Oscars Add New Round of Voting in Music Categories
Best Original Song and Best Original Score will now be narrowed to a 15-film shortlist before a second round produces the five nominees
Steve Pond | April 24, 2018 @ 10:21 AM
Last Updated: April 24, 2018 @ 11:21 AM
AWARDS BEAT
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In its annual adjustment of Oscar rules, the Academy has added a first round of voting to produce a shortlist in the Best Original Song and Best Original Score categories.
Both categories will now be narrowed down to 15 films before a second round of voting by the Music Branch produces the final five nominees. That marks a dramatic change from the existing rules that have called for a single round of nomination voting.
The music categories will now align with several other categories that use shortlists, including Best Documentary Feature, Best Foreign Language Film and the short-film categories.
In other rule changes, documentary features can now qualify for the Oscars by winning an award at a qualifying film festival. In the past, all feature docs had needed a theatrical release to qualify, though short docs could qualify via film-festival awards.
Other rule changes affected submission deadlines and the number of producers eligible to receive Oscars in the doc-feature and animated-feature categories.
The new rules were recommended by the individual branches, reviewed by the Academy’s Awards and Events Committee and then approved by the Board of Governors.
The board also approved new campaign regulations for the 91st Oscars next year. The most dramatic of those confirmed earlier reports that studios will be required to send materials to Oscars voters through an “Academy-approved mailing house.”
In the past, studios have been able to send screeners, invitations and other materials directly to Academy members, but the new rule brings the process in line with the one used by the Television Academy for Emmy voting.
Additionally, the number of post-nomination screenings that include filmmaker Q&As has been trimmed to four, eliminating the two additional screenings that were allowed in the documentary and foreign-language categories.
The new rules, from the Academy press release:
Submission deadlines for awards eligibility have been changed. There is now one submission deadline – Monday, Oct. 1, 2018 – for the Animated Feature Film, Documentary Feature, Documentary Short Subject, Foreign Language Film, Animated Short Film and Live Action Short Film categories. The submission deadline for Best Picture and all other categories is Thursday, Nov. 15, by 5 p.m. PT.
In the Music categories, all members of the Music Branch will view films eligible for Original Score and film clips of eligible Original Songs and vote in a preliminary round to produce a shortlist of 15 titles in each category using the preferential voting system. Five nominees for Original Score and five nominees for Original Song will then be chosen by branch members in a second round of balloting also using preferential voting.
In the Documentary Feature category, films that have won a qualifying award at a competitive film festival will be eligible for Academy Awards consideration regardless of any prior public exhibition or distribution by nontheatrical means. The Documentary Feature Qualifying Festival List will be available later this spring. Furthermore, the critic review eligibility requirement has been expanded to include additional New York- and Los Angeles-based publications.
To align with credits eligibility in the Best Picture category, rules in both the Animated Feature Film and Documentary Feature categories have been updated to allow for more than one producer to be designated as a nominee.
In a procedural change, members of the Visual Effects Branch Nominating Committee will now be able to stream bake-off reels from the shortlisted films or attend satellite bake-off screenings and vote online. Previously, committee members were only able to vote in person at the Academy’s Visual Effects Bake-off in Los Angeles.
Other amendments to the rules include standard date changes and other “housekeeping” adjustments.
Rules are reviewed annually by individual branch and category committees. The Awards and Events Committee then reviews all proposed changes before presenting its recommendations to the Board of Governors for approval.
Updated campaign regulations, which specify how companies and individuals may promote to Academy members any movies and achievements eligible for the 91st Academy Awards, are also presented to the Board of Governors for approval.
For the first time, studios, distributors and filmmakers will be required to use an Academy-approved mailing house to send sanctioned awards materials for eligible films to Academy members. Each approved mailing house will be provided with an official list of Academy members who have opted-in along with their contact information to facilitate both physical and digital mailings.
Additionally, the number of post-nominations screenings with a filmmaker Q&A is now limited to a maximum of four regardless of category or country in which the event takes place. This rule eliminates the two additional screenings currently allowed for Documentary and Foreign Language Film nominees.
13 Best and Worst Oscars Moments, From Frances McDormand's Speech to Gael Garcia Bernal's Singing (Photos)
Although the set design was way over the top with gothic chandeliers and abstract light installations, the 90th Academy Awards were filled with heartwarming but also gut-wrenching moments
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BEST: Rita Moreno
Literally everything about Rita Moreno rocked on Sunday night. Not only did she wear parts of her 1962 Oscars dress when she won an award for “West Side Story, but she also delivered maybe the most over-the-top yet amazing laugh when opening an envelope. Also, Moreno hasn’t aged one day.
