TheWrap Screening Series
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‘A Monster Calls’ Director on Finding the Perfect Balance Between Fantasy and Reality (Video)
TheWrap Screening Series: J.A. Bayona wanted “the monster to move a little bit like a puppet … and the puppet to be as real as possible”
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‘Monkey King: Hero Is Back’ Voice Director Reveals Why Film Was Dubbed With Snorts and Squeaks
TheWrap Screening Series: Chinese animated movie tells its own interpretation of classic Monkey King legend
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‘Zootopia’ Creators on How Their ‘Weirdly Timely’ Story Trumped Real-World Events
TheWrap Screening Series: “You could say we were prescient but I think we were just paying attention,” co-writer Phil Johnston says
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‘Jackie’ Filmmakers Talk About Challenges of Re-Creating 1960s White House (Video)
TheWrap Screening Series: The White House was actually rebuilt in Paris, production team reveals
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‘A Man Called Ove’ Filmmaker on Finding Comedy in a Suicide Scene
TheWrap Screening Series: “You have to do it not too funny at the same time,” Hannes Holm says
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‘My Life as a Zucchini’ Producer on Challenges of Animation: ‘I Didn’t Want to Make This Film’
TheWrap Screening Series: French-Swiss stop-motion film shines a positive light on life in an orphanage
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‘Snowtime!’ Creators on How They Captured the Elements of Winter, Childhood and Conflict
TheWrap Screening Series: Screenwriter and director of animated children’s film talk about the power of a familiar story, and the risks of finding a new way to tell it
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Malaysian Director Talks About Shedding Light on Autism in ‘Beautiful Pain’
TheWrap Screening Series: “I hope society will take it as an invitation for people to learn more,” Tunku Mona Riza says
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‘From Afar’ Director on Highlighting Class Disparity in Modern Venezuela
TheWrap Screening Series: “”We are more and more afraid of intimacy everywhere,” Lorenzo Vigas says
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‘Long Way North’ Director Chose Emotion Over Detail for Animated Adventure Epic
TheWrap Screening Series: French-Danish animated film is inspired by Russian literature and polar expeditions
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‘Very Big Shot’ Filmmakers on Why It’s Hard to Make Films in Lebanon
TheWrap’s Screening Series: Director Mir-Jean Bou Chaaya and his two brothers spoke about Lebanon’s foreign Oscar entry
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‘Life, Animated’ Director Reveals How Filmmakers Secured the Rights to Use Classic Disney Characters
TheWrap Screening Series: Documentary follows an autistic child who learns to communicate through animated Disney movies like “Peter Pan” and “Jungle Book”
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‘The Salesman’ Director Asghar Farhadi on Erasing Fears Through Film
TheWrap Screening Series: “The cinema can do something really important,” he tells TheWrap’s Steve Pond
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‘It’s Only the End of the World’ Director Xavier Dolan on His Love of ‘Tough Protagonists’
TheWrap Screening Series: “They lie, they scream, they cry … they’re tough — but aren’t we all?” he tells TheWrap’s Sharon Waxman
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‘House of Others’ Director Says Making Film About Georgia War Was Her ‘Duty’
TheWrap Screening Series: Rusudan Glurjidze captures the fog of post-war in Georgia’s official Oscar entry
