Cannes Report
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Jennifer Lawrence, Robert Pattinson Walk the Cannes Carpet for ‘Die, My Love’ Premiere | Photos
Lynne Ramsay’s domestic drama debuts at the prestigious festival
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‘Renoir’ Review: Quiet Japanese Drama Looks at Death Through a Young Girl’s Eyes
Cannes 2025: You could call Chie Hayakawa’s understated second feature a coming-of-age film, except that its lead character doesn’t really learn anything
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‘Nouvelle Vague’ Review: Richard Linklater’s ‘Breathless’ Making-Of Biopic Is a Delightful Hang
Cannes 2025: The filmmaker’s labor of love also showcases a little-heralded aspect of Linklater’s career: technical craft
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‘A Useful Ghost’ Review: Davika Hoorne Is a Spectacular Supernatural Vacuum in Bold Drama
Cannes 2025: Writer/director Ratchapoom Boonbunchachoke’s feature debut is a wondrous festival discovery that’ll stick with you
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‘Eddington’ Director Ari Aster Says He Feels Bad About America: ‘We Are on a Dangerous Road’
Cannes 2025: His dark and provocative new film was written “in a state of fear and anxiety about the world,” the director said at a Cannes press conference
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Oscars’ New Diversity Rules Fail to Address Real Inclusion, Says USC’s Stacy Smith
“You can’t expect that to succeed at all when everybody’s already met the criteria,” the Annenberg Inclusion Initiative founder tells TheWrap at Cannes
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‘The Chronology of Water’ Review: Kristen Stewart’s Expansive, Evocative Work of Cinematic Poetry
Cannes 2025: Imogen Poots gives a career-best performance in this bold adaptation of Lidia Yuknavitch’s 2011 memoir
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‘Bono: Stories of Surrender’ Review: U2 Frontman’s Life Story Is Grand and Bombastic, the Way We Like It
Cannes 2025: The singer and his director, Andrew Dominik, use startling visuals and reimagined songs to make this glorious mashup of life and music
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Emma Stone, Pedro Pascal, Joaquin Phoenix Walk the Red Carpet at Cannes ‘Eddington’ World Premiere | Photos
Ari Aster’s new psychological, COVID-set Western also gained fans in attendees Natalie Portman and Angelina Jolie
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Cannes Day 3: Jury President Juliette Binoche Calls Out Hollywood’s ‘Silence’ on Gaza
A pro-Palestinian open letter continued gaining traction on what was an otherwise sleepier day ahead of a buzzy weekend
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‘Eddington’ Review: Ari Aster Reunites With Joaquin Phoenix – and Emma Stone, Pedro Pascal – in Risqué Political Fantasia
Cannes 2025: What begins as a surprisingly genteel send-up of pandemic-era fever-dreams finds more satisfying footing by letting loose to fully embody that mania
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‘The Little Sister’ Review: Nadia Melliti Is a Magnificent Discovery In Delicate Queer Drama
Cannes 2025: Hafsia Herzi’s film is a character study that marks the arrival of an exciting new talent
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‘Amrum’ Review: Can This Poignant Drama Make You Ache for a Member of the Hitler Youth?
Cannes 2025: Director Fatih Akin does a wonderfully understated job of setting the innocence and the cruelty of childhood against the fall of fascism
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‘Sirât’ Review: Techno-Fueled Road Movie Is ‘Mad Max’ Without the Stunts or the Fun
Cannes 2025: Oliver Laxe has made one of a growing number of Cannes films that suggest that we live in dark, dangerous and troubled times
