THE WORLD’S GREATEST FILM FESTIVAL RETURNS, AND SO DOES OUR ANNUAL CANNES MAGAZINE
Official Partner of the 2022





The Market Looks for a New Normal
Two years after being forced to go virtual, business is looking up… but also changing
BY BRIAN WELK


Our Critic’s Take
This year’s Cannes delivers more of what the festival is known for: a bounty of international auteurs, almost all of them men
BY ALONSO DURALDE



‘These Voices Are Important’
War Pony was born of a friendship between first-time director Riley Keough, producer Gina Gammell and Native American storytellers Franklin Sioux Bob and Bill Reddy, and over seven years turned into a model of cross-cultural collaboration
BY STEVE POND

‘War Pony’ Directors Riley Keogh and Gina Gammell Strike a Pose
The directors and two of their Native American collaborators are featured in an exclusive shoot

Gina Gammell, “War Pony”
Photographed by Jai Lennard for TheWrap

Riley Keough, “War Pony”
Photographed by Jai Lennard for TheWrap

LaDainian Crazy Thunder, “War Pony”
Photographed by Jai Lennard for TheWrap

Willi White, “War Pony”
Photographed by Jai Lennard for TheWrap

Riley Keough, LaDainian Crazy Thunder, Gina Gammell & Willi White, “War Pony”
Photographed by Jai Lennard for TheWrap


Cannes Directors Portfolio
In our eight annual Cannes directors portfolio, we shot 29 different filmmakers in 10 different countries to represent the many and varied faces of this truly international festival.

AGNIESZKA SMOCYNSKA
The Silent Twins, Un Certain Regard | Photographed by Zuza Krajewska in Warsaw

ADIL EL ARBI & BILALL FALLAH
Rebel Midnight Screenings | Photographed by Kris Janssens in Amman, Jordan

FELIX VAN GROENINGEN & CHARLOTTE VANDERMEERSCH
Le Otto Montagne Main Competition | Photographed by Kris Dewitte in Antwerp, Belgium

Brett Morgen
Moonage Daydream Midnight Screenings | Photographed by Lenka Ulrichova in Hollywood

MARYAM TOUZANI
The Blue Caftan, Un Certain Regard | Photographed by Lorenzo Salemi in Casablanca

OLIVIER ASSAYAS
Irma Vep, Cannes Premiere | Photographed by Carole Beuthel in Paris

PARK CHAN-WOOK
Decision to Leave, Main Competition | Photographed by Lee Jae Hyuk in Seoul

RUBEN ÖSTLUND
Triangle of Sadness, Main Competition | Photographed by Sina Östlund in Chiliadou, Greece

SHAUNAK SEN
All That Breathes, Special Screenings | Photographed by Salim Khan in New Delhi

FELIX VAN GROENINGEN & CHARLOTTE VANDERMEERSCH
Le Otto Montagne, Main Competition | Photographed by Kris Dewitte in Antwerp, Belgium

JOSEPH KOSINSKI
Top Gun: Maverick, Out of Competition | Photographed by Kaj Kosinski in Santa Monica, CA

MIA HANSEN-LOVE
One Fine Morning, Directors Fortnight | Photographed by Kris Dewitte in Paris

CHARLOTTE WELLS
Aftersun, International Critics Week | Photographed by Amanda Munro in Ightham, England

OWEN KLINE
Funny Pages, Directors Fortnight | Photographed by Josh Ethan Johnson in New York City

James Gray
Armageddon Time, Main Competition | Photographed by Chris Loupos in Los Angeles

JeanPierre and Luc Dardenne
Tori and Lokita, Main Competition | Photographed by Christine Plenus in Seraing, Belgium

LEA MYSIUS
The Five Devils, Directors Fortnight | Photographed by Paul Guilhaume in Paris

MICHEL HAZANAVICIUS
Final Cut, Out of Competition (Opening Film) | Photographed by François Berthier in Paris

SAELA DAVIS & ANNA ROSE HOLMER
God’s Creatures, Directors Fortnight | Photographed by Tayarisha Poe in Brooklyn, NY

ARNAUD DESPLECHIN
Brother and Sister, Main Competition | Photographed by Kris Dewitte in Paris

DAVY CHOU
All the People I’ll Never Be, Un Certain Regard | Photographed by Kris Dewitte in Paris

ERIGE SEHIRI
Under the Fig Trees, Directors Fortnight | Photographed by Kris Dewitte in Paris

LOLA QUIVORON
Rodeo, Un Certain Regard | Photographed by Kris Dewitte in Paris

NICOLAS BEDOS
Masquerade, Out of Competition | Photographed by Kris Dewitte in Aubervilliers, France

PIETRO MARCELLO
Scarlet, Directors Fortnight | Photographed by Kris Dewitte in Ghent, Belgium
