Oscars Documentary Race Looks Robust Despite the Pandemic


Here’s the list of docs that are already available to voters in a year when new rules make it easier for films to qualify

steve pond

It makes sense that this year’s AFI Fest closed on Thursday night with the premiere of director Errol Morris’ wild and entertaining documentary “My Psychedelic Love Story.” In a year in which reality has smacked all of us in the face, nonfiction filmmaking is in the spotlight more than ever, from a string of docs that deal with issues at stake in the upcoming election (“All In: The Fight for Democracy,” “Slay the Dragon,” “Becoming,” “John Lewis: Good Trouble,” “#UNFIT: The Psychology of Donald Trump”) to more freewheeling works like Morris’ film, a WTF concoction from a director who only gets this playful once in a while.

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Steve Pond

Steve Pond has been writing about film, music, pop culture and the entertainment industry for more than 40 years. He has served as TheWrap’s awards editor and executive editor, awards since joining the company in 2009. Steve began his career writing about music for the Los Angeles Times, where he remained a contributor for more than 15 years, and Rolling Stone, where he was West Coast Music Editor and wrote 16 cover stories. He moved into film coverage with a weekly column in the Washington Post and became a contributing writer at Premiere magazine, where he became the first journalist to have all access to the Academy Awards show and rehearsals. He has also written for the New York Times, Movieline, the DGA Quarterly, GQ, Playboy, the Christian Science Monitor, USA Today, New York, the Christian Science Monitor, Live! magazine and many others. He is the author of the Los Angeles Times bestseller “The Big Show: High Times and Dirty Dealings Backstage at the Academy Awards” (Faber and Faber, 2005). He has also written “Elvis in Hollywood” (New American Library, 1990) and contributed to books that include “Cash,” “The Rolling Stone Reader,” U2: The Rolling Stone Files,” “Bruce Springsteen: The Rolling Stone Files” and “The Rolling Stone Interviews: The 1980s.” He was the co-managing editor of the syndicated TV news program “The Industry News” and the creative consultant for the A&E series “The Inside Track With Graham Nash.” He has won L.A. Press Club awards for stories in TheWrap, the Los Angeles Times and Playboy, and was nominated for a National Magazine Award for a story in Premiere.