Cannes Report
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Matthias Schweighöfer on Teaming With Fatih Akin for ‘Amrum,’ Tom Cruise Stories and Getting Zack Snyder’s Seal of Approval | Video
Cannes 2025: The actor explains why it is “very important” people see the film, which follows a family of Hitler’s supporters after the fascist leader’s death by suicide in 1945
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‘Dangerous Animals’ Review: Jai Courtney Is a Joyous Maniac in ‘Jaws’-Meets-‘Psycho’ Horror Film
Cannes 2025: We’re gonna need to get off this serial killer’s boat
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Jennifer Lawrence, Robert Pattinson Walk the Cannes Carpet for ‘Die, My Love’ Premiere | Photos
Lynne Ramsay’s domestic drama debuts at the prestigious festival
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‘Renoir’ Review: Quiet Japanese Drama Looks at Death Through a Young Girl’s Eyes
Cannes 2025: You could call Chie Hayakawa’s understated second feature a coming-of-age film, except that its lead character doesn’t really learn anything
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‘Nouvelle Vague’ Review: Richard Linklater’s ‘Breathless’ Making-Of Biopic Is a Delightful Hang
Cannes 2025: The filmmaker’s labor of love also showcases a little-heralded aspect of Linklater’s career: technical craft
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Cannes Day 4: Kristen Stewart Makes a Splash
Plus: Ari Aster’s latest polarizing epic
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‘A Useful Ghost’ Review: Davika Hoorne Is a Spectacular Supernatural Vacuum in Bold Drama
Cannes 2025: Writer/director Ratchapoom Boonbunchachoke’s feature debut is a wondrous festival discovery that’ll stick with you
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‘Eddington’ Director Ari Aster Says He Feels Bad About America: ‘We Are on a Dangerous Road’
Cannes 2025: His dark and provocative new film was written “in a state of fear and anxiety about the world,” the director said at a Cannes press conference
By
Chase Hutchinson -
Oscars’ New Diversity Rules Fail to Address Real Inclusion, Says USC’s Stacy Smith
“You can’t expect that to succeed at all when everybody’s already met the criteria,” the Annenberg Inclusion Initiative founder tells TheWrap at Cannes
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‘The Chronology of Water’ Review: Kristen Stewart’s Expansive, Evocative Work of Cinematic Poetry
Cannes 2025: Imogen Poots gives a career-best performance in this bold adaptation of Lidia Yuknavitch’s 2011 memoir
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‘Bono: Stories of Surrender’ Review: U2 Frontman’s Life Story Is Grand and Bombastic, the Way We Like It
Cannes 2025: The singer and his director, Andrew Dominik, use startling visuals and reimagined songs to make this glorious mashup of life and music
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Emma Stone, Pedro Pascal, Joaquin Phoenix Walk the Red Carpet at Cannes ‘Eddington’ World Premiere | Photos
Ari Aster’s new psychological, COVID-set Western also gained fans in attendees Natalie Portman and Angelina Jolie
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Cannes Day 3: Jury President Juliette Binoche Calls Out Hollywood’s ‘Silence’ on Gaza
A pro-Palestinian open letter continued gaining traction on what was an otherwise sleepier day ahead of a buzzy weekend
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‘Eddington’ Review: Ari Aster Reunites With Joaquin Phoenix – and Emma Stone, Pedro Pascal – in Risqué Political Fantasia
Cannes 2025: What begins as a surprisingly genteel send-up of pandemic-era fever-dreams finds more satisfying footing by letting loose to fully embody that mania
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‘The Little Sister’ Review: Nadia Melliti Is a Magnificent Discovery In Delicate Queer Drama
Cannes 2025: Hafsia Herzi’s film is a character study that marks the arrival of an exciting new talent
By
Chase Hutchinson