Oscar Nominee Alfonso Cuarón: ‘Audiences Are Hungry for Diversity in Cinema’

The “Roma” director, writer, producer and cinematographer says he’s surprised that his intimate black-and-white film has connected with audiences and Oscar voters

Alfonso Cuaron on the set of "Roma"
Netflix / Carlos Somonte

When Alfonso Cuarón was making “Roma,” he figured that the black-and-white, Spanish-language film based on his own childhood memories would have a very small, very specific audience far smaller than that of his previous film, “Gravity.”

“I thought that it was going to be something that I had to do, something I needed to do emotionally,” he said. “And I thought it would be something very specific that maybe was not going to have a lot of attention, and that was fine.”

He was wrong, as attested by the film-festival reception for “Roma,” the critics’ awards and now the 10 Oscar nominations, which ties the film with “The Favourite” as the most-nominated film in this year’s race. “Roma” also tied with 2000’s “Crouching Tiger, Hidden Dragon” for the most nominations ever for a foreign-language film.

“I started to get surprised at the Venice Film Festival, and then when I started to go around the world with the film hearing the strong emotional responses,” Cuarón told TheWrap on Tuesday morning. “Obviously that shows that the human experience is one and the same — but also, that we share so many wounds that I thought I only shared with my family and with the society I grew up in.”

The 10 nominations for “Roma” include four individual nominations for Cuarón’s writing, directing, producing and cinematography; that makes him only the fourth person to receive four separate nominations for a film, and the first ever nominated for direction and cinematography for the same film.

In the cinematography category, Cuarón is competing against Lukasz Zal for “Cold War” and Caleb Deschanel for “Never Look Away,” making this the first year ever in which the category is predominantly non-English films. It’s a sign, Cuarón said, of an increasingly international Academy.

“I think that the Academy is become more and more inclusive, and also more diverse,” he said. “And it’s not only the Academy — I think audiences at large are becoming hungry for a certain kind of diversity in cinema.

“I think that is very good news. It’s something that should have happened decades ago, but I’m happy it’s finally happening. This is a film about a domestic worker with an indigenous background, and she’s the lead of the film. I think right now Hollywood is breaking certain preconceptions about what the star and the hero of a film should be, the way they did back in the ’70s,” Cuarón continued.

When asked if any of the 10 nominations are particularly satisfying, Cuarón didn’t hesitate. “Definitely is the nominations to [supporting actress] Marina de Tavira and [lead actress] Yalitza Aparicio,” he said. “They are not just the heart of the film – but if this film has connected with people, it’s because of the amazing humanity of these women.

“If people like ‘Roma,’ it’s because of them.”

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