William Bibbiani is a professional film critic and member of the Los Angeles Film Critics Association (LAFCA), the Critics Choice Association (CCA) and GALECA: The Society of LGBTQ Entertainment Critics. He has written film criticism for over 20 years and written for The Wrap since 2019. He is a frequent guest on KCRW’s Press Play with Madeline Brand. He also co-hosts The Critically Acclaimed Network, a series of podcasts dedicated to new, classic and cult film and TV reviews and retrospectives. His commentary tracks and essays can be found on Blu-ray special editions for films released by Arrow Video, Shout! Factory and Umbrella Entertainment. You can follow him on BlueSky (and various other social medias).
Experience:
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‘Venom: Let There Be Carnage’ Film Review: Tom Hardy and an Alien Symbiote Make Superhero Movies’ Oddest Couple
Forget the plot — it’s a gloriously polyqueer, brain-eating, big-budget serial-killer movie, and it crams a lot into 90 minutes
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‘Surge’ Film Review: Ben Whishaw’s Powerhouse Performance Bolsters Otherwise Flimsy Drama
This tale of one man’s mental breakdown in an uncaring city never gets too far below the surface
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‘Malignant’ Film Review: James Wan Breaks All the Horror Rules, With Gusto
The “Conjuring” director sucks viewers into his mad monster vortex of sketchy ideas and viscera
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‘Worth’ Movie Review: Michael Keaton’s 9/11 Drama Walks an Uneasy Tightrope Between Sentimentality and Cynicism
The film feels torn between being a triumph of the human spirit and a triumph of corporations who convinced survivor families not to sue them into oblivion
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‘Bring Your Own Brigade’ Film Review: Scorching Doc Asks Hard Questions About Deadly Wildfires
Director Lucy Walker explores how climate change is only one factor in the recent surge in fires
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‘Demonic’ Film Review: Neill Blomkamp Disappoints With Another Muddled Tech Thriller
How can a movie with bird demons and Vatican black-ops squads be this dull?
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‘Don’t Breathe 2’ Film Review: Unpleasant Sequel Tries to Redeem Monstrous Character
The cinematography and set design steal the show in a film designed to make Steven Lang’s sex predator look better by surrounding him with even-worse villains
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‘Jungle Cruise’ Film Review: Emily Blunt and Dwayne Johnson Charmingly Go Nowhere
This adaptation of a Disney ride overloads the CGI, but it’s a breezy voyage
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‘Snake Eyes’ Film Review: Henry Golding’s Charm Gets Lost in Pointless Prequel
This “G.I. Joe Origins” tale goes from muddled to murky to flat-out goofy
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‘Escape Room 2’ Review: Exciting, Illogical Sequel Sets New Elaborate Traps
‘Tournament of Champions’ might not make a lick of sense, but it’s a meticulously constructed thrill machine
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All 6 ‘Terminator’ Movies, Ranked Worst to Best (Photos)
On the 30th anniversary of “Terminator 2: Judgment Day,” TheWrap weighs how it stacks up to the other films in the saga
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All 5 ‘Purge’ Movies, Ranked Worst to Best (Photos)
How does “The Forever Purge” stack up against the franchise’s earlier anarchic allegories?
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‘The Forever Purge’ Film Review: Violent Franchise Once Again Taps Into the Unease of the Now
Despite a few missteps, this latest entry is a chilling and politically scathing allegory about Americans armed with both guns and racism
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‘Lansky’ Film Review: Harvey Keitel Has a Showdown with Mediocre Writing in Gangster Biopic
Tedious mobster biopic more often feels like a book report than an actual book
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‘Fatherhood’ Film Review: Kevin Hart Parenting Tale Avoids Artificiality
This tale of a manchild forced by widowhood and dad duty to grow up could have been gloomy or treacly, and thankfully it’s neither
