Kobe Bryant is in the running to make it to the Oscars as the subject, writer and executive producer of an animated short that could take his awards-heavy career into a different field — because “Dear Basketball,” the animated short he made with veteran Disney animator Glen Keane, has made the shortlist in the Academy Awards category of Best Animated Short.
The Academy announced the 10 shortlisted films on Wednesday, with “Dear Basketball” — in which Keane’s line drawings animated the poem that Bryant wrote to announce his retirement from the game — serving as the highest-profile entry on the list.
(NOTE: At the time this story as originally written, Bryant was listed as the film’s executive producer on the film, which ordinarily would have meant that he wouldn’t receive a nomination. But when the film was nominated, Bryant and Glen Keane were were listed as the nominees.)
Other shortlisted films include Pixar’s “Lou,” about a monster who lives in a school lost-and-found box, and three Student Academy Award winners, “Cradle,” “In a Heartbeat” and “Life Smartphone.”
The films were chosen from 63 eligible shorts, six shy of the record of 69 set last year. Volunteer members from the Academy’s Short Films and Feature Animation Branch viewed and scored all the eligible films, with the 10 highest-scoring films making up the shortlist.
Screenings of the shortlisted films will now be held for members of the branch in Los Angeles, New York, San Francisco and London, with every member who has seen all 10 eligible to vote. The five nominees will be announced on Jan. 23.
The list, with director and production company:
“Cradle,” Devon Manney, director (University of Southern California)
“Fox and the Whale,” Robin Joseph, director (Robin Joseph)
“Garden Party,” Victor Caire and Gabriel Grapperon, directors (MOPA)
“In a Heartbeat,” Esteban Bravo and Beth David, directors (Ringling College of Art and Design)
“Life Smartphone,” Chenglin Xie, director (China Central Academy of Fine Arts)
“Lost Property Office,” Daniel Agdag, director, and Liz Kearney, producer (8th in Line)
“Lou,” Dave Mullins, director, and Dana Murray, producer (Pixar Animation Studios)
“Negative Space,” Max Porter and Ru Kuwahata, directors (Ikki Films)
“Revolting Rhymes,” Jakob Schuh and Jan Lachauer, directors (Magic Light Pictures)
15 Most Beloved Disney/Pixar Animated Shorts, Ranked (Videos)
Both Disney and Pixar have left a mark on animation that no other studios can match, and for both, their origins can be traced to animated shorts. Pixar has accompanied all of its feature films since its second feature film ("A Bug's Life") with opening shorts, and Disney has recently followed suit with shorts that range from groundbreaking experiments to revitalization of their most classic characters.
15.) "Tin Toy" (1988) -- This is the short that saved Pixar from financial ruin, became the first CGI film to win an Oscar, and led to Disney making a deal with Pixar to create "Toy Story." The baby that chases after our toy hero was stuck in the Uncanny Valley when the film first came out and looks even worse in the years since. Still, it went a long way to showing the world the sort of storytelling that could be made with computer animation.
14.) "Lorenzo" (2004) -- Designed for a "Fantasia" film that never got completed, "Lorenzo" features a spoiled fat cat who makes a big mistake when he mocks a black cat for not having a tail. The black cat hexes the tubby feline, causing his tail to come alive and wrap him into a dance scene set to an Argentinean tango.
13.) "One Man Band" (2006) -- A whimsical tale with Pixar's most creative use of music. Two street performers play multiple instruments simultaneously in an attempt to win the money of a young girl who wants to see a show.
12.) "Geri's Game" (1997) -- Pixar put its short film projects on hold during the 90s to focus on building profits with feature films and commercials. They returned to the format in a big way with an Oscar-winning short featuring an old man playing chess against himself. It's notable for being the first Pixar project with a human main character after years of toys and insects in the lead.
11.) "For The Birds" (2001) -- Pixar's third Oscar-winning short featured a large, gangly bird trying to befriend a bunch of snobby little birds that wanted nothing to do with him. To animate the film, Pixar developed a new animation tool to allow for the birds to have feathers that moved individually.
10.) "Sanjay's Super Team" (2015) -- A deeply personal Pixar short made by director Sanjay Patel to show the internal conflict he felt as a kid between his family's Hindu traditions and the pull of modern Western culture. The cartoon features Sanjay as a kid imagining Hindu deities as superheroes much like the ones he watches on Saturday morning.
9.) "The Little Matchgirl" (2006) -- Here's a rarity: a Disney film that doesn't have a happy ending. Set to a string quartet piece by Alexander Borodin and based on a Hans Christian Andersen tale, the story depicts a girl stuck in the cold streets of Moscow at Christmas.
8.) "How To Hook Up Your Home Theater" (2007) -- In the 40s and 50s, Goofy became a prominent member of Disney's stable with the "Everyman" shorts, a series of cartoons where he would clumsily struggle to do things like play baseball and do a waltz while a droll announcer provided instructions. Disney brought back the format with a topic every sports fan can sympathize with: setting up an HDTV and surround sound in your living room.
7.) "Runaway Brain" (1997) -- A common complaint about Mickey Mouse is that in modern times he has become more of a corporate mascot than a cartoon character. The Disney shorts restore him to greatness, particularly this macabre tale in which a mad scientist switches Mickey's brain with that of a monster named Julius, leading to the creepy sight of Mickey's face turning into a sharp-toothed visage.
6.) "The Blue Umbrella" (2013) -- A dramatic change in Pixar's visual style. The story of two umbrellas befriending each other is what one expects from the studio. What's unexpected is the realistic city the story is set in, swapping out Pixar's usual cartoon style with an attention to detail you'd see in "Batman: Arkham Knight."
5.) "Get a Horse!" (2013) -- A hilarious and powerful retrospective on the evolution of Disney animation. What starts as a throwback to Mickey Mouse's 1928 roots quickly transforms into a fourth-wall breaking blend of 2D and 3D animation. The cartoon also reuses archival audio of Walt Disney for Mickey's voice.
4.) "Piper" (2016) -- The newest and most detailed Pixar short to date, starring a baby sandpiper bird who overcomes his fear of the waves to forage for clams on the beach. The shore is rendered with the same attention to detail as "The Blue Umbrella," culminating in an underwater scene where you can see every grain of sand.
3.) "Paperman" (2012) -- The most visually striking work Disney has produced this decade. This short features a cubicle worker trying to get the attention of a woman in the next building over with paper planes. Presented in black and white with a blend of computer and traditional animation, it was the first Disney short to win an Oscar since 1969.
2.) "Day and Night" (2010) -- Two 2D animated characters symbolizing day and night squabble over which of them is better. In addition to having one clever sight gag after another, the short provides commentary on prejudice and fear of the unknown without its characters saying a single word.
1.) "Destino" (2003) -- Disney has made nothing like this before and likely never will again. In 1945, Walt Disney began a collaboration with Salvador Dali that was shuttered due to financial struggles. Over fifty years later, Walt's nephew, Roy E. Disney, commissioned the company's French animation studio to make a short based on Dali's perplexing storyboards. The result is a cryptic but beautiful short that brings Dali's paintings to life.
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From Mickey Mouse to ”Paperman,“ ”Tin Toy“ to ”Piper,“ Disney and Pixar have created animated gems with their recent shorts
Both Disney and Pixar have left a mark on animation that no other studios can match, and for both, their origins can be traced to animated shorts. Pixar has accompanied all of its feature films since its second feature film ("A Bug's Life") with opening shorts, and Disney has recently followed suit with shorts that range from groundbreaking experiments to revitalization of their most classic characters.
