TheWrap Magazine
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								New Challenges, More Twists: ‘Squid Game’ Mastermind and Star on Much Darker Season 2TheWrap magazine: Creator Hwang Dong-hyuk and actor Lee Jung-jae “felt the pressure” of living up to the show’s acclaimed first season 
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								Jeff Nichols’ Favorite Part of Making ‘The Bikeriders’: Watching Tom Hardy and Jodie Comer Go Head-to-HeadTheWrap magazine: “It was our version of the scene from ‘Heat,’” the director says, nodding to the Al Pacino-Robert De Niro classic 
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								‘Nickel Boys’ Director RaMell Ross Says Making Movies Is Like Jumping on a ‘Weird Carousel’TheWrap magazine: “Cinema lends itself to the play between the surreal, the symbolic, the experiential, the nonsensical and the aesthetic,” he says 
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								How ‘Will & Harper’ Took on a ‘Whole New Meaning’ After Trump’s ElectionTheWrap magazine: “The only way to push back against this hate and division is with love and empathy,” director Josh Greenbaum says 
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								‘Landman’ Star Billy Bob Thornton Is in it for the Long Haul: ‘Taylor Has a Vision’TheWrap magazine: Why Taylor Sheridan’s latest was the perfect vehicle for the star 
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								‘The Franchise’ Isn’t Punching Down – It’s Actually a Love Letter to Hollywood CrewsTheWrap Magazine: Series stars Himesh Patel, Aya Cash, Lolly Adefope and Billy Magnussen break down the Max series’ goal 
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								Becoming ‘SNL’: How the ‘Saturday Night’ Cast Captured the Magic of the Not Ready for Prime Time PlayersTheWrap magazine: Nicholas Braun, Ella Hunt, Gabriel LaBelle, Kim Matula, Lamorne Morris, Dylan O’Brien and Matt Wood talk playing the most famous ensemble in TV history 
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								Composer Harry Gregson-Williams’ Job on ‘Gladiator II’: 100 Minutes of New Music, and a Little Bit of Hans ZimmerTheWrap magazine: The exchange came with the composer’s plans to incorporate a bit of Hans Zimmer’s theme from the first “Gladiator” 
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								Volker Bertelmann’s Key to Writing the Score for ‘Conclave’: Religious Music, But NastyTheWrap magazine: The German composer turned to a rare French instrument from the 1950s that can sound religious but also distorted 
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								How the Music for ‘Frida’ Documentary Gave ‘Inner Voice’ to the Beloved ArtistTheWrap magazine: Victor Hernández Stumpfhauser explains how he used guitar, synthesizer and the human voice to build the film’s triumphal score 
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								Why Marianne Jean-Baptiste Wanted to Hit Her Character in ‘Hard Truths’TheWrap magazine: The Oscar-nominated actress reunites with her “Secrets & Lies” director Mike Leigh for a stirring, hard-to-swallow performance 
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								Kirsten Dunst on Working With Husband Jesse Plemons in ‘Civil War’: ‘We Didn’t Talk Until We Were Done’TheWrap magazine: “I gave him his space, and I think it was so disturbing for him to play that role,” she says of Plemons’ terrifying performance 
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								How Jharrel Jerome Evolved Into a Grown Man While Making Sports Drama ‘Unstoppable’TheWrap magazine: “My whole work ethic increased dramatically,” the Emmy-winning actor says. “I want the leading roles and I want my physique to help me enter that world” 
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								How Film Schools Are Bracing for Change in a Time of Hollywood DisruptionTheWrap magazine: Deans of three top film schools — USC, AFI and Chapman — address how they’re adapting to an industry in turmoil and a looming drop in college applicants 
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								‘The Gilded Age’ Costumes: A Display of Wealth, Power and SophisticationTheWrap magazine: Every day was a fashion show for the “ladies of means” in 19th century New York, costume designer Kasia Walicka-Maimone says 














