "House of Cards" and appeared in 2017's "Wonder Woman" and "Blade Runner 2049."
Aside from the fact that she's the only black woman to win an Oscar for Best Actress, she recently starred in "X-Men: Days of Future Past," "John Wick: Chapter 3 - Parabellum" and two movies in the "Kingsman" series.
An accomplished SAG and Emmy winner, Davis starred in ABC’s hit series "How to Get Away With Murder" and the two "Suicide Squad" movies (including a 2021 sequel). She also starred in the 2020 drama "Ma Rainey's Black Bottom."
Following the enormous success of her breakout series "Sex and the City," Jessica Parker starred in a string of romantic comedies. She starred in HBO's comedy "Divorce."
The Oscar nominee has been busy, voicing the mother in Pixar's "Inside Out," playing Cleo Trumbo in "Trumbo," and Martha Kent in 2013's "Man of Steel" and 2016's "Batman v. Superman: Dawn of Justice." She starred opposite Kevin Costner in 2020's "Let Him Go."
Since the '80s, Fox has made a name for herself in both film and TV, including appearances in Fox's "Empire," "Independence Day: Resurgence" and Lifetime's series of "Wrong" movies.
The Oscar-winning Tomei maintains a tireless work ethic, playing roles in "The Big Short," "Captain America: Civil War," and the Tom Holland "Spider-Man" movies.
Since the end of ABC's "Cougar Town," Cox returned to acting in 2016's "Mothers and Daughters"and made her directorial debut with 2014's "Just Before I Go."
After turning heads in "The Passion of the Christ" and two of the three "Matrix" films, the Italian actress returned to the silver screen as a Bond girl in 2015's "Spectre." And then starred as Italian photographer Tina Modotti in the miniseries "Radical Eye."
The Golden Globe winner maintained some of her post-"Weeds" success with roles in 2018's "Red Sparrow" and on shows like NBC’s "The Blacklist" and Audience's "Mr. Mercedes."
This three-time Oscar and Tony nominee is working hard, with big roles in shows like "Ozark," "Tales of the City" and Viggo Mortensen's film "Falling."
Having appeared on several TV shows since the '90s, Hargitay is best known as Olivia Benson on "Law & Order: SVU" and for founding the Joyful Heart Foundation, which provides support to women who have been sexually abused.
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Ming-Na Wen (birthdate: 11/20/63)
In addition to being the enchanting voice of the heroine in Disney's "Mulan," Wen is known for her roles on "Stargate Universe," Disney+'s "The Mandalorian" and ABC's "Agents of S.H.I.E.L.D."
Since her days as a "Friends" leading lady, Kudrow has been active in film and TV, playing characters in Netflix’s "BoJack Horseman," "Neighbors 2: Sorority Rising," the 2019 indie hit "Booksmart" and the Netflix comedy "Space Force."
The "As Good As It Gets" actress drew acclaim in 2012 for her role in Sundance favorite "The Sessions" and recently starred in the sitcom reboot "Mad About You."
Even after the end of ABC's "Ugly Betty" and the short-lived "666 Park Avenue," Williams has kept working with projects like "Daytime Divas" and Justin Simien's 2020 film "Bad Hair."
Whiledoing charity work for her anti-sex-trafficking foundation Thorn, Moore has returned to the screen in TV projects like "Empire," "Animals." and "Brave New World."
After appearing in "Elysium" and "Carnage," the Oscar-winning actress took a break from acting and returned to directing with 2016's "Money Monster" starring George Clooney and Julia Roberts and an episode of "Black Mirror." She then appeared in front of the camera in 2020's "Prisoner 760."
With a career that spans four decades, Jason Leigh earned an Oscar nomination for 2015's "The Hateful Eight," then starred in shows like "Twin Peaks," "Patrick Melrose" and "Atypical" as well as movies like 2020's "The Woman in the Window."
Despite the 2016 cancellation of her short-lived sitcom "Angel from Hell," Lynch has made strides in the past few years, hosting NBC's "Hollywood Game Night" and earning Emmy attention for "The Marvelous Mrs. Maisel."
Having appeared in both mainstream and art-house films, Moore received acclaim for her Oscar-winning performance in "Still Alice." She followed with showy roles in 2020's "The Woman in the Window" and Julie Taymor's "The Glorias."
