Amanda Peet’s “The Commons of Pensacola” belongs to that class of TV pilots that never get picked up and instead take up residence in Hollywood’s tiny store-front theaters
Director Jack O’Brien lets us know that this is a very human-scale drama, but later in the play you may wonder who’s that horrible couple everybody’s gossiping about
Darko Tresnjak directs a compact, wickedly witty new musical. Especially delightful is the cheesy execution of the show’s hysterically funny murders
After taking on the racial divide in his Pulitzer Prize-winning “Clybourne Park,” Bruce Norris returns to examine the war of the sexes in an equally funny and scathing comedy
It’s a marvel of acting to watch Daniel Craig slowly bring the subtext of raging anger to the fore in scene after scene of this Harold Pinter revival
The characters unburden themselves of so much complicated history in the first moments that you might consider retitling it “Autumn: Onondaga County”
David Hyde Pierce stars in John Kander’s first musical without longtime collaborator Fred Ebb, and there’s not a showgirl or boy in sight.
When you strip Grisham’s panoramic tale of racism and injustice down to a courtroom drama, there really isn’t much of a trial at the heart of it
The Tim Burton movie is now a musical, which is at its best when it thinks small and sticks to Daniel Wallace’s novel.
Stiller’s “Mitty” tries so hard that his adventures — both real and imagined– are neither intriguing nor amusing
“Star Trek” star segues from space to stage in a class-act “Menagerie”
In the new modern-dress Broadway revival, the two lovers aren’t so much star-crossed as totally mismatched
