Cannes Report
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Cannes Film Festival Lineup Includes New Films From Wes Anderson, Todd Haynes, Jonathan Glazer
The Main Competition includes six films directed by women, a new record for Cannes
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Martin Scorsese’s ‘Killers of the Flower Moon’ to Premiere in Cannes
The Apple Studios release marks the filmmaker’s return to the festival after screening “After Hours” nearly 40 years ago
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Ruben Östlund Named President of Cannes Film Festival Jury
The “Triangle of Sadness” director becomes the first Swedish president of the Cannes jury since Ingmar Bergman 50 years ago
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‘Close’ Review: Gentle Coming-of-Age Drama Packs an Emotional Punch
Belgian filmmaker Lukas Dhont is a generous and patient director of his unknown and more established performers
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‘One Fine Morning’ Review: Mia Hansen-Løve Captures Love, Death, and Renewal in a Young Mother’s Life
Léa Seydoux gives a striking performance, her face registering a panoply of emotions with honesty and subtlety
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‘Nostalgia’ Review: Mario Martone’s Thin Story Bolstered by Star Pierfrancesco Favino
Italy’s Oscar entry is a nigh perfect candidate to wave il Tricolore, however
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‘Broker’ Review: Hirokazu Kore-eda Continues to Explore What Makes a Family
The Japanese director who won the Palme d’Or for “Shoplifters” returns to that track with a fine but none-too-memorable drama
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‘Corsage’ Film Review: Vicky Krieps Suffers Aristocratically in a ‘Spencer’ for the 19th Century
Marie Kreutzer sympathetically and incisively examines the demands of the Austro-Hungarian spotlight on Empress Elisabeth
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‘Hunt’ Review: ‘Squid Game’ Actor Lee Jung-jae Brings a Dense Spy Thriller to Cannes
Lee’s directorial debut fictionalizes Korean history and throws in double agents, buried secrets and lots of broken arms
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‘EO’ Review: Cannes’ Oldest Director Gives Us a Silly, Entertaining Trifle About a Donkey
Jerzy Skolimowski seems mostly interested in making his camera swoop and soar and perform stupid pet tricks
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‘Armageddon Time’ Review: James Gray Looks at His Childhood Without Nostalgia
Anthony Hopkins, Anne Hathaway and Jeremy Strong are among the stars in a semi-autobiographical story that is both unsentimental and touching
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‘Stars at Noon’ Review: Claire Denis Keeps Things Chilly in a Balmy Spy Thriller
Margaret Qualley and Joe Alwyn are gorgeous and privileged as they make their way through intrigue (and the COVID-19 pandemic)
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‘Aftersun’ Review: Charlotte Wells Debuts With an Achingly Stirring Coming-of-Age Tale
The first-time filmmaker poignantly captures the passage of time as it affects both parents and children
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‘Decision to Leave’ Film Review: Park Chan-Wook Mixes Crime Story With Love Story
The Korean director’s first movie since “The Handmaiden” is gorgeous, richly dramatic and increasingly complex
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‘Onoda’ Review: French Director Makes Japanese Biopic With American Influences
Arthur Harari’s near three-hour drama borrows from John Ford to tell the story of a WWII Japanese soldier who didn’t give up for 29 years