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Lorraine Toussaint (birthdate: 04/04/60)
Starting her career in theater before transitioning into film and TV, Toussaint has appeared in Ava DuVernay's "Selma" and the short-lived Fox series "Forever." She's also received praise for her work as Vee in Netflix's "Orange Is the New Black" and series like "Into the Badlands" and "The Village."
One of Hollywood and Britain's most accomplished performers, Thompson appeared in 2017's "Beauty and the Beast," Mindy Kaling's "Late Night" in 2019 and 2021's "Cruella."
An actress known for her roles in horror films and the 2003 comedy "Freaky Friday," Lee Curtis has lately appeared on screen in 2018's "Halloween" reboot and 2019's "Knives Out."
Though she's known primarily for her film roles, including her turn in Spike Lee's 2016 drama "Chi-Raq" and 2018's "Black Panther," Bassett is a TV regular, particularly in FX's anthology series "American Horror Story" and "9-1-1."
In addition to being a TV personality, a two-time Oscar host and an LGBTQ advocate, DeGeneres found time to reprise her role as the forgetful blue tang in Pixar's 2016 hit "Finding Dory," the sequel to 2003's "Finding Nemo."
The Georgia-born Oscar winner returned to film in 2012 after a seven-year hiatus, and has since had roles in "The Big Sick," "Batman v. Superman: Dawn of Justice," and TV shows like "Here and Now" and "Succession."
Known for her early '90s roles in "Sex, Lies, & Videotape," "Groundhog Day," and "Four Weddings and a Funeral," MacDowell has appeared in recent films like "Only the Brave" and 2019's "Ready or Not."
The three-time Academy Award nominee appeared in 2015's acclaimed "Room" and ABC's mystery melodrama "The Family" as well as Apple TV+'s "Lisey's Story."
Russo, a Vogue model-turned-BAFTA nominated actress, juggled lots of roles in recent movies, including Marvel's "Thor," the neo-noir thriller "Nightcrawler" the Nancy Meyers comedy "The Intern" and 2019's "Velvet Buzzsaw."
The actress and producer has kept busy since ending her long-running daytime talk show, overseeing her OWN network and appearing in series like "Greenleaf" and movies such as "The Immortal Life of Henrietta Lacks" and "A Wrinkle in Time."
The Golden Globe and SAG-winning actress starred in the 2016 crime comedy caper "The Nice Guys" and had a big role in the last two "Fifty Shades" movies.
A well-known character actress, Steenburgen has appeared in several TV shows (Fox’s "The Last Man on Earth," Netflix's "Orange Is the New Black") and films ("Song One," "A Walk in the Woods"). She starred in the 2016 drama "The Devil and the Deep Blue Sea" and 2018's "Book Club."
Since her breakthrough role in 1973’s “Live and Let Die,” Seymour has kept busy in projects like the 2016 spoof movie "Fifty Shades of Black" and the CW’s "Jane the Virgin."
One of the most recognized and active women working in Hollywood today, Streep is keeping her acclaimed acting streak alive. Recent projects include "The Post," "Little Women," Netflix's "The Prom" and HBO's "Big Little Lies."
The "Ghostbusters" alum has been in 12 movies since 2010, ranging from "Chappie" to "The Cabin in the Woods." She had a cameo in 2016's female-led remake of "Ghostbusters" and stars in James Cameron's upcoming "Avatar" sequels.
A multiple Oscar, Golden Globe, and SAG winner, Lange has been drawing acclaim since the '80s, especially for her performance in FX’s "American Horror Story."
Since her breakout debut in Francis Ford Coppola's "The Godfather Part II," Coll has had recurring TV roles in shows like "Switched at Birth," "Glee" and "Teen Wolf." She starred as Alba Villanueva in the CW's "Jane the Virgin."
The "Fatal Attraction" star garnered praise and an Oscar nomination for 2017's "The Wife" and has clocked roles in the "Guardians of the Galaxy" movies as well as 2020's "Hillbilly Elegy."
The Oscar winner is another one of Hollywood's biggest and most active actresses, including memorable turns in recent movies like the "Red" and "Fast & Furious" series as well as shows like "Catherine the Great."
Cicely Tyson is in her 90s and shows no signs of slowing down any time soon. Most recently, she's starred in notable films like "The Help," and had recurring roles on "House of Cards" and "How to Get Away With Murder."
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Nicole Kidman joins Robin Wright, Viola Davis, and Laura Linney among the stars making waves on screen