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WORST: Set Design
From bizarre eastern-inspired columns and altars, gothic chandeliers, abstract light installations and what looks like two Lady Gaga shoulder pads framing the stage, we have no idea what in God's name was going on with set design this year.
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BEST: Old-Timey Opening Package
For just a split second, you couldn’t tell whether the 2018 Oscars telecast had begun, but soon it became clear that the old-timey film spool was serving as the opening to the awards show. Presented in black and white, the package poked fun at Emma Stone and Armie Hammer and honed in on attendees in the audience -- and at the end, it was revealed that Jimmy Kimmel was narrating the package in the antique voiceover style.
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WORST: Gael Garcia Bernal Singing "Remember Me"
Gael Garcia Bernal singing nominated song "Remember Me" from Oscar-winning film "Coco" wasn't on point. Sure, it was maybe meant to be endearing, but Bernal's performance missed the mark. But we're kind of relieved there is something Bernal isn't good at.
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BEST: Helen Mirren's Jet Ski Pose
Jimmy Kimmel surprised everyone with a need-for-speed gift -- whoever gave the shortest acceptance speech would win a jet ski. And who better to present the jet ski than Dame Helen Mirren? Mark Bridges ended up taking the jet ski home -- along with an Oscar for Best Costume Design for “The Phantom Thread.”
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WORST: "Star Wars" Stars Banter With BB-8
Kelly Marie Tran, Oscar Isaac and Mark Hamill took the stage with BB-8 for some endearing and light-hearted banter, but the audience just kind of politely applauded to humor the group.
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BEST: Mark Wahlberg/Michelle Williams Joke
While Mark Wahlberg glossed over the uncomfortable truth with a $1.5 million donation to Time’s Up, Oscar host Kimmel was not going to let the audience forget that the movie star was paid all that cash for reshoots on “All the Money in the World.” His costar Michelle Williams only got her per diem of $80 per day, and the pair have the same agency in WME, run by Wahlberg's rep Ari Emanuel. “If we can’t trust agents, who can we trust?” Kimmel joked.
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WORST: Joyless Oscar Audience Watching Ecstatic Normals Getting Visited by Celebrities
Jimmy Kimmel improved on his tour bus bit from last year by taking an undercover group of nominees and stars into a nearby advance screening of “A Wrinkle in Time.” Armed with a hot dog gun, buckets of candy and even a huge sub sandwich, stars like Gal Gadot and Emily Blunt shocked regular moviegoers by crashing their evening. The big screen inside the theater reverted to a live shot of the Oscars audience, who looked bored and unimpressed by the stunt.
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BEST: Allison Janney Thanks the "I, Tonya" Bird
When Janney won Best Supporting Actress for her role in "I, Tonya," she thanked the legendary bird for her award.
"To my 'I, Tonya' family: the magnificent Margot Robbie, the fearless Craig Gillespie, a cast and crew and bird that elevated my work," she said.
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BEST: Dreamers Mention From Lupita Nyong'o and Kumail Nanjiani
Kumail Nanjiani and Lupita Nyong'o took their time on stage to share a powerful message for the Dreamers -- the recipients of the Deferred Action for Childhood Arrivals immigration program, which had a supposed end date on Monday after Trump ended DACA in September.
"Like everyone in this room and everyone watching at home, we are dreamers," Nyong'o said. "We grew up dreaming of one day working in the movies. Dreams are the foundation of Hollywood, and dreams are the foundation of America."
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BEST: Tiffany Haddish and Maya Rudolph Presenting
The two comedians had the entire audience in tears when they came on stage in their gowns and slippers, and Haddish told Meryl Streep that she wanted her to be her "mama one day."
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BEST: "This Is Me" Performance
Keala Settle moved everyone to tears with her performance of "This Is Us" from "The Greatest Showman," getting everyone in the audience moving and singing along.
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BEST: Frances McDormand's Acceptance Speech
Frances McDormand was so shaken by her Best Actress win that she told the audience to pick her up if she falls down "because she has some things to say." She then invited every female Oscar nominee in the room to stand up, bringing many to tears. She then urged listeners to help tell female stories and finished her speech with "Inclusion Rider."
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Probably the best moment of the night — no Best Picture flub this year
Although the set design was way over the top with gothic chandeliers and abstract light installations, the 90th Academy Awards were filled with heartwarming but also gut-wrenching moments