Reviews
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‘Operation Fortune’ Review: Guy Ritchie’s Long-Delayed Action Comedy Misses the Mark
Even Hugh Grant and Aubrey Plaza can’t penetrate this lackluster spy lark
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‘The Seagull/Woodstock, NY’ Off Broadway Review: Parker Posey Steals the Spotlight
Thomas Bradshaw’s very funny update transforms the Chekhov classic into a send-up of bed, Broadway and beyond
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‘Creed III’ Review: Michael B. Jordan and Jonathan Majors Duke It Out in Fantastic Continuation
Jordan’s directorial debut works despite of Sylvester Stallone’s absence
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‘Inside’ Review: Willem Dafoe Is a Tour de Force in Audacious Psychological Drama
Berlin 2023: An art thief locked inside a gilded cage sets the stage for a challenging, if affected, story of endurance
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‘BlackBerry’ Review: Energetic Comedy/Drama Details the Smartphone Legend’s Rise and Fall
Berlin 2023: Jay Baruchel and Glenn Howerton star in Matt Johnson’s humor-tinged behind-the-scenes account of tech innovation and market obsolescence
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‘Winnie the Pooh: Blood and Honey’ Review: Nothing Sweet or Interesting in Genre Mash-Up
The film is so slapdash and incredibly cheap that it’s almost punk rock
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‘She Came to Me’ Review: Anne Hathaway Shines in Well-Intentioned but Bland Relationship Drama
Berlin 2023: Director Rebecca Miller’s latest is as frazzled and unfortunate as its nervous characters
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‘The Blue Caftan’ Review: A Standard Drama Stretched to Interminable Length
Every close-up of a stitch feels like an eternity
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‘Sharper’ Review: Lots of Glitter, Little Gold in Sebastian Stan, Julianne Moore Drama
A shiny, reflective bauble that’s fun to play with but is ultimately forgettable
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‘Magic Mike’s Last Dance’ Review: A King of Tampa Finds His London Queen
Steven Soderbergh’s strip show devolves into faux girl power in this toned-down threequel
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‘Godland’ Review: A Strikingly Realized Tale of Humanity and Nature in Unforgiving Iceland
A colonizing Danish priest’s turbulent journey into the terrible beauty of Iceland makes for a masterful, meditative epic
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‘Body Parts’ Review: Crew Members Discuss the Nuts and Bolts of Sex in the Movies
Documentary examines the treatment of women and how intimate moments are captured on film, but it’s mostly a rehash
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‘Let It Be Morning’ Review: Palestinian Drama Takes a Caustic and Familiar Path
The melancholy affair relies less on absurdist laughs and more on frank despair
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‘The Blind Man Who Did Not Want to See Titanic’ Review: Good Intentions Meet Tired Tropes
Petri Poikolainen’s lead performance can’t fix frustrations with plot
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‘A Lot of Nothing’ Review: Mo McRae’s Directorial Feature Debut Takes on Police Killings
McRae shows promise as a director, if not a writer, with this satirical drama
