Oscars Ease Eligibility Rules, Allow Films With Drive-In Releases to Qualify

AWARDS BEAT

Films that premiere on streaming platforms can also qualify if they are made available on the Academy’s virtual screening room for members

The Academy of Motion Picture Arts and Sciences has eased the eligibility rules allowing films to qualify for the Oscars without traditional theatrical releases.

A new addendum was made to eligibility rules that were originally passed after the COVID-19 pandemic prompted theater closings. The addendum allows films that were planned for a theatrical release to qualify even if they have initially been released on streaming or VOD platforms, as long as they are made available to voters on the Academy Screening Room within 60 days of release.

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Steve Pond

Steve Pond has been writing about film, music, pop culture and the entertainment industry for more than 40 years. He has served as TheWrap’s awards editor and executive editor, awards since joining the company in 2009. Steve began his career writing about music for the Los Angeles Times, where he remained a contributor for more than 15 years, and Rolling Stone, where he was West Coast Music Editor and wrote 16 cover stories. He moved into film coverage with a weekly column in the Washington Post and became a contributing writer at Premiere magazine, where he became the first journalist to have all access to the Academy Awards show and rehearsals. He has also written for the New York Times, Movieline, the DGA Quarterly, GQ, Playboy, the Christian Science Monitor, USA Today, New York, the Christian Science Monitor, Live! magazine and many others. He is the author of the Los Angeles Times bestseller “The Big Show: High Times and Dirty Dealings Backstage at the Academy Awards” (Faber and Faber, 2005). He has also written “Elvis in Hollywood” (New American Library, 1990) and contributed to books that include “Cash,” “The Rolling Stone Reader,” U2: The Rolling Stone Files,” “Bruce Springsteen: The Rolling Stone Files” and “The Rolling Stone Interviews: The 1980s.” He was the co-managing editor of the syndicated TV news program “The Industry News” and the creative consultant for the A&E series “The Inside Track With Graham Nash.” He has won L.A. Press Club awards for stories in TheWrap, the Los Angeles Times and Playboy, and was nominated for a National Magazine Award for a story in Premiere.