TheWrap Magazine
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How ‘Tár’ and ‘Women Talking’ Composer Hildur Guðnadóttir Surprised Herself With an ‘Optimistic’ Score
TheWrap magazine: Guðnadóttir composed for two very different films that both took her on “beautiful” creative journeys” and “Women Talking” could get the Oscar-winning composer of “Joker” back on the Oscars red carpet in 2023
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Director Laura Poitras Was Intimidated to Work With ‘Incredibly Brave’ Artist Nan Goldin on Doc ‘All the Beauty and the Bloodshed’
TheWrap magazine: “Both in the process of this film and in her own work, she goes to a place that rarely artists go to, in terms of vulnerability and honesty,” Poitras told TheWrap
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‘Wednesday’ Creators Alfred Gough and Miles Millar on Collaborating With Tim Burton on the Creepy, Kooky Series
TheWrap magazine: When it came time to look for directors, “He was always our first choice, for obvious reasons,” Gough says
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How ‘The Lord of the Rings: The Rings of Power’ Cast Brought a New Middle-earth to Life
TheWrap magazine: The cast and showrunners share behind-the-scenes stories about lengthy audition processes, casting Sauron and bonding during a pandemic
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‘Women Talking’ Director Sarah Polley Describes the ‘Power of Community’ in Her Ensemble Cast
TheWrap magazine: The Canadian actor-turned-director was joined by Judith Ivey and Sheila McCartney for a conversation about the acclaimed new film
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‘Andor’ Star Diego Luna on Why His ‘Star Wars’ Character’s Journey Is All About Patience
TheWrap magazine: “A revolutionary doesn’t get shaped by one event or by the words of a mentor,” Luna says. “Things have to happen.”
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‘The Woman King’ Cast on the Long ‘Fight’ to Make Their Blockbuster
TheWrap magazine: “To finally get it made, to finally have your feet on the soil of South Africa, was really close to a miracle,” Viola Davis says
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‘Saint Omer’ Director Alice Diop on How Her Film About Infanticide Explores the ‘Mystery That Is the Human Soul’
TheWrap magazine: Diop based her first fiction film, which is France’s submission to the Oscars, on a tragic real-life story
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‘Bardo’ Director Alejandro G. Iñárritu: Autobiographies Lie, but Fiction Tells the Truth
TheWrap magazine: “Autobiography pretends it’s making factual claims, but it’s not,” says the director of “Bardo, False Chronicle of a Handful of Truths”
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‘Corsage’ Star Vicky Krieps on Why Her Film About a 19th Century Monarch Is an Act of Rebellion
TheWrap magazine: Playing Empress Sisi was the actress’s way of making a statement about what it means to be a 21st-century woman — and a celebrity
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Joe Jonas on Writing the Song ‘Not Alone’ for ‘Devotion’: ‘It Was Exciting, but Also Overwhelming’
TheWrap Magazine: “I’d been trying to separate the two passions of mine, acting and music, but this project was so dear to my heart that I wanted to do it,” Jonas says
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How ‘RRR’ Composers Wrote the Euphoric, Show-Stopping Tune ‘Naatu Naatu’
TheWrap magazine: The insanely catchy song would be the first Indian-composed nominee in the Best Original Song category in 14 years
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How ‘RRR’ Director S.S. Rajamouli Pulled Off His Epic Song-and-Dance Tollywood Hit (That India Snubbed)
TheWrap magazine: The over-the-top adventure musical is a massive hit that took three years to finish. Yet somehow, it’s not India’s Oscar submission
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How ‘Elvis’ Director Baz Luhrmann Used His Lifelong Love of the King to Make His Big, Bold Semi-Biopic
TheWrap magazine: “It was only after I made the movie that I realized Elvis was with me all my life in so many moments,” says Luhrmann
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‘Everything Everywhere All at Once’ Directors the Daniels on the ‘Surreal,’ ‘Wild’ Ride of Success
TheWrap magazine: Daniel Kwan and Daniel Scheinert chat about the Oscars, Michelle Yeoh magic and preserving their unique approach to filmmaking
