William Bibbiani is a professional film critic and member of the Los Angeles Film Critics Association (LAFCA), the Critics Choice Association (CCA) and GALECA: The Society of LGBTQ Entertainment Critics. He has written film criticism for over 20 years and written for The Wrap since 2019. He is a frequent guest on KCRW’s Press Play with Madeline Brand. He also co-hosts The Critically Acclaimed Network, a series of podcasts dedicated to new, classic and cult film and TV reviews and retrospectives. His commentary tracks and essays can be found on Blu-ray special editions for films released by Arrow Video, Shout! Factory and Umbrella Entertainment. You can follow him on BlueSky (and various other social medias).
Experience:
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‘Everything’s Going to Be Great’ Review: Bryan Cranston and Allison Janney Make the Most Out of Not Making It
Cranston and Janney’s theater family lives on the verge of success — and collapse — in a dramedy with a very accurate title
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‘28 Years Later’ Review: Danny Boyle’s Zombie Opus Is a Corpse to Be Reckoned With
What started as a low-res, grounded George Romero riff has grown into a sprawling, yet personal, national horror epic
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‘Elio’ Review: Pixar’s Colorful Sci-Fi Film Celebrates Weird Kids, but Only Allegorically
This vision of a universe where outsiders are accepted rings false when Disney doesn’t accept queerness in its films
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‘F1 The Movie’ Review: Brad Pitt and Joseph Kosinski Make Formula One Limp and Sterile
Brad Pitt is a hotshot veteran who teaches everyone to be just like him in a superficial, self-important racing drama
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‘Bride Hard’ Review: This Incompetent Action-Comedy Is Where Humor Goes to Die
Rebel Wilson goes all John McClane at her best friend’s wedding in director Simon West’s boring, directionless hack job
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‘The Unholy Trinity’ Review: A Mediocre Western That Doesn’t Deserve Samuel L. Jackson
Pierce Brosnan and Q’orianka Kilcher also try, in vain, to make a meal out of starvation rations
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The 25 Best Second Movies From Breakout Directors
When your first film is ‘Hiroshima Mon Amour’ or ‘Eraserhead’ it sets an impossibly high bar – but these directors reached it
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‘Materialists’ Review: Modern Love Gets an Audit With Dakota Johnson, Pedro Pascal and Chris Evans
Celine Song’s “Past Lives” follow-up chronicles an artful love triangle that’s more rom-econ than rom-com
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‘Echo Valley’ Review: Julianne Moore and Sydney Sweeney Elevate an Otherwise Generic Crime Thriller
It’s Moore murder, Moore problems in the Apple TV+ feature from filmmaker Michael Pearce
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The ‘Alien’ and ‘Predator’ Movies, Ranked Worst to Best
How does “Predator: Killer of Killers” rate among these two intertwining franchises?
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‘Predator: Killer of Killers’ Review: Animated Hulu Anthology Is a Simplistic Blast From the Past
A viking, a samurai and a World War II aviator battle alien monsters from beyond the stars — is that cool or what?
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‘Ballerina’ Review: Ana de Armas Brings a Flamethrower to a Gunfight
After a terrible first act, this slapdash spinoff from the world of “John Wick” explodes into glorious, inventive violence
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The 13 Best Netflix Original Horror Movies, Ranked
Netflix releases so many scary movies that it’s hard to keep track – these are the streamer’s best horror originals
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All 9 (Yes, 9) ‘Mission: Impossible’ Movies Ranked From Worst to Best
How does ‘Mission: Impossible: The Final Reckoning’ hold up against the other films – including the one without Tom Cruise?
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‘Fear Street: Prom Queen’ Review: Retro Netflix Slasher is Better Than ‘Prom Night,’ Worse Than ‘Prom Night II’
Matt Palmer’s ‘Fear Street’ sequel revives the gnarliest parts of 1980s slasher movies — but leaves the bad parts in too
