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William Bibbiani

Experience:

William Bibbiani is an award-winning film critic and member of the Los Angeles Film Critics Association (LAFCA), the Critics Choice Association (CCA) and GALECA: The Society of LGBTQ Entertainment Critics. He has written film criticism for over 20 years and written for The Wrap since 2019. He is a frequent guest on KCRW’s Press Play with Madeline Brand. Bibbiani also co-hosts The Critically Acclaimed Network, a series of podcasts dedicated to new, classic and cult film and TV reviews and retrospectives. His commentary tracks and essays can be found on Blu-ray special editions for films released by Arrow Video, Shout! Factory and Umbrella Entertainment. You can follow him on BlueSky (and various other social media).

  • ‘Wuthering Heights’ Review: Emerald Fennell Turns a Classic Tale Into a Mindlessly Horny Monster

    Margot Robbie and Jacob Elordi star in this absurdly sensual, annoyingly reductive adaptation of Emily Brontë’s classic novel

    By

    William Bibbiani
    February 10, 2026 @ 5:52 AM
    Movies
    5:52 AM
    ‘Wuthering Heights’ Review: Emerald Fennell Turns a Classic Tale Into a Mindlessly Horny Monster
  • ‘Goat’ Review: Animated Basketball Flick Is Surprisingly Nuanced, Gorgeously Crafted

    Tyree Dillihay’s family film about a goat who wants to be the GOAT in an inclusive sports league is a slam dunk

    By

    William Bibbiani
    February 9, 2026 @ 9:01 AM
    Movies
    9:01 AM
    ‘Goat’ Review: Animated Basketball Flick Is Surprisingly Nuanced, Gorgeously Crafted
  • ‘Solo Mio’ Review: Kevin James Sparkles in Sweet, Old-Fashioned Rom-Com

    A jilted Kevin James falls in love in Italy, and gosh darned it, the audience falls in love a little too

    By

    William Bibbiani
    February 6, 2026 @ 6:48 PM
    Movies
    6:48 PM
    ‘Solo Mio’ Review: Kevin James Sparkles in Sweet, Old-Fashioned Rom-Com
  • ‘Pillion’ Review: Alexander Skarsgård Gets the Role of a Lifetime in A24’s Beautiful, Kinky Romance

    In Harry Lighton’s sexually explicit, insightful love story, Harry Melling meets the “Murderbot” star mark for mark

    By

    William Bibbiani
    February 6, 2026 @ 2:45 PM
    Movies
    2:45 PM
    ‘Pillion’ Review: Alexander Skarsgård Gets the Role of a Lifetime in A24’s Beautiful, Kinky Romance
  • ‘Whistle’ Review: Dafne Keen-Led ‘Final Destination’ Knockoff Is Predictable but Gnarly

    Director Corin Hardy’s film summons the spirit of death in a predictable but energetic, and very grody, supernatural chiller

    By

    William Bibbiani
    February 6, 2026 @ 11:44 AM
    Movies
    11:44 AM
    ‘Whistle’ Review: Dafne Keen-Led ‘Final Destination’ Knockoff Is Predictable but Gnarly
  • ‘The Strangers — Chapter 3’ Review: The Best Film in the Reboot Trilogy Is Still Bad

    Renny Harlin’s ill-advised, multi-film “The Strangers” series was torture, in all the wrong ways

    By

    William Bibbiani
    February 5, 2026 @ 3:00 PM
    Movies
    3:00 PM
    ‘The Strangers — Chapter 3’ Review: The Best Film in the Reboot Trilogy Is Still Bad
  • ‘Relationship Goals’ Review: Amazon’s Glamorized Book Commercial Almost Looks Like a Real Rom-Com

    Prime Video made a bad Valentine’s Day movie about why you should buy a relationship advice book, specifically from Amazon

    By

    William Bibbiani
    February 3, 2026 @ 7:04 PM
    Reviews
    7:04 PM
    ‘Relationship Goals’ Review: Amazon’s Glamorized Book Commercial Almost Looks Like a Real Rom-Com
  • ‘Melania’ Review: A Tedious, Criminally Shallow Propaganda Puff Piece

    The “Rush Hour” director returns with a shameful cinematic suck-up masquerading as a real documentary

    By

    William Bibbiani
    January 30, 2026 @ 9:17 PM
    Reviews
    9:17 PM
    ‘Melania’ Review: A Tedious, Criminally Shallow Propaganda Puff Piece
  • ‘Shelter’ Review: Jason Statham Is at His Action Star Best in Formulaic but Gripping Thriller

    Jason Statham? He Jason Stathams, Jason Stathamly

    By

    William Bibbiani
    January 30, 2026 @ 10:07 AM
    Movies
    10:07 AM
    ‘Shelter’ Review: Jason Statham Is at His Action Star Best in Formulaic but Gripping Thriller
  • ‘The AI Doc’ Review: Unproductive Both-Sides Documentary Is Too Little, Too Late

    Sundance 2026: The Oscar-winning director of “Navalny” peers into the future of technology and humanity — and makes it about him

    By

    William Bibbiani
    January 27, 2026 @ 6:30 PM
    Movies
    6:30 PM
    ‘The AI Doc’ Review: Unproductive Both-Sides Documentary Is Too Little, Too Late
  • ‘Killer Whale’ Review: Aquatic Horror-Thriller Simply Serves Its Porpoise

    Survival’s a beach in Jo-Anne Brechin’s familiar, but well orca-strated “when animals attack” B-movie

    By

    William Bibbiani
    January 14, 2026 @ 5:00 AM
    Reviews
    5:00 AM
    ‘Killer Whale’ Review: Aquatic Horror-Thriller Simply Serves Its Porpoise
  • ‘28 Years Later: The Bone Temple’ Review: Nia DaCosta’s Freaky Sequel Puts the Brains Back in Eating Brains

    The “28 Days Later” franchise has evolved into a trippy, biblical battle between soulful science and heartless religion

    By

    William Bibbiani
    January 13, 2026 @ 1:00 PM
    Movies
    1:00 PM
    ‘28 Years Later: The Bone Temple’ Review: Nia DaCosta’s Freaky Sequel Puts the Brains Back in Eating Brains
  • ‘Primate’ Review: You’ll Go Apesh-t for This Killer Chimpanzee Movie

    Johannes Roberts’ excellent, ultraviolent thriller with Oscar winner Troy Kotsur goes totally bananas

    By

    William Bibbiani
    January 9, 2026 @ 11:09 AM
    Movies
    11:09 AM
    ‘Primate’ Review: You’ll Go Apesh-t for This Killer Chimpanzee Movie
  • ‘Greenland 2: Migration’ Review: Good Post-Apocalyptic Thriller, Bad Movie About Greenland

    Gerard Butler returns in an above-average sequel to the above-average 2020 sleeper about surviving a planet-wide disaster

    By

    William Bibbiani
    January 8, 2026 @ 7:00 AM
    Reviews
    7:00 AM
    ‘Greenland 2: Migration’ Review: Good Post-Apocalyptic Thriller, Bad Movie About Greenland
  • ‘The Dutchman’ Review: Amiri Baraka’s Controversial Play Gets Lost in Film Nightmare

    André Holland and Kate Mara star in an ambitious update of the award-winning classic — but the meta-horror twist is a misfire

    By

    William Bibbiani
    January 2, 2026 @ 12:00 PM
    Movies
    12:00 PM
    ‘The Dutchman’ Review: Amiri Baraka’s Controversial Play Gets Lost in Film Nightmare
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