‘Beanpole’ Film Review: Dark Russian Drama Delves Into Postwar Purgatory
Cannes 2019: Kantemir Balagov won the directing award in Un Certain Regard for a film that plays like a cosmic joke but is wholly untouched by humor
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‘Sibyl’ Film Review: Cannes Competition Ends With a Woody Allen-Style Comedy
Cannes 2019: Director Justine Triet draws from a couple of different phases in Allen’s career and offers more proof that Virginie Efira is one of the most interesting French actresses working today
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Sony Pictures Classics Acquires Michael Angelo Covino’s ‘The Climb’
Cannes 2019: Film stars Covino, Marvin, Gayle Rankin, Talia Balsam, George Wendt and Judith Godrèche
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‘The Invisible Life of Euridice Gusmao’ Wins Top Award in Cannes Un Certain Regard Section
Cannes 2019: Other winners included “The Fire Will Come,” “Beanpole,” “On a Magical Night” and “The Climb”
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‘It Must Be Heaven’ Film Review: Palestinian Comedy Finds Absurdity Around the World
Cannes 2019: The human comedy, says Elia Suleiman’s first film in a decade, recognizes no nationalities and encompasses us all
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Ratings: ‘Elementary’ Final Season Starts With a New Low for Premiere
NBC’s “Red Nose Day” brings in more clowns than 2018, but declines in key demo
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Cannes Report, Day 10: ‘Mektoub, My Love’ Trolls, ‘The Traitor’ Sells Out
Claire Denis-led jury also awards short film “Mano a Mano” with top prize from Cinefondation
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‘Mektoub, My Love: Intermezzo’ Film Review: Abdellatif Kechiche Trolls Cannes With NSFW Excess
Cannes 2019: This sexually explicit three-and-half-hour-long provocation feels like a director self-immolating
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21 Lowest-Rated Broadcast TV Shows of 2018-19 Season (Photos)
Somehow, these aren’t ALL canceled (yet)
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14 Highest-Rated Broadcast TV Shows of the 2018-19 Season (Photos)
And 13 of them will be back next year!
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‘The Traitor’ Film Review: Sturdy Mafia Biopic Loses Something in Translation
Cannes 2019: Actor Pierfrancesco Favino delivers an exquisite movie star turn
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‘Mano a Mano’ Wins Short Film Prize From Cinefondation at Cannes
Jury led by Claire Denis awards first prize to film from director Louise Courvoisier
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Ratings: Kimmel-Lear’s Live ‘All in the Family,’ ‘Jeffersons’ Special Moves ABC on Up to Top Wednesday
NBC comes in second on night of “Chicago” finales
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Golf Films’ 2019 Slate Includes Tiger Woods Career Retrospective, 2-Night Ben Hogan Doc (Exclusive)
See the “Hogan” trailer here first
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Cannes Report, Day 9: Xavier Dolan Grows Up, Neon Falls for ‘Portrait of a Lady on Fire’
Both Dolan’s “Matthias and Maxime” and Arnaud Desplechin’s “Oh Mercy!” made their debuts Wednesday
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‘I Lost My Body,’ ‘Vivarium’ Win Prizes in Cannes Critics’ Week Section
Cannes 2019: Other Critics’ Week winners include “A White, White Day,” “She Runs” and “Our Mothers”
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‘Oh Mercy’ Film Review: Is This Cop Drama a Pilot In Disguise?
Cannes 2019: Idiosyncratic director Arnaud Desplechin breaks form with this standard-issue procedural
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Jesse Eisenberg, Antonio Banderas and 19 More Portraits From TheWrap’s Cannes Studio (Photos)
Stars and filmmakers stop by TheWrap’s studio at La Journée by The Land
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Dale Earnhardt Jr-Michael Waltrip NASCAR Doc Acquired by 1091, Feature Version Also in the Works
“Blink of an Eye” directed by Paul Taublieb to be released in theaters and on demand this fall
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TheGrill Welcomes Tubi and Awesomeness Leaders, Media Investors to 2019 Conference
“Sorry to Bother You” producer and Tubi CCO to speak about future of tech, entertainment at TheGrill
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‘Matthias & Maxime’ Film Review: Xavier Dolan Finds Maturity at the Ripe Old Age of 30
Cannes 2019: The Canadian director has always been a maestro of oversized emotions, but the warmth and restraint of “Matthias & Maxime” is what gives it life
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David Boreanaz Says Jason Is Left ‘Really Alone,’ in Very ‘Unique Position’ on ‘SEAL Team’ Finale (Video)
“Things really aren’t that great for him,” CBS drama star tells TheWrap
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Ratings: ‘Blood & Treasure’ Series Premiere Doesn’t Bring Riches to CBS
NBC tops Tuesday in key demo despite “The Voice” finale setting a new record low
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‘Woodstock’ Film Review: Anniversary Doc Takes Boomers on an Evocative Trip Down Memory Lane
Tribeca 2019: Those “Three Days That Defined a Generation” get another look in a movie that pales next to the 1970 classic concert film
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Stephen Colbert Scores First ‘Late Show’ Ratings Win Over ‘Tonight Show’ in 24 Years
Kimmel remains a pretty distant third for the 2018-19 TV season
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Cannes Report, Day 8: Quentin Tarantino’s ‘Once Upon a Time … in Hollywood’ Steals the Show
Bong Joon-ho’s “Parasite” also debuts in competition
