Theater
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‘Mary Jane’ Broadway Review: Rachel McAdams Goes From Mom to Hero to Saint
The actor makes her Broadway debut in Amy Herzog’s play about a parent who cares for a child with severe challenges
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‘The Heart of Rock and Roll’ Broadway Review: Huey Lewis’ Jukebox Musical Is Paper Thin
The rocker’s songs barely service a musical about people who make boxes and other packing supplies
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‘Patriots’ Broadway Review: After Serving Up the Royals, Peter Morgan Takes on the Russians
“The Crown” creator delivers a first-rate comedy about Putin and the oligarchs — the second act of his play is another story
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‘Cabaret’ Broadway Review: Eddie Redmayne Twists the Emcee Into a Rancid Pretzel
The Oscar-winning actor headlines a new, conflicted revival of the legendary musical
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‘Hell’s Kitchen’ Broadway Review: Alicia Keys Holds Court Far Above 42nd Street
Making her Broadway debut, the singer-songwriter offers up a flashy alter-ego for her younger self
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‘Stereophonic’ Broadway Review: Part Robert Altman, Part Fleetwood Mac
David Adjmi’s play and Will Butler’s score bring back the 1970s in full claustrophobic detail
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‘Suffs’ Broadway Review: The Right, if Not Perfect, Show for Where We Are Now
Shaina Taub’s new musical about early feminists grabs the political zeitgeist and runs with it at full speed
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‘The Wiz’ Broadway Review: The Original Was Never This Much Fun
A new spiffed-up revival features the funniest-ever Lion, Scarecrow and Tin Man
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Rachel Zegler and Kit Connor to Star in Broadway Version of ‘Romeo + Juliet’ With Music by Jack Antonoff
It will be directed by Tony winner Sam Gold with fellow Tony winner Sonya Tayeh writing the movement
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‘The Outsiders’ Broadway Review: It Vastly Improves on Coppola’s Cult Classic
What begins as ‘Grease’ without the jokes ends up being a showcase for new, impressive stage talent
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800 Actors Condemn ‘Too Familiar Horror’ of Racism Against ‘Romeo & Juliet’ Actress Francesca Amewudah-Rivers
“The racist and misogynistic abuse directed at such a sweet soul has been too much to bear,” reads an open letter in support of Tom Holland’s costar
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‘The Who’s Tommy’ Broadway Review: See Me, Feel Sorry for Me
Pete Townshend’s musical memoir reaches for the hankies instead of going for the jugular
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‘Water for Elephants’ Broadway Review: The Big Top Has Really Shrunk
Most disappointing is Rosie the Elephant, who should turn in her Actors’ Equity card
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‘An Enemy of the People’ Broadway Review: Jeremy Strong Makes a Great Dr. Fauci
The “Succession” star returns to the Gotham boards in an Ibsen revival that’s short, swift and politically pointed
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‘The Notebook’ Broadway Review: Ryan Gosling and Rachel McAdams Are Sorely Missed
This new musical featuring songs by Ingrid Michaelson is merely lukewarm when it needs to boil over with body heat
