Wrap Magazine (Awards)
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‘Women Talking’ Star Claire Foy Finds Her Place in the Sun for TheWrap (Exclusive Photos)
TheWrap magazine: The actress basked in the glow of California light during a photo shoot with Corina Marie
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Cinematographer Roger Deakins Goes In Front of the Camera for TheWrap (Exclusive Photos)
TheWrap magazine: The Director of Photography on “Empire of Light” and many other films found himself on the other side of the lens during a shoot with Irvin Rivera
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How the Designers of ‘Elvis’ and ‘Blonde’ Brought 2 Icons Back to Life on Screen
TheWrap magazine: Here’s how you duplicate (or tweak) some of the most familiar looks of the last century
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Cinematographer Roger Deakins Fears That Moviegoing Has ‘Changed Beyond Repair’
TheWrap magazine: “I don’t think producers and studio people are willing to take the risk on a film that expands the cinematic language,” says the legendary DP of “Empire of Light”
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‘Everything Everywhere All at Once’: How Costume Designer Shirley Kurata Outfitted the Multiverse
TheWrap Magazine: The designer drew from Michelle Yeoh’s filmography, Japanese fashion, sci-fi films and more to dress the breakout indie hit
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How ‘Women Talking’ Turned a Hayloft Into a ‘Sacred Space’
TheWrap magazine: “We talked a lot about the idea of a cathedral,” says director Sarah Polley
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The Making of ‘Avatar: The Way of Water’
For TheWrap magazine, James Cameron and his collaborators pull back the curtain on how they crafted the innovative sequel
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The Challenge of Creating the Look of ‘Avatar: The Way of Water’: ‘It’s Designing an Entire Universe’
TheWrap magazine: “The tactical and logistical details were unbelievably difficult to figure out,” says production designer Dylan Cole
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Inside the Complexity of Editing ‘Avatar: The Way of Water’
TheWrap magazine: “Every sequence is at the highest level of difficulty,” says editor Stephen Rivkin
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Every ‘Avatar: The Way of Water’ Costume Was Made in Real Life Before Being Scanned Into a Computer
TheWrap Magazine: Costume Designer Deborah L. Scott explains why it was crucial to create every piece of clothing and jewelry in physical form
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‘Avatar: The Way of Water’ VFX Team Reveals the Secret to One of the Film’s Most Eye-Popping Shots
TheWrap Magazine: The “Avatar” sequel’s VFX team explains how live-action photography was used in a shot of Jake Sully gripping a leather strap
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How Jazzman Terence Blanchard Channeled His Grandmother to Score ‘The Woman King’
TheWrap magazine: “People have been waiting to see a film done about this part of the world with such majesty and elegance”, says the two-time Oscar nominee
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Why ‘Freedom on Fire’ Director Evgeny Afineevsky Felt He Had to Make a 2nd Doc About Ukraine
TheWrap magazine: “If we close our eyes to the crimes and the Russian leadership goes unpunished, then who knows what is next?” he says
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‘The Blue Caftan’ Faces Morocco’s Ultimate Taboo in Portraying a Queer, Closeted Craftsman
TheWrap magazine: Director Maryam Touzani says that shooting a film that talks about homosexuality was “a big, big risk”
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‘The Blue Caftan’ Filmmaker Maryam Touzani Hopes to Represent Morocco at This Year’s Oscars (Exclusive Photos)
TheWrap spotlight’s her award-winning film in this year’s International issue
