Column
-
‘Pee-wee as Himself’ Sets a High Bar for the Celebrity Exit Interview
Paul Reubens knew he was dying when he opened up for an HBO documentary, joining public figures who have left a record behind as the end nears
Available to WrapPRO members
The Media Front
Available to WrapPRO members
-
Diddy to Weinstein to Lively-Baldoni: Sensational Trials Find New Audiences in the Influencer Age
A crush of buzzy cases illustrate how courtroom coverage has changed now that everyone can act like they’re in the jury box
Available to WrapPRO members
The Media Front
Available to WrapPRO members
-
For CBS and ‘60 Minutes,’ It’s a Slow-Motion Saturday Night Massacre
The resignation of CBS News chief Wendy McMahon continues the exodus as parent Paramount faces a seemingly no-win scenario in trying to mollify Trump
Available to WrapPRO members
The Media Front
Available to WrapPRO members
-
Letter From Cannes: Arabian Gulf Money, an Indie Film Start-Up and Women Speak Frankly
A Qatari delegation promotes film production on the Croisette, while a new company aims to find a home for Sundance orphans and female-fronted stories take center stage
Available to WrapPRO members
Waxword
Available to WrapPRO members
-
At the Upfronts, It’s Sports Here, Sports There, Sports Just About Everywhere
Hanging by a thread, linear TV uses sports as a lifeline, while streaming keeps muscling in on the action
Available to WrapPRO members
The Media Front
Available to WrapPRO members
-
‘Mission: Impossible’ Is the Perfect Symbol for Paramount’s Impossible Mission
Shari Redstone faces the seemingly no-win choice of saving the Skydance merger or standing behind “60 Minutes.” But she’s not the villain in this story
Available to WrapPRO members
The Media Front
Available to WrapPRO members
-
With Film Tariff Threat, Trump Takes Hollywood for a Ride on the ‘Tweet Now, Think Later’ Train
The frenzy caused by the president’s social media posts gave studios a crash course in his carousel of news-cycle craziness
Available to WrapPRO members
The Media Front
Available to WrapPRO members
-
The Upfronts: How TV’s Big Week Evolved From Chess Match to WWE Free For All
Networks still talk about things like “audience flow,” but linear TV priorities have faded from the day when scheduling moves could elicit gasps and buzz
Available to WrapPRO members
Column
Available to WrapPRO members
-
Facing a ‘Cinematic Extinction Event,’ Hollywood Must Stage a Comeback | Guest Column
A pandemic, production exodus, wildfires and now Trump tariffs? It’s time for this town to stand strong
-
‘Lilly’ Is a Movie for Our Mothers: Complicated, Devoted, Fearless | Guest Column
Writer and director Rachel Feldman reflects on her heroine Lilly Ledbetter and all the mothers that helped bring her biopic to life
-
CNN’s Noisy ‘NewsNight’ Shows Why Staking Out the Middle Is So Hard for Media
The squabbling panel show lives most robustly in social media, but its “Crossfire”-like partisan talk often feels more like verbal wrestling than enlightened debate
Available to WrapPRO members
Column
Available to WrapPRO members
-
Does ‘Sinners’ Box Office Coverage Make the Case for Media Diversity?
News outlets that appeared to downplay the film were channeling their sources, but they may have revealed blind spots when it comes to Black-centered movies
Available to WrapPRO members
The Media Front
Available to WrapPRO members
-
Muzzling Big Bird: Trump Tries to Silence the ‘Liberal Media’ of PBS and NPR
The executive order defunding these publicly funded outlets may not pass legal muster, but it reflects Trump’s habit of pivoting to culture-war issues when under pressure
Available to WrapPRO members
Column
Available to WrapPRO members
-
ABC’s Terry Moran and the Trump Interview: 5 Do’s and Don’ts for Battling Lies and Deflections
Marking 100 days, ABC’s Terry Moran ran into the brick wall that has flummoxed TV interviewers since Trump entered the political arena
Available to WrapPRO members
The Media Front
Available to WrapPRO members
-
‘60 Minutes’ vs. a Corporate Merger? You’ve Seen This Movie Before – in ‘The Insider’
In key ways, the resignation of EP Bill Owens mirrors the 30-year-old scenario portrayed in the 1999 Michael Mann thriller
Available to WrapPRO members
The Media Front
Available to WrapPRO members