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Cannes Report

  • Jennifer Lawrence, Robert Pattinson Walk the Cannes Carpet for ‘Die, My Love’ Premiere | Photos

    Lynne Ramsay’s domestic drama debuts at the prestigious festival

    By

    Stephanie Kaloi
    May 17, 2025 @ 12:50 PM
    WrapStyle
    12:50 PM
    Jennifer Lawrence, Robert Pattinson Walk the Cannes Carpet for ‘Die, My Love’ Premiere | Photos
  • ‘Renoir’ Review: Quiet Japanese Drama Looks at Death Through a Young Girl’s Eyes

    Cannes 2025: You could call Chie Hayakawa’s understated second feature a coming-of-age film, except that its lead character doesn’t really learn anything 

    By

    Steve Pond
    May 17, 2025 @ 12:37 PM
    Cannes Report
    12:37 PM
    ‘Renoir’ Review: Quiet Japanese Drama Looks at Death Through a Young Girl’s Eyes
  • ‘Nouvelle Vague’ Review: Richard Linklater’s ‘Breathless’ Making-Of Biopic Is a Delightful Hang

    Cannes 2025: The filmmaker’s labor of love also showcases a little-heralded aspect of Linklater’s career: technical craft

    By

    Ben Croll
    May 17, 2025 @ 10:45 AM
    Cannes Report
    10:45 AM
    ‘Nouvelle Vague’ Review: Richard Linklater’s ‘Breathless’ Making-Of Biopic Is a Delightful Hang
  • Cannes Day 4: Kristen Stewart Makes a Splash

    Plus: Ari Aster’s latest polarizing epic

    By

    Drew Taylor
    May 17, 2025 @ 10:34 AM
    Cannes Report
    10:34 AM
    Cannes Day 4: Kristen Stewart Makes a Splash
  • ‘A Useful Ghost’ Review: Davika Hoorne Is a Spectacular Supernatural Vacuum in Bold Drama

    Cannes 2025: Writer/director Ratchapoom Boonbunchachoke’s feature debut is a wondrous festival discovery that’ll stick with you

    By

    Chase Hutchinson
    May 17, 2025 @ 8:39 AM
    Cannes Report
    8:39 AM
    ‘A Useful Ghost’ Review: Davika Hoorne Is a Spectacular Supernatural Vacuum in Bold Drama
  • ‘Eddington’ Director Ari Aster Says He Feels Bad About America: ‘We Are on a Dangerous Road’

    Cannes 2025: His dark and provocative new film was written “in a state of fear and anxiety about the world,” the director said at a Cannes press conference

    By

    Chase Hutchinson
    May 17, 2025 @ 4:37 AM
    Cannes Report
    4:37 AM
    ‘Eddington’ Director Ari Aster Says He Feels Bad About America: ‘We Are on a Dangerous Road’
  • Oscars’ New Diversity Rules Fail to Address Real Inclusion, Says USC’s Stacy Smith

    “You can’t expect that to succeed at all when everybody’s already met the criteria,” the Annenberg Inclusion Initiative founder tells TheWrap at Cannes

    By

    Sharon Knolle
    May 16, 2025 @ 4:59 PM
    Cannes Report
    4:59 PM
    Oscars’ New Diversity Rules Fail to Address Real Inclusion, Says USC’s Stacy Smith
  • ‘The Chronology of Water’ Review: Kristen Stewart’s Expansive, Evocative Work of Cinematic Poetry

    Cannes 2025: Imogen Poots gives a career-best performance in this bold adaptation of Lidia Yuknavitch’s 2011 memoir

    By

    Chase Hutchinson
    May 16, 2025 @ 3:38 PM
    Movies
    3:38 PM
    ‘The Chronology of Water’ Review: Kristen Stewart’s Expansive, Evocative Work of Cinematic Poetry
  • ‘Bono: Stories of Surrender’ Review: U2 Frontman’s Life Story Is Grand and Bombastic, the Way We Like It

    Cannes 2025: The singer and his director, Andrew Dominik, use startling visuals and reimagined songs to make this glorious mashup of life and music

    By

    Steve Pond
    May 16, 2025 @ 2:42 PM
    Cannes Report
    2:42 PM
    ‘Bono: Stories of Surrender’ Review: U2 Frontman’s Life Story Is Grand and Bombastic, the Way We Like It
  • Emma Stone, Pedro Pascal, Joaquin Phoenix Walk the Red Carpet at Cannes ‘Eddington’ World Premiere | Photos

    Ari Aster’s new psychological, COVID-set Western also gained fans in attendees Natalie Portman and Angelina Jolie

    By

    Benjamin Lindsay
    May 16, 2025 @ 12:30 PM
    WrapStyle
    12:30 PM
    Emma Stone, Pedro Pascal, Joaquin Phoenix Walk the Red Carpet at Cannes ‘Eddington’ World Premiere | Photos
  • Cannes Day 3: Jury President Juliette Binoche Calls Out Hollywood’s ‘Silence’ on Gaza

    A pro-Palestinian open letter continued gaining traction on what was an otherwise sleepier day ahead of a buzzy weekend

    By

    Drew Taylor
    May 16, 2025 @ 11:23 AM
    Movies
    11:23 AM
    Cannes Day 3: Jury President Juliette Binoche Calls Out Hollywood’s ‘Silence’ on Gaza
  • ‘Eddington’ Review: Ari Aster Reunites With Joaquin Phoenix – and Emma Stone, Pedro Pascal – in Risqué Political Fantasia

    Cannes 2025: What begins as a surprisingly genteel send-up of pandemic-era fever-dreams finds more satisfying footing by letting loose to fully embody that mania

    By

    Ben Croll
    May 16, 2025 @ 10:25 AM
    Cannes Report
    10:25 AM
    ‘Eddington’ Review: Ari Aster Reunites With Joaquin Phoenix – and Emma Stone, Pedro Pascal – in Risqué Political Fantasia
  • ‘The Little Sister’ Review: Nadia Melliti Is a Magnificent Discovery In Delicate Queer Drama

     Cannes 2025: Hafsia Herzi’s film is a character study that marks the arrival of an exciting new talent

    By

    Chase Hutchinson
    May 16, 2025 @ 7:46 AM
    Cannes Report
    7:46 AM
    ‘The Little Sister’ Review: Nadia Melliti Is a Magnificent Discovery In Delicate Queer Drama
  • ‘Amrum’ Review: Can This Poignant Drama Make You Ache for a Member of the Hitler Youth?  

    Cannes 2025: Director Fatih Akin does a wonderfully understated job of setting the innocence and the cruelty of childhood against the fall of fascism

    By

    Steve Pond
    May 15, 2025 @ 4:02 PM
    Cannes Report
    4:02 PM
    ‘Amrum’ Review: Can This Poignant Drama Make You Ache for a Member of the Hitler Youth?   
  • ‘Sirât’ Review: Techno-Fueled Road Movie Is ‘Mad Max’ Without the Stunts or the Fun

    Cannes 2025: Oliver Laxe has made one of a growing number of Cannes films that suggest that we live in dark, dangerous and troubled times

    By

    Steve Pond
    May 15, 2025 @ 2:45 PM
    Cannes Report
    2:45 PM
    ‘Sirât’ Review: Techno-Fueled Road Movie Is ‘Mad Max’ Without the Stunts or the Fun
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